by Pamela Paul ‧ RELEASE DATE: May 2, 2017
A thoughtfully engaging memoir of a life in books.
The editor of the New York Times Book Review writes about a book journal begun in adolescence that unexpectedly came to chronicle her own life story.
As a child, Paul (Parenting, Inc.: How the Billion-Dollar Baby Business Has Changed the Way We Raise Our Children, 2008, etc.) found her greatest solace in books. They were private spaces where she could safely indulge her most intimate obsessions with and curiosities about any topic. The author’s first effort at writing her own narratives ended with her feeling disgusted at the angst-ridden teen humiliations she routinely “vomit[ed]” into her diary. Her second, more successful effort consisted of a list that cataloged every book she had read, her “Book of Books,” or “BOB.” On this plain, gray book's unlined pages, Paul was able to “take charge of my own story and make it better” while maintaining both the objectivity and anonymity she prized. It was only much later that she realized Bob also granted access to “where I’ve been, psychologically and geographically,” at different periods in her life. The Norton Anthology of English Literature recalled her college years and how the university was “full of lessons about just how much I didn’t know.” A memory of how she had mistranslated another title, The Grapes of Wrath (“what had I said? The Plums of Fury”), for her French study-abroad host family reminded her of the escape Paris would come to represent after she started her professional life. Some books, like Thalia Zapatos’ A Journey of One’s Own, inspired Paul to take leaps of faith that led to several years of traveling around the world and temporary residence in Thailand. Others, like Lucy Grealy’s The Autobiography of a Face, helped her cope with major life crises. Intelligent, unique, and wise, Paul’s book not only remembers a life lived among and influenced by books. It also reveals how the most interesting stories exist less as words printed on pages and more as “stories that lie between book and reader.”
A thoughtfully engaging memoir of a life in books.Pub Date: May 2, 2017
ISBN: 978-1-62779-631-6
Page Count: 256
Publisher: Henry Holt
Review Posted Online: Feb. 19, 2017
Kirkus Reviews Issue: March 1, 2017
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by Elie Wiesel & translated by Marion Wiesel ‧ RELEASE DATE: Jan. 16, 2006
The author's youthfulness helps to assure the inevitable comparison with the Anne Frank diary although over and above the...
Elie Wiesel spent his early years in a small Transylvanian town as one of four children.
He was the only one of the family to survive what Francois Maurois, in his introduction, calls the "human holocaust" of the persecution of the Jews, which began with the restrictions, the singularization of the yellow star, the enclosure within the ghetto, and went on to the mass deportations to the ovens of Auschwitz and Buchenwald. There are unforgettable and horrifying scenes here in this spare and sombre memoir of this experience of the hanging of a child, of his first farewell with his father who leaves him an inheritance of a knife and a spoon, and of his last goodbye at Buchenwald his father's corpse is already cold let alone the long months of survival under unconscionable conditions.
Pub Date: Jan. 16, 2006
ISBN: 0374500010
Page Count: 120
Publisher: Hill & Wang
Review Posted Online: Oct. 7, 2011
Kirkus Reviews Issue: Jan. 15, 2006
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by Paul Kalanithi ‧ RELEASE DATE: Jan. 19, 2016
A moving meditation on mortality by a gifted writer whose dual perspectives of physician and patient provide a singular...
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A neurosurgeon with a passion for literature tragically finds his perfect subject after his diagnosis of terminal lung cancer.
Writing isn’t brain surgery, but it’s rare when someone adept at the latter is also so accomplished at the former. Searching for meaning and purpose in his life, Kalanithi pursued a doctorate in literature and had felt certain that he wouldn’t enter the field of medicine, in which his father and other members of his family excelled. “But I couldn’t let go of the question,” he writes, after realizing that his goals “didn’t quite fit in an English department.” “Where did biology, morality, literature and philosophy intersect?” So he decided to set aside his doctoral dissertation and belatedly prepare for medical school, which “would allow me a chance to find answers that are not in books, to find a different sort of sublime, to forge relationships with the suffering, and to keep following the question of what makes human life meaningful, even in the face of death and decay.” The author’s empathy undoubtedly made him an exceptional doctor, and the precision of his prose—as well as the moral purpose underscoring it—suggests that he could have written a good book on any subject he chose. Part of what makes this book so essential is the fact that it was written under a death sentence following the diagnosis that upended his life, just as he was preparing to end his residency and attract offers at the top of his profession. Kalanithi learned he might have 10 years to live or perhaps five. Should he return to neurosurgery (he could and did), or should he write (he also did)? Should he and his wife have a baby? They did, eight months before he died, which was less than two years after the original diagnosis. “The fact of death is unsettling,” he understates. “Yet there is no other way to live.”
A moving meditation on mortality by a gifted writer whose dual perspectives of physician and patient provide a singular clarity.Pub Date: Jan. 19, 2016
ISBN: 978-0-8129-8840-6
Page Count: 248
Publisher: Random House
Review Posted Online: Sept. 29, 2015
Kirkus Reviews Issue: Oct. 15, 2015
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