A sprawling, poetic meditation on humor in all its forms.
An Arab American psychoanalyst and poet investigates the social and psychological dimensions of laughter.
The book begins with Alsadir admitting to her fellow students at clown school that she is attending the course in order to research a book on laughter. From there, the author follows her thoughts and memories through a stream-of-consciousness series of observations on the roles that humor and laughter play in our lives. She remembers, for example, “corpsing,” or “breaking into convulsive laughter,” at a panel discussion during which a microphone glitch unexpectedly amplified the author saying the word ejaculation. As she describes it, “the sudden surge of my voice came at me through the speakers as a kind of horror vox, a disconcerting eruption of my interior into the external world.” In trying to understand her reaction, Alsadir ruminates on the roles that society asks us to play and what happens when we refuse to inhabit those roles. Over the course of a wide-ranging, sometimes scattered narrative, the author explores a host of topics: the relationship between joke structure and Donald Trump’s penchant for belittling others (“When we treat another being as inferior—try to disappear them—our underlying goal is to evacuate a threat to our boundaries of self that destabilizes the story we tell ourselves and others”), Sacha Baron Cohen’s discovery of “undercover comedy,” the effect of the superego on laughter, and the differences among candid camera shows around the world. Throughout, she weaves in personal stories about her family as well as concepts, quotes, and theories developed by Freud, Nietzsche, Wittgenstein, Barthes, Schopenhauer, Lacan, and many other philosophers and thinkers. At its best, the book is vulnerable, lyrical, and refreshingly incisive. At times, the author’s expansive, meandering style makes the prose feel more like a series of interesting anecdotes than a cohesive argument, but Alsadir’s quiet wit and depth of knowledge lead to unique insights and profound self-reflection.
A sprawling, poetic meditation on humor in all its forms.Pub Date: Aug. 16, 2022
ISBN: 978-1-64445-093-2
Page Count: 296
Publisher: Graywolf
Review Posted Online: May 10, 2022
Kirkus Reviews Issue: June 1, 2022
A blissfully vicarious, heartfelt glimpse into the life of a Manhattan burlesque dancer.
A former New York City dancer reflects on her zesty heyday in the 1970s.
Discovered on a Manhattan street in 2020 and introduced on Stanton’s Humans of New York Instagram page, Johnson, then 76, shares her dynamic history as a “fiercely independent” Black burlesque dancer who used the stage name Tanqueray and became a celebrated fixture in midtown adult theaters. “I was the only black girl making white girl money,” she boasts, telling a vibrant story about sex and struggle in a bygone era. Frank and unapologetic, Johnson vividly captures aspects of her former life as a stage seductress shimmying to blues tracks during 18-minute sets or sewing lingerie for plus-sized dancers. Though her work was far from the Broadway shows she dreamed about, it eventually became all about the nightly hustle to simply survive. Her anecdotes are humorous, heartfelt, and supremely captivating, recounted with the passion of a true survivor and the acerbic wit of a weathered, street-wise New Yorker. She shares stories of growing up in an abusive household in Albany in the 1940s, a teenage pregnancy, and prison time for robbery as nonchalantly as she recalls selling rhinestone G-strings to prostitutes to make them sparkle in the headlights of passing cars. Complemented by an array of revealing personal photographs, the narrative alternates between heartfelt nostalgia about the seedier side of Manhattan’s go-go scene and funny quips about her unconventional stage performances. Encounters with a variety of hardworking dancers, drag queens, and pimps, plus an account of the complexities of a first love with a drug-addled hustler, fill out the memoir with personality and candor. With a narrative assist from Stanton, the result is a consistently titillating and often moving story of human struggle as well as an insider glimpse into the days when Times Square was considered the Big Apple’s gloriously unpolished underbelly. The book also includes Yee’s lush watercolor illustrations.
A blissfully vicarious, heartfelt glimpse into the life of a Manhattan burlesque dancer.Pub Date: July 12, 2022
ISBN: 978-1-250-27827-2
Page Count: 192
Publisher: St. Martin's
Review Posted Online: July 27, 2022
A frank and funny but uneven essay collection about neurodiversity.
An experimental, illustrated essay collection that questions neurotypical definitions of what is normal.
From a young age, writer and comedian Myers has been different. In addition to coping with obsessive compulsive disorder and panic attacks, she struggled to read basic social cues. During a round of seven minutes in heaven—a game in which two players spend seven minutes in a closet and are expected to kiss—Myers misread the romantic advances of her best friend and longtime crush, Marley. In Paris, she accidentally invited a sex worker to join her friends for “board games and beer,” thinking he was simply a random stranger who happened to be hitting on her. In community college, a stranger’s request for a pen spiraled her into a panic attack but resulted in a tentative friendship. When the author moved to Australia, she began taking notes on her colleagues in an effort to know them better. As the author says to her co-worker, Tabitha, “there are unspoken social contracts within a workplace that—by some miracle—everyone else already understands, and I don’t….When things Go Without Saying, they Never Get Said, and sometimes people need you to Say Those Things So They Understand What The Hell Is Going On.” At its best, Myers’ prose is vulnerable and humorous, capturing characterization in small but consequential life moments, and her illustrations beautifully complement the text. Unfortunately, the author’s tendency toward unnecessary capitalization and experimental forms is often unsuccessful, breaking the book’s otherwise steady rhythm.
A frank and funny but uneven essay collection about neurodiversity.Pub Date: Oct. 28, 2025
ISBN: 9780063381308
Page Count: 272
Publisher: Morrow/HarperCollins
Review Posted Online: Sept. 12, 2025
Kirkus Reviews Issue: Oct. 15, 2025
© Copyright 2025 Kirkus Media LLC. All Rights Reserved.
Follow
Popular in this Genre
We can’t wait for you to join Kirkus!
It’s free and takes less than 10 seconds!
Already have an account? Log in.
OR
Sign in with GoogleTrouble signing in? Retrieve credentials.
Welcome Back!
OR
Sign in with GoogleTrouble signing in? Retrieve credentials.
