A refreshingly unusual approach by an author admirably transparent about why she wrote the book and why she chose to avoid...

THE GUNNING OF AMERICA

BUSINESS AND THE MAKING OF AMERICAN GUN CULTURE

An examination of the controversial realm of American gun culture through the perspective of gun manufacturers, with an emphasis on the Winchester Repeating Arms Company.

Historian Haag (Marriage Confidential: The Post-Romantic Age of Workhorse Wives, Royal Children, Undersexed Spouses, and Rebel Couples, 2011, etc.) deliberately eschews detailed discussions about the Second Amendment, the rights of gun owners, the advocates of gun control, and other cornerstones of our current heated political debate. Instead, in each chapter, the author emphasizes that the United States became awash with handguns and rifles and other permutations of weaponry in large part because manufacturers saw potential markets for their products and then sold to those markets aggressively and effectively. Haag explores numerous manufacturers and their personnel, building her narrative mostly around 19th-century “rifle king” Oliver Winchester and his “less visible, more historically numinous daughter-in-law,” Sarah Winchester. Oliver represents the bottom line–oriented businessman who thought little about the moral implications of selling a product meant to kill, while Sarah represents the second-generation tycoon haunted by those same moral implications. As Haag mixes a straight-ahead business saga with a soap-operatic tale of misfortune in spite of wealth, the opposing strands are not always well-integrated within the overall text. However, those threads are usually interesting, and the research is extensive. In an epilogue, Haag briefly addresses current gun politics, suggesting that imposing corporate accountability on gun manufacturers seems more productive than endlessly debating the rights of gun owners and what gun control partisans have a right to impose on those individual owners. It is important to recognize, she writes, “that gun violence and mass shootings are not really technocratic problems, to be most effectively solved through the correspondingly technocratic remedies of legislative campaigns that often fail, and that, in any event, tackle small facets of the problem.”

A refreshingly unusual approach by an author admirably transparent about why she wrote the book and why she chose to avoid more traditional approaches.

Pub Date: April 19, 2016

ISBN: 978-0-465-04895-3

Page Count: 528

Publisher: Basic

Review Posted Online: Jan. 27, 2016

Kirkus Reviews Issue: Feb. 15, 2016

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Buffs of the Old West will enjoy Clavin’s careful research and vivid writing.

TOMBSTONE

THE EARP BROTHERS, DOC HOLLIDAY, AND THE VENDETTA RIDE FROM HELL

Rootin’-tootin’ history of the dry-gulchers, horn-swogglers, and outright killers who populated the Wild West’s wildest city in the late 19th century.

The stories of Wyatt Earp and company, the shootout at the O.K. Corral, and Geronimo and the Apache Wars are all well known. Clavin, who has written books on Dodge City and Wild Bill Hickok, delivers a solid narrative that usefully links significant events—making allies of white enemies, for instance, in facing down the Apache threat, rustling from Mexico, and other ethnically charged circumstances. The author is a touch revisionist, in the modern fashion, in noting that the Earps and Clantons weren’t as bloodthirsty as popular culture has made them out to be. For example, Wyatt and Bat Masterson “took the ‘peace’ in peace officer literally and knew that the way to tame the notorious town was not to outkill the bad guys but to intimidate them, sometimes with the help of a gun barrel to the skull.” Indeed, while some of the Clantons and some of the Earps died violently, most—Wyatt, Bat, Doc Holliday—died of cancer and other ailments, if only a few of old age. Clavin complicates the story by reminding readers that the Earps weren’t really the law in Tombstone and sometimes fell on the other side of the line and that the ordinary citizens of Tombstone and other famed Western venues valued order and peace and weren’t particularly keen on gunfighters and their mischief. Still, updating the old notion that the Earp myth is the American Iliad, the author is at his best when he delineates those fraught spasms of violence. “It is never a good sign for law-abiding citizens,” he writes at one high point, “to see Johnny Ringo rush into town, both him and his horse all in a lather.” Indeed not, even if Ringo wound up killing himself and law-abiding Tombstone faded into obscurity when the silver played out.

Buffs of the Old West will enjoy Clavin’s careful research and vivid writing.

Pub Date: April 21, 2020

ISBN: 978-1-250-21458-4

Page Count: 400

Publisher: St. Martin's

Review Posted Online: Jan. 20, 2020

Kirkus Reviews Issue: Feb. 15, 2020

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This moving, potent testament might have been titled “Black Lives Matter.” Or: “An American Tragedy.”

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BETWEEN THE WORLD AND ME

NOTES ON THE FIRST 150 YEARS IN AMERICA

The powerful story of a father’s past and a son’s future.

Atlantic senior writer Coates (The Beautiful Struggle: A Father, Two Sons, and an Unlikely Road to Manhood, 2008) offers this eloquent memoir as a letter to his teenage son, bearing witness to his own experiences and conveying passionate hopes for his son’s life. “I am wounded,” he writes. “I am marked by old codes, which shielded me in one world and then chained me in the next.” Coates grew up in the tough neighborhood of West Baltimore, beaten into obedience by his father. “I was a capable boy, intelligent and well-liked,” he remembers, “but powerfully afraid.” His life changed dramatically at Howard University, where his father taught and from which several siblings graduated. Howard, he writes, “had always been one of the most critical gathering posts for black people.” He calls it The Mecca, and its faculty and his fellow students expanded his horizons, helping him to understand “that the black world was its own thing, more than a photo-negative of the people who believe they are white.” Coates refers repeatedly to whites’ insistence on their exclusive racial identity; he realizes now “that nothing so essentialist as race” divides people, but rather “the actual injury done by people intent on naming us, intent on believing that what they have named matters more than anything we could ever actually do.” After he married, the author’s world widened again in New York, and later in Paris, where he finally felt extricated from white America’s exploitative, consumerist dreams. He came to understand that “race” does not fully explain “the breach between the world and me,” yet race exerts a crucial force, and young blacks like his son are vulnerable and endangered by “majoritarian bandits.” Coates desperately wants his son to be able to live “apart from fear—even apart from me.”

This moving, potent testament might have been titled “Black Lives Matter.” Or: “An American Tragedy.”

Pub Date: July 8, 2015

ISBN: 978-0-8129-9354-7

Page Count: 176

Publisher: Spiegel & Grau

Review Posted Online: May 6, 2015

Kirkus Reviews Issue: July 1, 2015

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