A simple plot and sharply focused characters makes this a very satisfying tale.
In Aubert’s debut novella, the first installment in a series, a young man leaves home to escape familial expectations >and find adventure.
When the story starts, Shand has already departed from his village, lured by the promise of treasures along a shore, which are said to be near a destroyed boat. He leaves his own prized vessel behind and finds a woman barely alive on dry land. He winds up having to kill her, and shortly thereafter, he finds himself being chased by a wily, violent little man that Shand calls a “native.” This situation becomes an amusing battle of will and wit, played out with no dialogue, save for some pained shouts and screams. The scene showcases a unique, engaging feature of Aubert’s prose throughout this tale: he’s able to tell a full story with very little conversation, but without relying on excessive exposition. Indeed, part of the appeal of this book is that it’s difficult to place it in a particular time or location. However, there are hint in the worldbuildings; for example, Shand’s village depends on fishing, and they don’t seem to know much about any villages that are more than a couple of day’s travel in any direction; it’s also revealed that Shand built one of the first plank boats in his primitive village, using bronze and nails. The author also provides vivid descriptions of the rivers and forests that Shand traverses, and his protagonist meets a diverse variety of people in his adventure. Indeed, his home village is populated with many colorful characters, including his cranky but perhaps more practical uncle, Royce, and a lot of people who think that Shand is a little snooty for trying to build a plank boat so large. In places, Aubert’s book almost seems like a Lake Wobegon tale set in some ancient, undefinable time and place. As a result, readers will look forward to future stories by the author.
A simple plot and sharply focused characters makes this a very satisfying tale.Pub Date: March 2, 2016
ISBN: 978-1-5302-0070-2
Page Count: 130
Publisher: CreateSpace
Review Posted Online: Jan. 12, 2017
Review Program: Kirkus Indie
Soft-focus story moves right along with few surprises. This time around, Hannah avoids the soap-opera complications of her...
Another middle-aged mom in a muddle.
After years of false starts and big hopes, Elizabeth’s ruggedly handsome husband Jack, a former football star, just landed a spot as a sportscaster on national news. He still loves her, even though much younger women are giving him come-hither looks. Heck, he doesn’t want to betray the love of his life after she helped him kick drugs and stuck by him even when he was a struggling has-been. And won’t it seem hypocritical if he fools around with his sexy assistant while he does in-depth reporting on a rape case involving a famous basketball center? Well, he fools around anyway. Elizabeth, nicknamed Birdie, knows nothing of this, but she withdraws from Jack when her hard-drinking, salt-of-the-earth father has a stroke and dies. Now no one will call her “sugar beet” ever again. Time to return home to Tennessee and contend with Anita, the sort-of-evil stepmother so trashy she wears pink puffy slippers all day long. Naturally, it turns out that Anita actually has a heart of gold and knows a few things about Birdie’s dead mother that were hushed up for years. Mom was an artist, just like Birdie, and an old scandal comes to light as Anita unrolls a vibrant canvas that portrays her secret lover. Perhaps, Birdie muses, her mother died of heartbreak, never having followed her true love or developed her talent. Has she, too, compromised everything she holds dear? Hoping to find out, Birdie joins a support group that promises to reconnect confused women with their passion. She and Jack separate, prompting a how-dare-you fit from their grown daughters. Will Birdie fly her empty nest? Will she go back to college for a degree in art? Will her brooding watercolors ever sell?
Soft-focus story moves right along with few surprises. This time around, Hannah avoids the soap-opera complications of her previous tales (Summer Island, 2001, etc.).Pub Date: July 1, 2002
ISBN: 0-345-45071-X
Page Count: 352
Publisher: Ballantine
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: May 15, 2002
A first novel, this is also a first person account of Scout's (Jean Louise) recall of the years that led to the ending of a mystery, the breaking of her brother Jem's elbow, the death of her father's enemy — and the close of childhood years. A widower, Atticus raises his children with legal dispassion and paternal intelligence, and is ably abetted by Calpurnia, the colored cook, while the Alabama town of Maycomb, in the 1930's, remains aloof to their divergence from its tribal patterns. Scout and Jem, with their summer-time companion, Dill, find their paths free from interference — but not from dangers; their curiosity about the imprisoned Boo, whose miserable past is incorporated in their play, results in a tentative friendliness; their fears of Atticus' lack of distinction is dissipated when he shoots a mad dog; his defense of a Negro accused of raping a white girl, Mayella Ewell, is followed with avid interest and turns the rabble whites against him. Scout is the means of averting an attack on Atticus but when he loses the case it is Boo who saves Jem and Scout by killing Mayella's father when he attempts to murder them. The shadows of a beginning for black-white understanding, the persistent fight that Scout carries on against school, Jem's emergence into adulthood, Calpurnia's quiet power, and all the incidents touching on the children's "growing outward" have an attractive starchiness that keeps this southern picture pert and provocative. There is much advance interest in this book; it has been selected by the Literary Guild and Reader's Digest; it should win many friends.
Pub Date: July 11, 1960
ISBN: 0060935464
Page Count: 323
Publisher: Lippincott
Review Posted Online: Oct. 7, 2011
Kirkus Reviews Issue: July 1, 1960
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SEEN & HEARD
SEEN & HEARD
SEEN & HEARD
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