A meandering story would have been more engaging with a more active protagonist.


Ames offers a debut bildungsroman about a world-weary young Canadian woman who’s smart about business but less savvy about relationships.

Angie Cohen is 17 when her father dies, but she has two memorable brushes with death very soon afterward. First, at her high school’s semiformal dance, held at a funeral home, Angie has a sexual encounter with her date among some coffins; then she learns of the death of a close childhood friend. Angie feels bound by a sense of duty to her late father, so she devotes herself to running his coffee-machine maintenance business after graduating from high school. Between servicing the VendKing 2000 coffee vending machines and coffee makers at real-estate offices, strategizing about growing the business, and dreaming about traveling through Europe, Angie sidelines her plans to attend college. What follows is an episodic account of Angie’s stop-and-start efforts to find a fulfilling future; she also takes the words of a writer friend to heart: “Isn’t that what life is about? Chasing down your past.” Later, in Paris, Angie becomes involved with an artist and helps to kick-start his career—but forfeits a deferred acceptance to a university. When she returns home to Canada, she works as a bartender, and one gap year turns into two. Angie starts classes at one school, then leaves and starts again at another. The novel offers a character study of a young woman struggling with grief and possible depression. However, as Angie heals from her father’s death and finds her own way in life, there aren’t any compelling obstacles to her development, except her own indecision and uncertainty. Although the narration notes, “You make your own shit. Angie had proven this so far,” this description doesn’t quite ring true, as the protagonist is a consistently passive character who bounces from one place to another, even as she laments her lack of purpose. One enjoyable element of the book, though, is the depiction of Angie’s considerable business skills; she always has ideas for improvements—although at her bartending job, the higher-ups don’t effectively make use of her practical mind.

A meandering story would have been more engaging with a more active protagonist.

Pub Date: Oct. 21, 2019

ISBN: 978-1-989718-00-1

Page Count: 299

Publisher: Link & Ava Publishing Inc.

Review Posted Online: Dec. 14, 2019

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The best-selling author of tearjerkers like Angel Falls (2000) serves up yet another mountain of mush, topped off with...


Talk-show queen takes tumble as millions jeer.

Nora Bridges is a wildly popular radio spokesperson for family-first virtues, but her loyal listeners don't know that she walked out on her husband and teenaged daughters years ago and didn't look back. Now that a former lover has sold racy pix of naked Nora and horny himself to a national tabloid, her estranged daughter Ruby, an unsuccessful stand-up comic in Los Angeles, has been approached to pen a tell-all. Greedy for the fat fee she's been promised, Ruby agrees and heads for the San Juan Islands, eager to get reacquainted with the mom she plans to betray. Once in the family homestead, nasty Ruby alternately sulks and glares at her mother, who is temporarily wheelchair-bound as a result of a post-scandal car crash. Uncaring, Ruby begins writing her side of the story when she's not strolling on the beach with former sweetheart Dean Sloan, the son of wealthy socialites who basically ignored him and his gay brother Eric. Eric, now dying of cancer and also in a wheelchair, has returned to the island. This dismal threesome catch up on old times, recalling their childhood idylls on the island. After Ruby's perfect big sister Caroline shows up, there's another round of heartfelt talk. Nora gradually reveals the truth about her unloving husband and her late father's alcoholism, which led her to seek the approval of others at the cost of her own peace of mind. And so on. Ruby is aghast to discover that she doesn't know everything after all, but Dean offers her subdued comfort. Happy endings await almost everyone—except for readers of this nobly preachy snifflefest.

The best-selling author of tearjerkers like Angel Falls (2000) serves up yet another mountain of mush, topped off with syrupy platitudes about life and love.

Pub Date: March 1, 2001

ISBN: 0-609-60737-5

Page Count: 336

Publisher: Crown

Review Posted Online: May 20, 2010

Kirkus Reviews Issue: Jan. 15, 2001

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Kin “[find] each other’s lives inscrutable” in this rich, sharp story about the way identity is formed.

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Inseparable identical twin sisters ditch home together, and then one decides to vanish.

The talented Bennett fuels her fiction with secrets—first in her lauded debut, The Mothers (2016), and now in the assured and magnetic story of the Vignes sisters, light-skinned women parked on opposite sides of the color line. Desiree, the “fidgety twin,” and Stella, “a smart, careful girl,” make their break from stultifying rural Mallard, Louisiana, becoming 16-year-old runaways in 1954 New Orleans. The novel opens 14 years later as Desiree, fleeing a violent marriage in D.C., returns home with a different relative: her 8-year-old daughter, Jude. The gossips are agog: “In Mallard, nobody married dark....Marrying a dark man and dragging his blueblack child all over town was one step too far.” Desiree's decision seals Jude’s misery in this “colorstruck” place and propels a new generation of flight: Jude escapes on a track scholarship to UCLA. Tending bar as a side job in Beverly Hills, she catches a glimpse of her mother’s doppelgänger. Stella, ensconced in White society, is shedding her fur coat. Jude, so Black that strangers routinely stare, is unrecognizable to her aunt. All this is expertly paced, unfurling before the book is half finished; a reader can guess what is coming. Bennett is deeply engaged in the unknowability of other people and the scourge of colorism. The scene in which Stella adopts her White persona is a tour de force of doubling and confusion. It calls up Toni Morrison’s The Bluest Eye, the book's 50-year-old antecedent. Bennett's novel plays with its characters' nagging feelings of being incomplete—for the twins without each other; for Jude’s boyfriend, Reese, who is trans and seeks surgery; for their friend Barry, who performs in drag as Bianca. Bennett keeps all these plot threads thrumming and her social commentary crisp. In the second half, Jude spars with her cousin Kennedy, Stella's daughter, a spoiled actress.

Kin “[find] each other’s lives inscrutable” in this rich, sharp story about the way identity is formed.

Pub Date: June 2, 2020

ISBN: 978-0-525-53629-1

Page Count: 352

Publisher: Riverhead

Review Posted Online: March 15, 2020

Kirkus Reviews Issue: April 1, 2020

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