As one of the characters puts it, “Art is a humanizer,” and Farah’s insistence on isolating the humanity in even the most...
A Somali husband and wife living in Norway are pitched into chaos, acrimony, and upheaval after their son embraces radical Islam and dies as a suicide bomber.
As in Farah’s last novel, Hiding in Plain Sight (2014), an act of violence sets in motion a chain of events disrupting a family’s stable life. It is the spring of 2009, and Mugdi, a former Somali diplomat now living in Oslo with his wife, Gacalo, has found out that their estranged son, Dhaqaneh, who fled to their homeland as a jihadi, has blown himself up at the international airport there. Gacalo, upon recovering from her grief, reminds her husband of the promise he made: that they would welcome into their home their widowed daughter-in-law, Waliya, and her two young children from a previous marriage. Mugdi, more than his wife, is bracing for what could be an unsettling culture clash, and his apprehensions grow when he finds Waliya to be sullen, withdrawn, and monastic in adhering to her Islamic faith, demanding that her son, Naciim, and daughter, Saafi, rigidly follow her religious tenets. But both children are attracted by the freedoms their new homeland offers, especially Naciim, who almost from his arrival in Norway yearns to earn enough money to buy a lottery ticket. He also chafes at the many strict rules imposed by his mother, including her fierce opposition to his associating with non-Muslim school friends and their families. The anti-immigrant bigotry of Norwegian citizens looms over this family’s painful transition, exploding at one point with Anders Behring Breivik's 2011 mass slaughter of more than 70 people, including teens attending a multicultural youth camp. At the opposite end of the spectrum is the anti-Western intolerance of Waliya and some of her fellow refugees, which reaches a tipping point with Naciim after he is brutally whipped by an imam as “punishment” for “disrespect.” Between these two violent extremes, Mugdi’s besieged-but-steadfast equanimity, as well as the author’s, provides relatively safe haven from the prevailing tension and strife.
As one of the characters puts it, “Art is a humanizer,” and Farah’s insistence on isolating the humanity in even the most difficult characters is a beacon of hope against fear and loathing.Pub Date: Dec. 4, 2018
ISBN: 978-0-7352-1423-1
Page Count: 384
Publisher: Riverhead
Review Posted Online: Oct. 14, 2018
Kirkus Reviews Issue: Nov. 1, 2018
Miller makes Homer pertinent to women facing 21st-century monsters.
A retelling of ancient Greek lore gives exhilarating voice to a witch.
“Monsters are a boon for gods. Imagine all the prayers.” So says Circe, a sly, petulant, and finally commanding voice that narrates the entirety of Miller’s dazzling second novel. The writer returns to Homer, the wellspring that led her to an Orange Prize for The Song of Achilles (2012). This time, she dips into The Odyssey for the legend of Circe, a nymph who turns Odysseus’ crew of men into pigs. The novel, with its distinctive feminist tang, starts with the sentence: “When I was born, the name for what I was did not exist.” Readers will relish following the puzzle of this unpromising daughter of the sun god Helios and his wife, Perse, who had negligible use for their child. It takes banishment to the island Aeaea for Circe to sense her calling as a sorceress: “I will not be like a bird bred in a cage, I thought, too dull to fly even when the door stands open. I stepped into those woods and my life began.” This lonely, scorned figure learns herbs and potions, surrounds herself with lions, and, in a heart-stopping chapter, outwits the monster Scylla to propel Daedalus and his boat to safety. She makes lovers of Hermes and then two mortal men. She midwifes the birth of the Minotaur on Crete and performs her own C-section. And as she grows in power, she muses that “not even Odysseus could talk his way past [her] witchcraft. He had talked his way past the witch instead.” Circe’s fascination with mortals becomes the book’s marrow and delivers its thrilling ending. All the while, the supernatural sits intriguingly alongside “the tonic of ordinary things.” A few passages coil toward melodrama, and one inelegant line after a rape seems jarringly modern, but the spell holds fast. Expect Miller’s readership to mushroom like one of Circe’s spells.
Miller makes Homer pertinent to women facing 21st-century monsters.Pub Date: April 10, 2018
ISBN: 978-0-316-55634-7
Page Count: 400
Publisher: Little, Brown
Review Posted Online: Jan. 22, 2018
Kirkus Reviews Issue: Feb. 1, 2018
PROFILES
Still, a respectful and absorbing page-turner.
Hannah’s new novel is an homage to the extraordinary courage and endurance of Frenchwomen during World War II.
In 1995, an elderly unnamed widow is moving into an Oregon nursing home on the urging of her controlling son, Julien, a surgeon. This trajectory is interrupted when she receives an invitation to return to France to attend a ceremony honoring passeurs: people who aided the escape of others during the war. Cut to spring, 1940: Viann has said goodbye to husband Antoine, who's off to hold the Maginot line against invading Germans. She returns to tending her small farm, Le Jardin, in the Loire Valley, teaching at the local school and coping with daughter Sophie’s adolescent rebellion. Soon, that world is upended: The Germans march into Paris and refugees flee south, overrunning Viann’s land. Her long-estranged younger sister, Isabelle, who has been kicked out of multiple convent schools, is sent to Le Jardin by Julien, their father in Paris, a drunken, decidedly unpaternal Great War veteran. As the depredations increase in the occupied zone—food rationing, systematic looting, and the billeting of a German officer, Capt. Beck, at Le Jardin—Isabelle’s outspokenness is a liability. She joins the Resistance, volunteering for dangerous duty: shepherding downed Allied airmen across the Pyrenees to Spain. Code-named the Nightingale, Isabelle will rescue many before she's captured. Meanwhile, Viann’s journey from passive to active resistance is less dramatic but no less wrenching. Hannah vividly demonstrates how the Nazis, through starvation, intimidation and barbarity both casual and calculated, demoralized the French, engineering a community collapse that enabled the deportations and deaths of more than 70,000 Jews. Hannah’s proven storytelling skills are ideally suited to depicting such cataclysmic events, but her tendency to sentimentalize undermines the gravitas of this tale.
Still, a respectful and absorbing page-turner.Pub Date: Feb. 3, 2015
ISBN: 978-0-312-57722-3
Page Count: 448
Publisher: St. Martin's
Review Posted Online: Nov. 19, 2014
Kirkus Reviews Issue: Dec. 1, 2014
BOOK TO SCREEN
SEEN & HEARD
BOOK TO SCREEN
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