Next book

NAVFAC

THE FINAL TOUR OF DUTY

In spite of the book’s unpolished prose, Greenwood’s methodical protagonist will hold readers’ attention.

Greenwood (Lakota Dreams, 2009, etc.) presents a tale of a murder, romance and classified operations at a naval facility (Navfac) in 1970.

One year from retirement, Lt. Commander Alex Wolfe finds himself posted at a Navfac on the coast of North Carolina. Wolfe is the watch officer, overseeing the tracking of Soviet subs, but his collateral duty also has him functioning as the base’s legal officer. He’s immediately assigned the task of searching for an AWOL sailor, whom readers have learned, by the third page, has been beaten to death. Greenwood’s narrative presents Wolfe’s story in the first person, occasionally interrupted by third-person passages focusing on a U.S. submarine crew undergoing a top secret mission. Greenwood eventually ties this subplot to an investigation into the sailor’s death, as well as two additional murders. Further third-person addendums relay information of which the protagonist is unaware, obstructing potential mystery and diminishing suspense, as Wolfe is rarely in jeopardy. Wolfe’s behaviors are sometimes contradictory. He woos a local named Kate—a young-adult approach in which he’s excited by a simple kiss and contemplates something “long term” after first meeting the woman, despite her initial withdrawn behavior. At the same time, Wolfe openly flirts with the captain’s wife and is more than willing to engage in a tryst with her. Likewise, the lieutenant commander is enraged when his captain expresses more interest in a softball game than the investigation, but he later gripes about having been placed in right field. The author’s strong point is the story’s structure. Though he doesn’t allow his metaphors to speak for themselves (explicitly comparing Kate, who works at a fishing store, to a fish), Greenwood’s narrative often reads like a report. Wolfe prides himself on avoiding military terms (saying “3 o’clock” in lieu of “1500 hours”), but his first-person perception is highly detailed, like an officer’s account, specifying his meals at restaurants and frequently describing the interactions with others more than including the actual dialogue. Such a structure makes for a reliable narrator, and it’s maintained throughout, all the way to the rational, convincingly open-ended conclusion.

In spite of the book’s unpolished prose, Greenwood’s methodical protagonist will hold readers’ attention.

Pub Date: July 21, 2011

ISBN: 978-1461180111

Page Count: 351

Publisher: CreateSpace

Review Posted Online: Aug. 31, 2011

Kirkus Reviews Issue: Oct. 1, 2011

Categories:
Next book

SUMMER ISLAND

The best-selling author of tearjerkers like Angel Falls (2000) serves up yet another mountain of mush, topped off with...

Talk-show queen takes tumble as millions jeer.

Nora Bridges is a wildly popular radio spokesperson for family-first virtues, but her loyal listeners don't know that she walked out on her husband and teenaged daughters years ago and didn't look back. Now that a former lover has sold racy pix of naked Nora and horny himself to a national tabloid, her estranged daughter Ruby, an unsuccessful stand-up comic in Los Angeles, has been approached to pen a tell-all. Greedy for the fat fee she's been promised, Ruby agrees and heads for the San Juan Islands, eager to get reacquainted with the mom she plans to betray. Once in the family homestead, nasty Ruby alternately sulks and glares at her mother, who is temporarily wheelchair-bound as a result of a post-scandal car crash. Uncaring, Ruby begins writing her side of the story when she's not strolling on the beach with former sweetheart Dean Sloan, the son of wealthy socialites who basically ignored him and his gay brother Eric. Eric, now dying of cancer and also in a wheelchair, has returned to the island. This dismal threesome catch up on old times, recalling their childhood idylls on the island. After Ruby's perfect big sister Caroline shows up, there's another round of heartfelt talk. Nora gradually reveals the truth about her unloving husband and her late father's alcoholism, which led her to seek the approval of others at the cost of her own peace of mind. And so on. Ruby is aghast to discover that she doesn't know everything after all, but Dean offers her subdued comfort. Happy endings await almost everyone—except for readers of this nobly preachy snifflefest.

The best-selling author of tearjerkers like Angel Falls (2000) serves up yet another mountain of mush, topped off with syrupy platitudes about life and love.

Pub Date: March 1, 2001

ISBN: 0-609-60737-5

Page Count: 336

Publisher: Crown

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: Jan. 15, 2001

Categories:
Next book

TO KILL A MOCKINGBIRD

A first novel, this is also a first person account of Scout's (Jean Louise) recall of the years that led to the ending of a mystery, the breaking of her brother Jem's elbow, the death of her father's enemy — and the close of childhood years. A widower, Atticus raises his children with legal dispassion and paternal intelligence, and is ably abetted by Calpurnia, the colored cook, while the Alabama town of Maycomb, in the 1930's, remains aloof to their divergence from its tribal patterns. Scout and Jem, with their summer-time companion, Dill, find their paths free from interference — but not from dangers; their curiosity about the imprisoned Boo, whose miserable past is incorporated in their play, results in a tentative friendliness; their fears of Atticus' lack of distinction is dissipated when he shoots a mad dog; his defense of a Negro accused of raping a white girl, Mayella Ewell, is followed with avid interest and turns the rabble whites against him. Scout is the means of averting an attack on Atticus but when he loses the case it is Boo who saves Jem and Scout by killing Mayella's father when he attempts to murder them. The shadows of a beginning for black-white understanding, the persistent fight that Scout carries on against school, Jem's emergence into adulthood, Calpurnia's quiet power, and all the incidents touching on the children's "growing outward" have an attractive starchiness that keeps this southern picture pert and provocative. There is much advance interest in this book; it has been selected by the Literary Guild and Reader's Digest; it should win many friends.

Pub Date: July 11, 1960

ISBN: 0060935464

Page Count: 323

Publisher: Lippincott

Review Posted Online: Oct. 7, 2011

Kirkus Reviews Issue: July 1, 1960

Categories:
Close Quickview