A finely crafted portrayal of a society on the cusp.
A somber portrait of the deteriorating marriage of a white middle-aged couple beset by doubts and fears in post-apartheid Johannesburg, where the past still casts long shadows and the future is uncertain.
South African novelist Jooste (Like Water in Wild Places, 2000, etc.) also vividly evokes the present: an edgy time of flux, of waiting for new patterns to emerge and for life to assume some definable shape. Liberation’s euphoria has inevitably evaporated as whites adjust to the loss of privileges, security, and certainty, while blacks cope with generational tensions, lowered expectations, and crime. The plight of Julia and Douglas deftly mirrors their society’s dissatisfactions and disappointments. She has tried to be the perfect wife and mother, but he sees other women, and their runaway daughter takes drugs and refuses to visit. Meanwhile, Douglas is under pressure to appoint a black to the board of his construction company. Business is bad, he’s in debt, and he’s tired of fighting with his wife about her spending. As an embittered Julia decides to change her life, other characters connected to the central couple also face challenges. In London, Douglas’s first wife Rosalie, who went to prison for her politics and was then deported, is trying to cope with increasing memory loss. Michael, a wealthy Johannesburg entrepreneur who was once Rosalie’s lover, feels guilty for abandoning the struggle after her arrest. Wealthy Caroline, Julia’s best friend, copes with unwelcome change after her husband Gus is rendered comatose in a car accident; a developer wants to buy the family estate, and their son pressures her to sell. Gladstone, an aging African who works for Douglas, wants to live in the country, but his urban daughter objects. Matters come to a head as Julia plans a party for Rosalie, mistakenly rumored to be returning, and decisions are made that involve divorce, murder, and acceptance.
A finely crafted portrayal of a society on the cusp.Pub Date: Oct. 1, 2003
ISBN: 0-385-60148-4
Page Count: 302
Publisher: Doubleday UK/Trafalgar
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: July 15, 2003
A first novel, this is also a first person account of Scout's (Jean Louise) recall of the years that led to the ending of a mystery, the breaking of her brother Jem's elbow, the death of her father's enemy — and the close of childhood years. A widower, Atticus raises his children with legal dispassion and paternal intelligence, and is ably abetted by Calpurnia, the colored cook, while the Alabama town of Maycomb, in the 1930's, remains aloof to their divergence from its tribal patterns. Scout and Jem, with their summer-time companion, Dill, find their paths free from interference — but not from dangers; their curiosity about the imprisoned Boo, whose miserable past is incorporated in their play, results in a tentative friendliness; their fears of Atticus' lack of distinction is dissipated when he shoots a mad dog; his defense of a Negro accused of raping a white girl, Mayella Ewell, is followed with avid interest and turns the rabble whites against him. Scout is the means of averting an attack on Atticus but when he loses the case it is Boo who saves Jem and Scout by killing Mayella's father when he attempts to murder them. The shadows of a beginning for black-white understanding, the persistent fight that Scout carries on against school, Jem's emergence into adulthood, Calpurnia's quiet power, and all the incidents touching on the children's "growing outward" have an attractive starchiness that keeps this southern picture pert and provocative. There is much advance interest in this book; it has been selected by the Literary Guild and Reader's Digest; it should win many friends.
Pub Date: July 11, 1960
ISBN: 0060935464
Page Count: 323
Publisher: Lippincott
Review Posted Online: Oct. 7, 2011
Kirkus Reviews Issue: July 1, 1960
BOOK REVIEW
BOOK REVIEW
SEEN & HEARD
SEEN & HEARD
SEEN & HEARD
The best-selling author of tearjerkers like Angel Falls (2000) serves up yet another mountain of mush, topped off with...
Talk-show queen takes tumble as millions jeer.
Nora Bridges is a wildly popular radio spokesperson for family-first virtues, but her loyal listeners don't know that she walked out on her husband and teenaged daughters years ago and didn't look back. Now that a former lover has sold racy pix of naked Nora and horny himself to a national tabloid, her estranged daughter Ruby, an unsuccessful stand-up comic in Los Angeles, has been approached to pen a tell-all. Greedy for the fat fee she's been promised, Ruby agrees and heads for the San Juan Islands, eager to get reacquainted with the mom she plans to betray. Once in the family homestead, nasty Ruby alternately sulks and glares at her mother, who is temporarily wheelchair-bound as a result of a post-scandal car crash. Uncaring, Ruby begins writing her side of the story when she's not strolling on the beach with former sweetheart Dean Sloan, the son of wealthy socialites who basically ignored him and his gay brother Eric. Eric, now dying of cancer and also in a wheelchair, has returned to the island. This dismal threesome catch up on old times, recalling their childhood idylls on the island. After Ruby's perfect big sister Caroline shows up, there's another round of heartfelt talk. Nora gradually reveals the truth about her unloving husband and her late father's alcoholism, which led her to seek the approval of others at the cost of her own peace of mind. And so on. Ruby is aghast to discover that she doesn't know everything after all, but Dean offers her subdued comfort. Happy endings await almost everyone—except for readers of this nobly preachy snifflefest.
The best-selling author of tearjerkers like Angel Falls (2000) serves up yet another mountain of mush, topped off with syrupy platitudes about life and love.Pub Date: March 1, 2001
ISBN: 0-609-60737-5
Page Count: 336
Publisher: Crown
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: Jan. 15, 2001
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