The legends of Theseus and Icarus are here braided together in a historical novel imagined from the Cretan perspective. The 14-year-old Princess Xenodice keeps herself out of much of the intrigue of the court of Knossos; in this place of seething emotions and barely suppressed resentments she is more than content to be an observer. A loving, if sometimes exasperated sister, she does the bidding of her imperious older sister Ariadne—heir apparent to the throne—but manages to find time for her two pleasures: visiting with the handsome craftsman Icarus in his father’s workshop, and with Asterius, her part-boy, part-bull younger half-brother, in the Bull Pen at the center of the Labyrinth. But then the latest shipment of Athenian slaves arrives. The hairily uncouth Theseus and his vow to kill Asterius precipitate a chain of events that leaves Xenodice herself utterly alone. Kindl (Goose Chase, 2001, etc.) does a good job at imagining the setting, creating out of the wisps of legend and archaeology a fully realized matriarchy (an author’s note explains that this is her own hypothetical leap), a cultural and economic powerhouse that holds itself as vastly superior to the upstart Athens. Xenodice’s narrative, however, is overly formal, resulting in a frequently ponderous tone: “My head drooped; I stared at my feet. Never before had I desired another’s death. But now I was frightened. I did not know the precise nature of the danger, but my forebodings centered around the young Athenian.” Only very rarely is this tone leavened by the wry and clever wit that has marked the author’s previous novels, and although the story is certainly compelling, Xenodice is always somehow at arm’s length from the reader. Worth purchasing for the originality of the perspective and careful realization of the setting, it would do well paired with a new copy of Renault’s The King Must Die (cited as suggested further reading). (Fiction. 12+)
Pub Date: Aug. 26, 2002
ISBN: 0-618-16684-X
Page Count: 200
Publisher: Houghton Mifflin
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: Aug. 1, 2002
Wrought with admirable skill—the emptiness and menace underlying this Utopia emerge step by inexorable step: a richly...
In a radical departure from her realistic fiction and comic chronicles of Anastasia, Lowry creates a chilling, tightly controlled future society where all controversy, pain, and choice have been expunged, each childhood year has its privileges and responsibilities, and family members are selected for compatibility.
As Jonas approaches the "Ceremony of Twelve," he wonders what his adult "Assignment" will be. Father, a "Nurturer," cares for "newchildren"; Mother works in the "Department of Justice"; but Jonas's admitted talents suggest no particular calling. In the event, he is named "Receiver," to replace an Elder with a unique function: holding the community's memories—painful, troubling, or prone to lead (like love) to disorder; the Elder ("The Giver") now begins to transfer these memories to Jonas. The process is deeply disturbing; for the first time, Jonas learns about ordinary things like color, the sun, snow, and mountains, as well as love, war, and death: the ceremony known as "release" is revealed to be murder. Horrified, Jonas plots escape to "Elsewhere," a step he believes will return the memories to all the people, but his timing is upset by a decision to release a newchild he has come to love. Ill-equipped, Jonas sets out with the baby on a desperate journey whose enigmatic conclusion resonates with allegory: Jonas may be a Christ figure, but the contrasts here with Christian symbols are also intriguing.
Wrought with admirable skill—the emptiness and menace underlying this Utopia emerge step by inexorable step: a richly provocative novel. (Fiction. 12-16)Pub Date: April 1, 1993
ISBN: 978-0-395-64566-6
Page Count: 208
Publisher: Houghton Mifflin
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: March 1, 1993
A sweet if muddled tale of the magic of Appalachia.
A teenage witch goes up against the evil king of the mountain to save a cursed village.
Witch-in-training Verity Vox has spent a year apiece in different villages, helping in any way she can as she learns her art. When it’s time to move on, she receives a sign that shows her where to go next. When the latest sign appears in the form of a note begging for help that floats down on a leaf, she’s eager for the challenge. Verity winds up in Foxfire, a village in the Appalachian mountains that’s been magically cut off from the rest of the world for years, leaving its people close to starvation. The root of their suffering is a man they know as Earl, who lives in the hills and strikes deals with the townspeople that ultimately cause crops to wither, folks to disappear, and the only bridge out of the valley to crumble. Verity is determined to change the villagers’ fortunes, but to do so she’ll have to face off against not just Earl but the ancient power of the mountains itself. Loosely based on the Germanic Erlking legend and told in a voice reminiscent of folktales, the story features a queer romance and a cast that presents white. The convoluted magic system undercuts the strong themes of reciprocity, poverty, and privilege, but Appalachian readers will instantly recognize home.
A sweet if muddled tale of the magic of Appalachia. (Fantasy. 13-18)Pub Date: Aug. 5, 2025
ISBN: 9798890032706
Page Count: 336
Publisher: Page Street
Review Posted Online: May 30, 2025
Kirkus Reviews Issue: July 1, 2025
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