An intriguing, unexpected gothic mashup with elements of Dorothy Sayers, Wilkie Collins, and Josephine Tey.
An orphan-turned-heiress, a university student, a down-on-his-heels clergyman, an inspector from Scotland Yard, a number of missing girls, and a host of high-society figures collide in this supernatural, gothic mystery.
London, 1893. Octavia Hillingdon might be an heiress, but that's only because she and her brother, Georgie, were adopted by a newspaper magnate and given opportunities that would have otherwise been out of reach. Now, Octavia is a bicycle-riding Victorian lady journalist trying to uncover big stories even as she's limited to reporting on society events and gossipy pieces about the Spiriters by a difficult editor. Elf—that is, the Most Honourable Marquess of Hartington—is her friend and party sidekick, winnowing out gossipy tidbits for her. Gideon Bliss is an exceedingly poor university student in Cambridge who drops everything to rush to London after receiving a cryptic letter from his clergyman uncle about impending danger, yet he secretly hopes to once again meet up with his beloved Angela. The volatile Inspector Cutter handles special cases dealing with the occult at Scotland Yard. The lives of all these characters and more collide over the course of a few days in February: Gideon stumbles upon Angela—wearing a thin white shift and barely lucid—before the altar in an empty church, but he is drugged, she is taken, and he seeks Inspector Cutter’s help. A seamstress jumps to her death from a window of Lord Strythe’s London home, the gentleman himself disappears, and Olivia tries to find out why. Author O’Donnell carefully unspools the gothic creepiness of his story, teasing the reader with tidbits of information that raise more questions than they answer: Just who are the Spiriters? What are they doing with the young girls who go missing? How is the seamstress’s suicide related to the death of the Inspector’s wife? In the end, all the pieces fit together.
An intriguing, unexpected gothic mashup with elements of Dorothy Sayers, Wilkie Collins, and Josephine Tey.Pub Date: Jan. 12, 2021
ISBN: 978-1-951142-24-7
Page Count: 408
Publisher: Tin House
Review Posted Online: Oct. 13, 2020
Kirkus Reviews Issue: Nov. 1, 2020
BOOK REVIEW
BOOK REVIEW
Fans of Stockett’s bestselling debut will love this engaging follow-up.
Stockett heads to Mississippi for another historical novel about feisty women.
This time, perhaps recalling criticisms of cultural appropriation in The Help (2009), she sticks to feisty white women, with one exception. The setting is Oxford in 1933. For two miserable years, 11-year-old Meg has lived in “the Orphan,” a county asylum for parentless girls. Chairlady Garnett—a villain so one-note she’d twirl a mustache if she had one—makes it her mission to ostracize the older girls she deems unadoptable, stigmatizing them as offspring of the “feebleminded” mothers who abandoned them. She particularly has it in for smart, sassy Meg, who refuses to believe her mother’s mysterious disappearance was deliberate. Elsewhere in Oxford, Birdie Calhoun comes to visit her sister Frances, who married a wealthy banker, to ask for money on behalf of their mother and grandmother back in Footely. Frances isn’t thrilled by this reminder of her impoverished small-town origins. But she’s trying to climb up in Oxford society by volunteering at the Orphan, the asylum’s books need to be done before the state inspector shows up in a few weeks, and Birdie is a bookkeeper. Having neatly arranged to keep Birdie in town and draw these two storylines together, Stockett goes on to spin a compulsively readable yarn with enough plot for a half-dozen novels. Birdie and Meg become friends, Meg is adopted despite Garnett’s best efforts, Meg’s mother turns up at the Orphan demanding to know where her child is—and that’s less than a quarter of the way through a long, winding narrative that keeps piling on more dramatic developments until all loose ends are neatly, if hastily, wrapped up in the final pages. Stockett might be making a point about Southern women facing facts and standing up for themselves, but mostly this is just a satisfyingly twisty tale that should make a great miniseries.
Fans of Stockett’s bestselling debut will love this engaging follow-up.Pub Date: May 5, 2026
ISBN: 9781954118812
Page Count: 656
Publisher: Spiegel & Grau
Review Posted Online: Feb. 2, 2026
Kirkus Reviews Issue: March 1, 2026
BOOK REVIEW
Still, a respectful and absorbing page-turner.
Hannah’s new novel is an homage to the extraordinary courage and endurance of Frenchwomen during World War II.
In 1995, an elderly unnamed widow is moving into an Oregon nursing home on the urging of her controlling son, Julien, a surgeon. This trajectory is interrupted when she receives an invitation to return to France to attend a ceremony honoring passeurs: people who aided the escape of others during the war. Cut to spring, 1940: Viann has said goodbye to husband Antoine, who's off to hold the Maginot line against invading Germans. She returns to tending her small farm, Le Jardin, in the Loire Valley, teaching at the local school and coping with daughter Sophie’s adolescent rebellion. Soon, that world is upended: The Germans march into Paris and refugees flee south, overrunning Viann’s land. Her long-estranged younger sister, Isabelle, who has been kicked out of multiple convent schools, is sent to Le Jardin by Julien, their father in Paris, a drunken, decidedly unpaternal Great War veteran. As the depredations increase in the occupied zone—food rationing, systematic looting, and the billeting of a German officer, Capt. Beck, at Le Jardin—Isabelle’s outspokenness is a liability. She joins the Resistance, volunteering for dangerous duty: shepherding downed Allied airmen across the Pyrenees to Spain. Code-named the Nightingale, Isabelle will rescue many before she's captured. Meanwhile, Viann’s journey from passive to active resistance is less dramatic but no less wrenching. Hannah vividly demonstrates how the Nazis, through starvation, intimidation and barbarity both casual and calculated, demoralized the French, engineering a community collapse that enabled the deportations and deaths of more than 70,000 Jews. Hannah’s proven storytelling skills are ideally suited to depicting such cataclysmic events, but her tendency to sentimentalize undermines the gravitas of this tale.
Still, a respectful and absorbing page-turner.Pub Date: Feb. 3, 2015
ISBN: 978-0-312-57722-3
Page Count: 448
Publisher: St. Martin's
Review Posted Online: Nov. 19, 2014
Kirkus Reviews Issue: Dec. 1, 2014
BOOK TO SCREEN
SEEN & HEARD
BOOK TO SCREEN
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