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HOUSE OF KAHMANNS

A well-written, powerful account of trauma and parental love.

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Kahmann details a traumatic childhood experience that nearly tore her family apart in this memoir.

“You’ll learn to love winter, I promise,” the author’s mother assured her during their move from Kansas City, Missouri, to a farm in western Minnesota. Devout Roman Catholics, the Kahmann family included 12 children, led by oldest brother, Karl (13 years old at the time of the move) and the author, Patsy (who was 12). The family’s relocation initially appeared to fulfill the idyllic expectations of the author’s parents, as the book’s opening chapter recounts snow-filled afternoons in January 1964 in which the Kahmann siblings played “Davy Crockett” and built elaborate snow forts that resembled the Alamo. It was during that same winter when the author and Karl were called to their school principal’s office, where they were told that their parents had been involved in a catastrophic car wreck and were both hospitalized in critical condition. “It all happened so fast,” she writes, “this shattering of our lives.” Upon arriving home that evening, their kindly, elderly neighbors volunteered to keep watch over the siblings, but a local parish priest rejected their offer because they were not Catholic. Demanding that the children be cared for by Catholic foster parents, Father Gordon Buckley took charge of the children, and they were separated that very night: “One. By. One. Children were ushered out the door,” Kahmann recalls, as each child was placed in a separate car. Much of the rest of the book jumps timelines from before and after “the accident” (the name the family has since given to the singular event that shaped the rest of their lives). The book’s “before” chapters recount loving reminiscences of a tight-knit family who prayed together daily. Stories in these chapters center on mother-daughter memories forged at a sewing machine, and the “witty phrases” and life lessons dispensed by the 1950s-era midwestern parents (“bored people are boring people”). These short, sweet vignettes are juxtaposed with the “after” chapters, which center on the “trauma of torn-apart kids” at the mercy of the foster care system and Father Buckley’s relentless campaign to isolate the children from each other.

The book’s final section discusses what Kahmann calls their family’s “Easter miracle”: After 75 days, and the administration of last rites, the author’s parents were released from the hospital. It was a miracle in more ways than one, as it was later “credibly confirmed” that Father Buckley was a pedophile who targeted vulnerable and isolated children. While at times harrowing, this is ultimately a story of the power of family and a love letter to Kahmann’s parents. In fewer than 170 pages, the concise memoir carefully balances sentimentality with the harsh realities of foster care, abusive priests, and traumatic experiences. The narrative’s asynchronous approach may be disorienting at times, but it ultimately works to create a poignant story of love, loss, and childhood pain. Most of the chapters are no more than five pages long, which makes for an accessible read. The text is accompanied by an assortment of photographs, letters, and family trees to help readers keep track of the many Kahmann children.

A well-written, powerful account of trauma and parental love.

Pub Date: July 14, 2024

ISBN: 9781957331072

Page Count: 176

Publisher: A to Z Letterpress

Review Posted Online: Sept. 2, 2023

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TANQUERAY

A blissfully vicarious, heartfelt glimpse into the life of a Manhattan burlesque dancer.

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  • New York Times Bestseller

A former New York City dancer reflects on her zesty heyday in the 1970s.

Discovered on a Manhattan street in 2020 and introduced on Stanton’s Humans of New York Instagram page, Johnson, then 76, shares her dynamic history as a “fiercely independent” Black burlesque dancer who used the stage name Tanqueray and became a celebrated fixture in midtown adult theaters. “I was the only black girl making white girl money,” she boasts, telling a vibrant story about sex and struggle in a bygone era. Frank and unapologetic, Johnson vividly captures aspects of her former life as a stage seductress shimmying to blues tracks during 18-minute sets or sewing lingerie for plus-sized dancers. Though her work was far from the Broadway shows she dreamed about, it eventually became all about the nightly hustle to simply survive. Her anecdotes are humorous, heartfelt, and supremely captivating, recounted with the passion of a true survivor and the acerbic wit of a weathered, street-wise New Yorker. She shares stories of growing up in an abusive household in Albany in the 1940s, a teenage pregnancy, and prison time for robbery as nonchalantly as she recalls selling rhinestone G-strings to prostitutes to make them sparkle in the headlights of passing cars. Complemented by an array of revealing personal photographs, the narrative alternates between heartfelt nostalgia about the seedier side of Manhattan’s go-go scene and funny quips about her unconventional stage performances. Encounters with a variety of hardworking dancers, drag queens, and pimps, plus an account of the complexities of a first love with a drug-addled hustler, fill out the memoir with personality and candor. With a narrative assist from Stanton, the result is a consistently titillating and often moving story of human struggle as well as an insider glimpse into the days when Times Square was considered the Big Apple’s gloriously unpolished underbelly. The book also includes Yee’s lush watercolor illustrations.

A blissfully vicarious, heartfelt glimpse into the life of a Manhattan burlesque dancer.

Pub Date: July 12, 2022

ISBN: 978-1-250-27827-2

Page Count: 192

Publisher: St. Martin's

Review Posted Online: July 27, 2022

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LOVE, PAMELA

A juicy story with some truly crazy moments, yet Anderson's good heart shines through.

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The iconic model tells the story of her eventful life.

According to the acknowledgments, this memoir started as "a fifty-page poem and then grew into hundreds of pages of…more poetry." Readers will be glad that Anderson eventually turned to writing prose, since the well-told anecdotes and memorable character sketches are what make it a page-turner. The poetry (more accurately described as italicized notes-to-self with line breaks) remains strewn liberally through the pages, often summarizing the takeaway or the emotional impact of the events described: "I was / and still am / an exceptionally / easy target. / And, / I'm proud of that." This way of expressing herself is part of who she is, formed partly by her passion for Anaïs Nin and other writers; she is a serious maven of literature and the arts. The narrative gets off to a good start with Anderson’s nostalgic memories of her childhood in coastal Vancouver, raised by very young, very wild, and not very competent parents. Here and throughout the book, the author displays a remarkable lack of anger. She has faced abuse and mistreatment of many kinds over the decades, but she touches on the most appalling passages lightly—though not so lightly you don't feel the torment of the media attention on the events leading up to her divorce from Tommy Lee. Her trip to the pages of Playboy, which involved an escape from a violent fiance and sneaking across the border, is one of many jaw-dropping stories. In one interesting passage, Julian Assange's mother counsels Anderson to desexualize her image in order to be taken more seriously as an activist. She decided that “it was too late to turn back now”—that sexy is an inalienable part of who she is. Throughout her account of this kooky, messed-up, enviable, and often thrilling life, her humility (her sons "are true miracles, considering the gene pool") never fails her.

A juicy story with some truly crazy moments, yet Anderson's good heart shines through.

Pub Date: Jan. 31, 2023

ISBN: 9780063226562

Page Count: 256

Publisher: Dey Street/HarperCollins

Review Posted Online: Dec. 5, 2022

Kirkus Reviews Issue: Jan. 1, 2023

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