The Virginia-based Parry (Shadows of Glory, 2000, etc.) takes his time with a fairly simple story, but the telling is well...
A “novel of historical suspense” wanders pleasantly through its plot: a mystery involving the slaughter of 40 escaped slaves between Civil War battle lines, and one man’s attempt to find the killers.
Called to service by the Lincoln administration, Abel Jones sets out for a sit-down with General Grant just after the battle of Shiloh—and Parry’s opening scenes, with Jones finding himself caught in the chaos of battle, make a brisk start. Jones first depicts the dreadful deaths and the gore of combat, then moves on to speak to Grant and his good friend Sherman. After his interviews, he discovers that 40 slaves were recently found butchered, and that Lincoln wants the responsible parties brought to justice—regardless of which side they’re on. Jones’s job is to persuade the Confederates, represented here by General Beauregard, that solving the case is in their interest as well. He crosses lines and, after a brief scrap, succeeds in enlisting the help of the dashing young Raines, a Confederate officer who escorts Jones to the scene of the crime. Parry’s knowledge of the era is nicely on display here: his scenes of Corinth, Mississippi, and its sheltered wounded are vibrant, with a haunting eye for detail. Eventually, Jones and Raines are joined by Barnaby, Raines’s trusted sidekick, and the three ride to the home of the murdered slaves’ owner, the legless veteran Barclay. After untangling some vicious slave-abuse issues, and after Raines makes peace with his boyhood rival Barclay, Jones meets the slave leader, Mr. Hitchens, and through a bit of deduction comes to understand that the deaths were the work of a Union religious fanatic. The story climaxes in a firelit bloodbath.
The Virginia-based Parry (Shadows of Glory, 2000, etc.) takes his time with a fairly simple story, but the telling is well informed and evocatively written—particularly the wry, morally upright observations of the Welshman Jones, who predictably concludes that war makes animals of us all.Pub Date: Oct. 1, 2001
ISBN: 0-06-018638-0
Page Count: 336
Publisher: Morrow/HarperCollins
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: Aug. 1, 2001
Still, a respectful and absorbing page-turner.
Hannah’s new novel is an homage to the extraordinary courage and endurance of Frenchwomen during World War II.
In 1995, an elderly unnamed widow is moving into an Oregon nursing home on the urging of her controlling son, Julien, a surgeon. This trajectory is interrupted when she receives an invitation to return to France to attend a ceremony honoring passeurs: people who aided the escape of others during the war. Cut to spring, 1940: Viann has said goodbye to husband Antoine, who's off to hold the Maginot line against invading Germans. She returns to tending her small farm, Le Jardin, in the Loire Valley, teaching at the local school and coping with daughter Sophie’s adolescent rebellion. Soon, that world is upended: The Germans march into Paris and refugees flee south, overrunning Viann’s land. Her long-estranged younger sister, Isabelle, who has been kicked out of multiple convent schools, is sent to Le Jardin by Julien, their father in Paris, a drunken, decidedly unpaternal Great War veteran. As the depredations increase in the occupied zone—food rationing, systematic looting, and the billeting of a German officer, Capt. Beck, at Le Jardin—Isabelle’s outspokenness is a liability. She joins the Resistance, volunteering for dangerous duty: shepherding downed Allied airmen across the Pyrenees to Spain. Code-named the Nightingale, Isabelle will rescue many before she's captured. Meanwhile, Viann’s journey from passive to active resistance is less dramatic but no less wrenching. Hannah vividly demonstrates how the Nazis, through starvation, intimidation and barbarity both casual and calculated, demoralized the French, engineering a community collapse that enabled the deportations and deaths of more than 70,000 Jews. Hannah’s proven storytelling skills are ideally suited to depicting such cataclysmic events, but her tendency to sentimentalize undermines the gravitas of this tale.
Still, a respectful and absorbing page-turner.Pub Date: Feb. 3, 2015
ISBN: 978-0-312-57722-3
Page Count: 448
Publisher: St. Martin's
Review Posted Online: Nov. 19, 2014
Kirkus Reviews Issue: Dec. 1, 2014
BOOK TO SCREEN
SEEN & HEARD
BOOK TO SCREEN
A strict report, worthy of sympathy.
A violent surfacing of adolescence (which has little in common with Tarkington's earlier, broadly comic, Seventeen) has a compulsive impact.
"Nobody big except me" is the dream world of Holden Caulfield and his first person story is down to the basic, drab English of the pre-collegiate. For Holden is now being bounced from fancy prep, and, after a vicious evening with hall- and roommates, heads for New York to try to keep his latest failure from his parents. He tries to have a wild evening (all he does is pay the check), is terrorized by the hotel elevator man and his on-call whore, has a date with a girl he likes—and hates, sees his 10 year old sister, Phoebe. He also visits a sympathetic English teacher after trying on a drunken session, and when he keeps his date with Phoebe, who turns up with her suitcase to join him on his flight, he heads home to a hospital siege. This is tender and true, and impossible, in its picture of the old hells of young boys, the lonesomeness and tentative attempts to be mature and secure, the awful block between youth and being grown-up, the fright and sickness that humans and their behavior cause the challenging, the dramatization of the big bang. It is a sorry little worm's view of the off-beat of adult pressure, of contemporary strictures and conformity, of sentiment….
A strict report, worthy of sympathy.Pub Date: June 15, 1951
ISBN: 0316769177
Page Count: -
Publisher: Little, Brown
Review Posted Online: Nov. 2, 2011
Kirkus Reviews Issue: June 15, 1951
BOOK REVIEW
SEEN & HEARD
SEEN & HEARD
APPRECIATIONS
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