Hell hath no fury like a scorned woman who finds out that all her friends knew her shame.
B.J. Almond is used to being the queen bee. The wife of an NFL head coach, she has adopted his top status in the wives' hierarchy, lording her no-nonsense attitude and slightly conservative personal style over her coterie of assistant coaches' wives. Not that her designer duds aren't as costly or her pleasures any less extravagant, but neither her necklines nor her morals have plunged quite so much as her juniors' have in order to keep their marriages together. Small wonder then, that when B.J. walks in on her husband fooling around with one of their own, she's furious—and when she realizes that all her so-called friends knew, she's madder still. Her planned revenge includes a tell-all book, in which she threatens to use all the knowledge she has gathered as the take-charge go-to gal of their clique, dirt her agent promises will make her book a bestseller. As she holes up in the Ritz, supposedly writing, she recalls them all—the time she had to rescue one friend who was left nude and dazed in a no-tell motel, the trip she took so another could get anonymous treatment for an STD—in lurid detail. In between her racy rememberings, the other gals scurry to salvage their lives of immense privilege and, occasionally, love. The fallout gets worse when one woman threatens to write her own book and another turns violent. But the real passion in this African-American-targeted fantasy by Tucker (Daddy by Default, 2010, etc.) is for the Jimmy Choos and other expensive paraphernalia that these women accept as their due. While the sex scenes are written with titillation in mind (all bodies are hard, all passion peaks), it's the fashion that really excites these women and, most likely, the readers who choose to give them their time. Payback may be dirty, nasty and mean, but all dressed up, it provides a guilty pleasure for the reader.
Pub Date: Oct. 4, 2011
ISBN: 978-1-59309-315-0
Page Count: 304
Publisher: Atria
Review Posted Online: Oct. 2, 2011
Kirkus Reviews Issue: Oct. 15, 2011
BOOK REVIEW
BOOK REVIEW
The phrase “tour de force” could have been invented for this audacious novel.
Four men who meet as college roommates move to New York and spend the next three decades gaining renown in their professions—as an architect, painter, actor and lawyer—and struggling with demons in their intertwined personal lives.
Yanagihara (The People in the Trees, 2013) takes the still-bold leap of writing about characters who don’t share her background; in addition to being male, JB is African-American, Malcolm has a black father and white mother, Willem is white, and “Jude’s race was undetermined”—deserted at birth, he was raised in a monastery and had an unspeakably traumatic childhood that’s revealed slowly over the course of the book. Two of them are gay, one straight and one bisexual. There isn’t a single significant female character, and for a long novel, there isn’t much plot. There aren’t even many markers of what’s happening in the outside world; Jude moves to a loft in SoHo as a young man, but we don’t see the neighborhood change from gritty artists’ enclave to glitzy tourist destination. What we get instead is an intensely interior look at the friends’ psyches and relationships, and it’s utterly enthralling. The four men think about work and creativity and success and failure; they cook for each other, compete with each other and jostle for each other’s affection. JB bases his entire artistic career on painting portraits of his friends, while Malcolm takes care of them by designing their apartments and houses. When Jude, as an adult, is adopted by his favorite Harvard law professor, his friends join him for Thanksgiving in Cambridge every year. And when Willem becomes a movie star, they all bask in his glow. Eventually, the tone darkens and the story narrows to focus on Jude as the pain of his past cuts deep into his carefully constructed life.
The phrase “tour de force” could have been invented for this audacious novel.Pub Date: March 10, 2015
ISBN: 978-0-385-53925-8
Page Count: 720
Publisher: Doubleday
Review Posted Online: Dec. 21, 2014
Kirkus Reviews Issue: Jan. 1, 2015
BOOK REVIEW
BOOK REVIEW
PROFILES
PERSPECTIVES
Genetically engineered dinosaurs run amok in Crichton's new, vastly entertaining science thriller. From the introduction alone—a classically Crichton-clear discussion of the implications of biotechnological research—it's evident that the Harvard M.D. has bounced back from the science-fantasy silliness of Sphere (1987) for another taut reworking of the Frankenstein theme, as in The Andromeda Strain and The Terminal Man. Here, Dr. Frankenstein is aging billionaire John Hammond, whose monster is a manmade ecosystem based on a Costa Rican island. Designed as the world's ultimate theme park, the ecosystem boasts climate and flora of the Jurassic Age and—most spectacularly—15 varieties of dinosaurs, created by elaborate genetic engineering that Crichton explains in fascinating detail, rich with dino-lore and complete with graphics. Into the park, for a safety check before its opening, comes the novel's band of characters—who, though well drawn, double as symbolic types in this unsubtle morality play. Among them are hero Alan Grant, noble paleontologist; Hammond, venal and obsessed; amoral dino-designer Henry Wu; Hammond's two innocent grandchildren; and mathematician Ian Malcolm, who in long diatribes serves as Crichton's mouthpiece to lament the folly of science. Upon arrival, the visitors tour the park; meanwhile, an industrial spy steals some dino embryos by shutting down the island's power—and its security grid, allowing the beasts to run loose. The bulk of the remaining narrative consists of dinos—ferocious T. Rex's, voracious velociraptors, venom-spitting dilophosaurs—stalking, ripping, and eating the cast in fast, furious, and suspenseful set-pieces as the ecosystem spins apart. And can Grant prevent the dinos from escaping to the mainland to create unchecked havoc? Though intrusive, the moralizing rarely slows this tornado-paced tale, a slick package of info-thrills that's Crichton's most clever since Congo (1980)—and easily the most exciting dinosaur novel ever written. A sure-fire best-seller.
Pub Date: Nov. 7, 1990
ISBN: 0394588169
Page Count: 424
Publisher: Knopf
Review Posted Online: Sept. 21, 2011
Kirkus Reviews Issue: Oct. 15, 1990
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