Predictable action sponsoring a political and social agenda.

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North (Mission Compromised, 2002, etc.) forecasts a near future with a liberal government gone authoritarian, and it’s left to Anarks (Anti-American Religious Kooks) and other right-thinkers to defend Constitutional ideals.

Part thriller, part conspiracy novel, part political screed, this book follows the Newman family, led by father-son USMC heroes Peter and James, as it becomes embroiled in the 2032 election year's dirty politics subsequent to a September 11 terrorist attack on a scientific conference: Old-school Clancy in a brave new world. The Caliphate, an Islamic hagiography, controls everything from North Africa to Indonesia, although the ever-combative Iranians, picking at scabs of the Sunni-Shia split, are no peaceful disciples. The U.S. has ceded personal liberties to the U.N. Citizens have a PERT (Personal Electronic Radio Tag) embedded in their bodies, and everyone carries traceable PIDs (Personal Interface Device) connecting to MESH, the fourth-generation Internet. North’s Acronym World 2032 needs an 11-page glossary, but the action is securely rooted in standard thriller dynamic. The catalyst is the apparent engineering of a fuel cell by Martin Cohen, retired admiral and professor, kidnapped during the conference attack. Cohen was Peter Newman’s Naval Academy classmate. Rumors were the fuel cell would be available for free, something that doesn’t go down well with the Iranians. Led by the widow of the previous incumbent, the current corrupt U.S. administration doesn’t want the attack blamed on the Caliphate, since her reelection depends on Caliphate money and its no-terror cooperation. An administration conspiracy labels the Newmans as Anarks and blames James Newman for the attack. The Newmans have the resources of their all-powerful intelligence/paramilitary company, Centurion Solutions Group, and have Sen. Mackintosh Caperton, another Academy classmate, as an ally. As the jargon-loaded narrative unfolds, the Newmans retreat to their private island; Cohen washes ashore in Yucatan post-hurricane; and drug smugglers allied with the Mexican government, Iranians and CSG operatives led by James Newman converge on scene for the de rigueur shootout, escape and resolution.

Predictable action sponsoring a political and social agenda.

Pub Date: Nov. 20, 2012

ISBN: 978-1-4767-0631-3

Page Count: 384

Publisher: Threshold Editions/Simon & Schuster

Review Posted Online: Sept. 16, 2012

Kirkus Reviews Issue: Oct. 1, 2012

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Kin “[find] each other’s lives inscrutable” in this rich, sharp story about the way identity is formed.

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THE VANISHING HALF

Inseparable identical twin sisters ditch home together, and then one decides to vanish.

The talented Bennett fuels her fiction with secrets—first in her lauded debut, The Mothers (2016), and now in the assured and magnetic story of the Vignes sisters, light-skinned women parked on opposite sides of the color line. Desiree, the “fidgety twin,” and Stella, “a smart, careful girl,” make their break from stultifying rural Mallard, Louisiana, becoming 16-year-old runaways in 1954 New Orleans. The novel opens 14 years later as Desiree, fleeing a violent marriage in D.C., returns home with a different relative: her 8-year-old daughter, Jude. The gossips are agog: “In Mallard, nobody married dark....Marrying a dark man and dragging his blueblack child all over town was one step too far.” Desiree's decision seals Jude’s misery in this “colorstruck” place and propels a new generation of flight: Jude escapes on a track scholarship to UCLA. Tending bar as a side job in Beverly Hills, she catches a glimpse of her mother’s doppelgänger. Stella, ensconced in White society, is shedding her fur coat. Jude, so Black that strangers routinely stare, is unrecognizable to her aunt. All this is expertly paced, unfurling before the book is half finished; a reader can guess what is coming. Bennett is deeply engaged in the unknowability of other people and the scourge of colorism. The scene in which Stella adopts her White persona is a tour de force of doubling and confusion. It calls up Toni Morrison’s The Bluest Eye, the book's 50-year-old antecedent. Bennett's novel plays with its characters' nagging feelings of being incomplete—for the twins without each other; for Jude’s boyfriend, Reese, who is trans and seeks surgery; for their friend Barry, who performs in drag as Bianca. Bennett keeps all these plot threads thrumming and her social commentary crisp. In the second half, Jude spars with her cousin Kennedy, Stella's daughter, a spoiled actress.

Kin “[find] each other’s lives inscrutable” in this rich, sharp story about the way identity is formed.

Pub Date: June 2, 2020

ISBN: 978-0-525-53629-1

Page Count: 352

Publisher: Riverhead

Review Posted Online: March 15, 2020

Kirkus Reviews Issue: April 1, 2020

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A love letter to the power of books and friendship.

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THE GIVER OF STARS

Women become horseback librarians in 1930s Kentucky and face challenges from the landscape, the weather, and the men around them.

Alice thought marrying attractive American Bennett Van Cleve would be her ticket out of her stifling life in England. But when she and Bennett settle in Baileyville, Kentucky, she realizes that her life consists of nothing more than staying in their giant house all day and getting yelled at by his unpleasant father, who owns a coal mine. She’s just about to resign herself to a life of boredom when an opportunity presents itself in the form of a traveling horseback library—an initiative from Eleanor Roosevelt meant to counteract the devastating effects of the Depression by focusing on literacy and learning. Much to the dismay of her husband and father-in-law, Alice signs up and soon learns the ropes from the library’s leader, Margery. Margery doesn’t care what anyone thinks of her, rejects marriage, and would rather be on horseback than in a kitchen. And even though all this makes Margery a town pariah, Alice quickly grows to like her. Along with several other women (including one black woman, Sophia, whose employment causes controversy in a town that doesn’t believe black and white people should be allowed to use the same library), Margery and Alice supply magazines, Bible stories, and copies of books like Little Women to the largely poor residents who live in remote areas. Alice spends long days in terrible weather on horseback, but she finally feels happy in her new life in Kentucky, even as her marriage to Bennett is failing. But her powerful father-in-law doesn’t care for Alice’s job or Margery’s lifestyle, and he’ll stop at nothing to shut their library down. Basing her novel on the true story of the Pack Horse Library Project established by the Works Progress Administration in the 1930s, Moyes (Still Me, 2018, etc.) brings an often forgotten slice of history to life. She writes about Kentucky with lush descriptions of the landscape and tender respect for the townspeople, most of whom are poor, uneducated, and grateful for the chance to learn. Although Alice and Margery both have their own romances, the true power of the story is in the bonds between the women of the library. They may have different backgrounds, but their commitment to helping the people of Baileyville brings them together.

A love letter to the power of books and friendship.

Pub Date: Oct. 8, 2019

ISBN: 978-0-399-56248-8

Page Count: 400

Publisher: Pamela Dorman/Viking

Review Posted Online: July 1, 2019

Kirkus Reviews Issue: Aug. 1, 2019

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