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THE NEW SWEATER

From the Hueys series , Vol. 1

A joyful take on a serious lesson.

The clothes make the Huey in Jeffers’ picture-book ode to nonconformity.

In what promises to be the first in a series about the Hueys, little egg-shaped creatures with just lines for limbs, the cast of characters are indistinguishable from one another until a fellow named Rupert knits himself an orange sweater. The text plainly states that “most of the other Hueys were horrified!” when Huey strolls by in his jaunty new duds. And the subsequent line, “Rupert stood out like a sore thumb,” is delightfully understated, since his oval form wrapped up in an orange sweater looks rather sore-thumb–like. Then, another Huey named Gillespie decides that “being different was interesting,” and he knits himself a sweater just like Rupert’s. This gets the proverbial ball of yarn rolling, and, in scenes reminiscent of The Sneetches, soon many, many Hueys are knitting and donning identical orange sweaters in order to “be different too!”  In Jeffers’ expert hands, the message of respecting individuality comes through with a light touch as Rupert concludes the story by deciding to shake things up again as he dons a hat. “And that changed everything,” reads the closing text, with a page turn revealing a little parade of Hueys decked out in a broad array of different clothing, from feather boas to pirate hats.

A joyful take on a serious lesson. (Picture book. 3-6)

Pub Date: May 3, 2012

ISBN: 978-0-399-25767-4

Page Count: 32

Publisher: Philomel

Review Posted Online: March 31, 2012

Kirkus Reviews Issue: April 15, 2012

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CINDERELLA

From the Once Upon a World series

A nice but not requisite purchase.

A retelling of the classic fairy tale in board-book format and with a Mexican setting.

Though simplified for a younger audience, the text still relates the well-known tale: mean-spirited stepmother, spoiled stepsisters, overworked Cinderella, fairy godmother, glass slipper, charming prince, and, of course, happily-ever-after. What gives this book its flavor is the artwork. Within its Mexican setting, the characters are olive-skinned and dark-haired. Cultural references abound, as when a messenger comes carrying a banner announcing a “FIESTA” in beautiful papel picado. Cinderella is the picture of beauty, with her hair up in ribbons and flowers and her typically Mexican many-layered white dress. The companion volume, Snow White, set in Japan and illustrated by Misa Saburi, follows the same format. The simplified text tells the story of the beautiful princess sent to the forest by her wicked stepmother to be “done away with,” the dwarves that take her in, and, eventually, the happily-ever-after ending. Here too, what gives the book its flavor is the artwork. The characters wear traditional clothing, and the dwarves’ house has the requisite shoji screens, tatami mats and cherry blossoms in the garden. The puzzling question is, why the board-book presentation? Though the text is simplified, it’s still beyond the board-book audience, and the illustrations deserve full-size books.

A nice but not requisite purchase. (Board book/fairy tale. 3-5)

Pub Date: Sept. 13, 2016

ISBN: 978-1-4814-7915-8

Page Count: 24

Publisher: Little Simon/Simon & Schuster

Review Posted Online: Oct. 11, 2016

Kirkus Reviews Issue: Jan. 1, 2017

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THE GRUFFALO

The action of this rhymed and humorous tale centers upon a mouse who "took a stroll/through the deep dark wood./A fox saw the mouse/and the mouse looked good." The mouse escapes being eaten by telling the fox that he is on his way to meet his friend the gruffalo (a monster of his imagination), whose favorite food is roasted fox. The fox beats a hasty retreat. Similar escapes are in store for an owl and a snake; both hightail it when they learn the particulars: tusks, claws, terrible jaws, eyes orange, tongue black, purple prickles on its back. When the gruffalo suddenly materializes out of the mouse's head and into the forest, the mouse has to think quick, declaring himself inedible as the "scariest creature in the deep dark wood," and inviting the gruffalo to follow him to witness the effect he has on the other creatures. When the gruffalo hears that the mouse's favorite food is gruffalo crumble, he runs away. It's a fairly innocuous tale, with twists that aren't sharp enough and treachery that has no punch. Scheffler's funny scenes prevent the suspense from culminating; all his creatures, predator and prey, are downright lovable. (Picture book. 3-6)

Pub Date: June 1, 1999

ISBN: 0-8037-2386-5

Page Count: 32

Publisher: Dial Books

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: June 1, 1999

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