Emendations that contribute to a nuanced portrait of a complex man.

THE COMPLETE MEMOIRS

EXPANDED EDITION

The Nobel Prize–winning poet’s memoirs, newly expanded.

Nearly 50 years after the posthumous publication of the memoir of Chilean poet Pablo Neruda (1904-1973), translators St. Martin and West offer a new edition, adding 19 sections of material from lectures, travel notes, and hitherto lost, unfinished, or unpublished fragments, along with editorial notes about where the material was found and why it was included. In addition, the translators have appended a detailed chronology of Neruda’s life. Some additions are brief, including “the only known version in writing of this phrase: ‘What is my poetry? I don’t know. It would be easier to ask my poetry who am I.’ ” But other new material offers salient insights: for example, a chapter on Federico García Lorca’s “intimate disposition,” which Neruda omitted from his original manuscript because he feared that prejudice about homosexuality would compromise the prestige of a poet he loved and admired. Lorca, Neruda wrote, “emanated a splendid intelligence the way a precious stone refracts rays of light.” Neruda was certain that Lorca was murdered by fascists in Spain, who, “as in Germany and Italy, specialized in the extermination of intellectuals.” Another new piece reflects on religion, which Neruda rejected even as a child, rebelling “against this always invisible kingdom and against the strange proceedings of the assorted gods.” The fresh material is skillfully woven into the original memoir, which Neruda called his “journey around myself,” with evocations of his family and childhood, global travels, friends and foes, carnal desires, aspirations and achievements as a poet, and celebration of the natural world, which “made me euphoric.” Overall, the selections round out Neruda’s image as a poet who strived “to denounce what contributes to backwardness and lift up the hopes, open the possibilities, increase the joy of the human race.” A final editorial note presents a helpful list of the “texts added to this edition.”

Emendations that contribute to a nuanced portrait of a complex man.

Pub Date: June 22, 2021

ISBN: 978-0-374-53812-5

Page Count: 496

Publisher: Farrar, Straus and Giroux

Review Posted Online: April 8, 2021

Kirkus Reviews Issue: May 1, 2021

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If the authors are serious, this is a silly, distasteful book. If they are not, it’s a brilliant satire.

THE 48 LAWS OF POWER

The authors have created a sort of anti-Book of Virtues in this encyclopedic compendium of the ways and means of power.

Everyone wants power and everyone is in a constant duplicitous game to gain more power at the expense of others, according to Greene, a screenwriter and former editor at Esquire (Elffers, a book packager, designed the volume, with its attractive marginalia). We live today as courtiers once did in royal courts: we must appear civil while attempting to crush all those around us. This power game can be played well or poorly, and in these 48 laws culled from the history and wisdom of the world’s greatest power players are the rules that must be followed to win. These laws boil down to being as ruthless, selfish, manipulative, and deceitful as possible. Each law, however, gets its own chapter: “Conceal Your Intentions,” “Always Say Less Than Necessary,” “Pose as a Friend, Work as a Spy,” and so on. Each chapter is conveniently broken down into sections on what happened to those who transgressed or observed the particular law, the key elements in this law, and ways to defensively reverse this law when it’s used against you. Quotations in the margins amplify the lesson being taught. While compelling in the way an auto accident might be, the book is simply nonsense. Rules often contradict each other. We are told, for instance, to “be conspicuous at all cost,” then told to “behave like others.” More seriously, Greene never really defines “power,” and he merely asserts, rather than offers evidence for, the Hobbesian world of all against all in which he insists we live. The world may be like this at times, but often it isn’t. To ask why this is so would be a far more useful project.

If the authors are serious, this is a silly, distasteful book. If they are not, it’s a brilliant satire.

Pub Date: Sept. 1, 1998

ISBN: 0-670-88146-5

Page Count: 430

Publisher: Viking

Review Posted Online: May 20, 2010

Kirkus Reviews Issue: July 15, 1998

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A conversational, pleasurable look into McConaughey’s life and thought.

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GREENLIGHTS

All right, all right, all right: The affable, laconic actor delivers a combination of memoir and self-help book.

“This is an approach book,” writes McConaughey, adding that it contains “philosophies that can be objectively understood, and if you choose, subjectively adopted, by either changing your reality, or changing how you see it. This is a playbook, based on adventures in my life.” Some of those philosophies come in the form of apothegms: “When you can design your own weather, blow in the breeze”; “Simplify, focus, conserve to liberate.” Others come in the form of sometimes rambling stories that never take the shortest route from point A to point B, as when he recounts a dream-spurred, challenging visit to the Malian musician Ali Farka Touré, who offered a significant lesson in how disagreement can be expressed politely and without rancor. Fans of McConaughey will enjoy his memories—which line up squarely with other accounts in Melissa Maerz’s recent oral history, Alright, Alright, Alright—of his debut in Richard Linklater’s Dazed and Confused, to which he contributed not just that signature phrase, but also a kind of too-cool-for-school hipness that dissolves a bit upon realizing that he’s an older guy on the prowl for teenage girls. McConaughey’s prep to settle into the role of Wooderson involved inhabiting the mind of a dude who digs cars, rock ’n’ roll, and “chicks,” and he ran with it, reminding readers that the film originally had only three scripted scenes for his character. The lesson: “Do one thing well, then another. Once, then once more.” It’s clear that the author is a thoughtful man, even an intellectual of sorts, though without the earnestness of Ethan Hawke or James Franco. Though some of the sentiments are greeting card–ish, this book is entertaining and full of good lessons.

A conversational, pleasurable look into McConaughey’s life and thought.

Pub Date: Oct. 20, 2020

ISBN: 978-0-593-13913-4

Page Count: 304

Publisher: Crown

Review Posted Online: Oct. 27, 2020

Kirkus Reviews Issue: Dec. 1, 2020

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