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THE UNSHAKEABLE FAITH OF AN INVENTOR

OTTO G. LELLEP, REMEMBERING AND REMEMBERED

An impressive update of an inventor’s unheralded autobiography.

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In this updated memoir of a famous inventor, his daughter offers explanatory notes and commentary on his life.

Otto G. Lellep’s story is just as intriguing as his engineering feats were revolutionary. Born in czarist Estonia and trained in metallurgical mining and engineering, Lellep became a United States citizen following 1917’s Russian Revolution. His research in smelting and cement production resulted in multiple inventions and patents and secured him high-profile partnerships with leading research institutions, such as Columbia University, and businesses, like the International Nickel Company. Following his retirement in the late ’60s, Lellep was encouraged by his daughter, Fernandez, to write a memoir. The result was a book that told a poignant and scientifically important story but was plagued by a prose style inaccessible to the general public. Written by a lifelong scientist born and raised in Europe, the volume referenced Estonian culture, terminology, and history with minimal contextualization and explanation, assuming readers were just as familiar as the author with the regional specificities and peculiarities of the Baltic region. The esoteric descriptions of his scientific research were similarly difficult for those outside his niche technical field, as he “assumed that his readers would share his knowledge of cement, steel, industrial furnaces, and metallurgy.” Recognizing the value of her father’s story, Fernandez (with editor Noda) provides an updated version of Lellep’s memoir that seeks “to preserve and honor Otto’s voice” while presenting readers with detailed, annotated notes to assist in clearing up ambiguities and obscure references. This edition also includes more than 40 pages of introductory material that presents a summation of Lellep’s career, provides historical background on the events in Europe in the early 20th century that intersected with his personal experiences and research, and reflects on his life and legacy “through a daughter’s eyes.”

Despite the volume’s useful commentary and annotations, Lellep’s scientific passages may still have limited appeal beyond those trained in his field. Fernandez and Noda also chose to leave his text alone, including his unique spelling style, which makes for an occasionally disjointed read. While some of the work’s spelling choices may seem odd at first, Fernandez suggests that they may reflect the “Russification” of the Estonian language that Lellep was taught in grade school. And though his scientific endeavors, from nitty-gritty explanations of complex chemical processes to the joys of scientific discovery, are covered in this book, what stands out is his intense passion for humanity. A self-described “citizen of the world,” Lellep traveled the globe for his research, so it is not surprising that “geography figured keenly” in his “awareness and appreciation.” He spent much of his spare time learning about other cultures, from the Sami of Europe’s far north to the Aztecs of Mexico, on an almost spiritual level. This passion was imparted to his daughter, who earned a doctorate in biocultural anthropology from Rutgers University. Complementing Fernandez’s efforts to make her father’s memoir more accessible is the addition of ample maps, family photographs, and diagrams of Lellep’s inventions. Appendix materials include reproductions of letters and other primary sources, a glossary, and a brief reference guide to “recurring names” mentioned throughout the work.

An impressive update of an inventor’s unheralded autobiography.

Pub Date: N/A

ISBN: N/A

Page Count: 462

Publisher: Brandt & Maher Publishing

Review Posted Online: Aug. 11, 2022

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  • New York Times Bestseller

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TANQUERAY

A blissfully vicarious, heartfelt glimpse into the life of a Manhattan burlesque dancer.

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  • New York Times Bestseller

A former New York City dancer reflects on her zesty heyday in the 1970s.

Discovered on a Manhattan street in 2020 and introduced on Stanton’s Humans of New York Instagram page, Johnson, then 76, shares her dynamic history as a “fiercely independent” Black burlesque dancer who used the stage name Tanqueray and became a celebrated fixture in midtown adult theaters. “I was the only black girl making white girl money,” she boasts, telling a vibrant story about sex and struggle in a bygone era. Frank and unapologetic, Johnson vividly captures aspects of her former life as a stage seductress shimmying to blues tracks during 18-minute sets or sewing lingerie for plus-sized dancers. Though her work was far from the Broadway shows she dreamed about, it eventually became all about the nightly hustle to simply survive. Her anecdotes are humorous, heartfelt, and supremely captivating, recounted with the passion of a true survivor and the acerbic wit of a weathered, street-wise New Yorker. She shares stories of growing up in an abusive household in Albany in the 1940s, a teenage pregnancy, and prison time for robbery as nonchalantly as she recalls selling rhinestone G-strings to prostitutes to make them sparkle in the headlights of passing cars. Complemented by an array of revealing personal photographs, the narrative alternates between heartfelt nostalgia about the seedier side of Manhattan’s go-go scene and funny quips about her unconventional stage performances. Encounters with a variety of hardworking dancers, drag queens, and pimps, plus an account of the complexities of a first love with a drug-addled hustler, fill out the memoir with personality and candor. With a narrative assist from Stanton, the result is a consistently titillating and often moving story of human struggle as well as an insider glimpse into the days when Times Square was considered the Big Apple’s gloriously unpolished underbelly. The book also includes Yee’s lush watercolor illustrations.

A blissfully vicarious, heartfelt glimpse into the life of a Manhattan burlesque dancer.

Pub Date: July 12, 2022

ISBN: 978-1-250-27827-2

Page Count: 192

Publisher: St. Martin's

Review Posted Online: July 27, 2022

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LOVE, PAMELA

A juicy story with some truly crazy moments, yet Anderson's good heart shines through.

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The iconic model tells the story of her eventful life.

According to the acknowledgments, this memoir started as "a fifty-page poem and then grew into hundreds of pages of…more poetry." Readers will be glad that Anderson eventually turned to writing prose, since the well-told anecdotes and memorable character sketches are what make it a page-turner. The poetry (more accurately described as italicized notes-to-self with line breaks) remains strewn liberally through the pages, often summarizing the takeaway or the emotional impact of the events described: "I was / and still am / an exceptionally / easy target. / And, / I'm proud of that." This way of expressing herself is part of who she is, formed partly by her passion for Anaïs Nin and other writers; she is a serious maven of literature and the arts. The narrative gets off to a good start with Anderson’s nostalgic memories of her childhood in coastal Vancouver, raised by very young, very wild, and not very competent parents. Here and throughout the book, the author displays a remarkable lack of anger. She has faced abuse and mistreatment of many kinds over the decades, but she touches on the most appalling passages lightly—though not so lightly you don't feel the torment of the media attention on the events leading up to her divorce from Tommy Lee. Her trip to the pages of Playboy, which involved an escape from a violent fiance and sneaking across the border, is one of many jaw-dropping stories. In one interesting passage, Julian Assange's mother counsels Anderson to desexualize her image in order to be taken more seriously as an activist. She decided that “it was too late to turn back now”—that sexy is an inalienable part of who she is. Throughout her account of this kooky, messed-up, enviable, and often thrilling life, her humility (her sons "are true miracles, considering the gene pool") never fails her.

A juicy story with some truly crazy moments, yet Anderson's good heart shines through.

Pub Date: Jan. 31, 2023

ISBN: 9780063226562

Page Count: 256

Publisher: Dey Street/HarperCollins

Review Posted Online: Dec. 5, 2022

Kirkus Reviews Issue: Jan. 1, 2023

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