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BOUND FEET AND WESTERN DRESS

Chang, a lawyer and first-generation Chinese-American, tells the story of her great-aunt's long, often hard, remarkable life. Chang Yu-i was born in 1900 to a large and affluent family. As she grows up traditional China is gradually becoming Westernized: Yu-i herself is the first girl in her family to escape foot-binding; she is always aware of how this gave her freedom. Married at 15 to a scholar (and later renowned poet Hsu Chih-mo), a mother at 18, Yu-i is a docile wife and daughter-in-law who obeys the customs of filial devotion dutifully. But her husband is uncaring, often absent, and she feels restless and uneducated. Their marriage continues to deteriorate even after she leaves their son in China and joins her husband in Cambridge, England. He disappears, and pregnant, lonely, and depressed, Yu-i moves to Berlin with a brother and studies to become a teacher. Her husband returns to ask for a divorce, and Yu-i reluctantly agrees, without her parents' permission, to what would be the first modern, ``no-fault'' divorce in China. She emerges from this experience a determined, strong young woman. After the tragic early death of her second son, Yu-i returns to China and combines her traditional background and Western knowledge to become a successful businesswoman and bank vice president. Believing strongly that ``love means taking responsibility, fulfilling a duty,'' she takes care of her in-laws and parents until their deaths. After a second marriage in Hong Kong, she ends her long life in New York City, resilient to the last. Around Yu-i's first-person story Chang writes of her own struggle to assimilate into suburban America and succeed as both a regular American girl and a dutiful Chinese daughter. However, these parts of the book pale beside Yu-i's fascinating life and her plainspoken wisdom. (8 pages b&w photos, not seen) (Author tour)

Pub Date: Sept. 1, 1996

ISBN: 0-385-47963-8

Page Count: 256

Publisher: Doubleday

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: July 15, 1996

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NIGHT

The author's youthfulness helps to assure the inevitable comparison with the Anne Frank diary although over and above the...

Elie Wiesel spent his early years in a small Transylvanian town as one of four children. 

He was the only one of the family to survive what Francois Maurois, in his introduction, calls the "human holocaust" of the persecution of the Jews, which began with the restrictions, the singularization of the yellow star, the enclosure within the ghetto, and went on to the mass deportations to the ovens of Auschwitz and Buchenwald. There are unforgettable and horrifying scenes here in this spare and sombre memoir of this experience of the hanging of a child, of his first farewell with his father who leaves him an inheritance of a knife and a spoon, and of his last goodbye at Buchenwald his father's corpse is already cold let alone the long months of survival under unconscionable conditions. 

The author's youthfulness helps to assure the inevitable comparison with the Anne Frank diary although over and above the sphere of suffering shared, and in this case extended to the death march itself, there is no spiritual or emotional legacy here to offset any reader reluctance.

Pub Date: Jan. 16, 2006

ISBN: 0374500010

Page Count: 120

Publisher: Hill & Wang

Review Posted Online: Oct. 7, 2011

Kirkus Reviews Issue: Jan. 15, 2006

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THE DISTANCE BETWEEN US

A MEMOIR

A standout immigrant coming-of-age story.

In her first nonfiction book, novelist Grande (Dancing with Butterflies, 2009, etc.) delves into her family’s cycle of separation and reunification.

Raised in poverty so severe that spaghetti reminded her of the tapeworms endemic to children in her Mexican hometown, the author is her family’s only college graduate and writer, whose honors include an American Book Award and International Latino Book Award. Though she was too young to remember her father when he entered the United States illegally seeking money to improve life for his family, she idolized him from afar. However, she also blamed him for taking away her mother after he sent for her when the author was not yet 5 years old. Though she emulated her sister, she ultimately answered to herself, and both siblings constantly sought affirmation of their parents’ love, whether they were present or not. When one caused disappointment, the siblings focused their hopes on the other. These contradictions prove to be the narrator’s hallmarks, as she consistently displays a fierce willingness to ask tough questions, accept startling answers, and candidly render emotional and physical violence. Even as a girl, Grande understood the redemptive power of language to define—in the U.S., her name’s literal translation, “big queen,” led to ridicule from other children—and to complicate. In spelling class, when a teacher used the sentence “my mamá loves me” (mi mamá me ama), Grande decided to “rearrange the words so that they formed a question: ¿Me ama mi mamá? Does my mama love me?”

A standout immigrant coming-of-age story.

Pub Date: Aug. 28, 2012

ISBN: 978-1-4516-6177-4

Page Count: 320

Publisher: Atria

Review Posted Online: June 11, 2012

Kirkus Reviews Issue: July 1, 2012

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