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THE BOOK OF ATRIX WOLFE

When the warrior Prince Riven of Kardeth decided to attack Pelucir, the ancient mage Atrix Wolfe pleaded in vain with the prince to desist. So the mage wrought a mighty spell to create a murderous, irresistible Hunter that slew Pelucir's king and drove the forces of Kardeth from the field. Twenty years later, Prince Talis of Pelucir is studying magic in Chaumenard at the behest of his brother, King Burne, when he discovers a strange book of magic spells. Soon after, Burne recalls Talis, who takes up residence in the castle's ghost-ridden keep, where the spells from his book go disastrously wrong. Meanwhile, a sad, disregarded mute girl, Saro, labors in the castle's scullery as a pot-washer. When she's ordered to carry meals to Talis, he notices herand she starts to recover her awareness. Then the Queen of the Wood abducts Talis; though she shows him every courtesy, he is forced to wander in the human world as a ghost. Atrix Wolfe is drawn to the scene when the dreaded Hunter reappears. Saro, meanwhile, begins to read Talis's book of spells. Atrix, who thought the Hunter was his own creation, can't understand why he is unable to uncreate ituntil he confronts the Queen of the Wood and learns that, in fashioning the Hunter, Atrix accidentally ensorcelled both the queen's consort and her daughter. The consort, maddened and twisted by Atrix's spell, became the Hunter; the daughter lost her memory and her magic and became Saro. Intriguing, at least initially, and delicately wrought. But like the similarly charming The Cygnet and the Firebird, (1993), desperately short of plot even at this modest length.

Pub Date: July 1, 1995

ISBN: 0-441-00211-0

Page Count: 256

Publisher: Ace/Berkley

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: May 15, 1995

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NINTH HOUSE

From the Alex Stern series , Vol. 1

With an aura of both enchantment and authenticity, Bardugo’s compulsively readable novel leaves a portal ajar for equally...

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  • New York Times Bestseller

Yale’s secret societies hide a supernatural secret in this fantasy/murder mystery/school story.

Most Yale students get admitted through some combination of impressive academics, athletics, extracurriculars, family connections, and donations, or perhaps bribing the right coach. Not Galaxy “Alex” Stern. The protagonist of Bardugo’s (King of Scars, 2019, etc.) first novel for adults, a high school dropout and low-level drug dealer, Alex got in because she can see dead people. A Yale dean who's a member of Lethe, one of the college’s famously mysterious secret societies, offers Alex a free ride if she will use her spook-spotting abilities to help Lethe with its mission: overseeing the other secret societies’ occult rituals. In Bardugo’s universe, the “Ancient Eight” secret societies (Lethe is the eponymous Ninth House) are not just old boys’ breeding grounds for the CIA, CEOs, Supreme Court justices, and so on, as they are in ours; they’re wielders of actual magic. Skull and Bones performs prognostications by borrowing patients from the local hospital, cutting them open, and examining their entrails. St. Elmo’s specializes in weather magic, useful for commodities traders; Aurelian, in unbreakable contracts; Manuscript goes in for glamours, or “illusions and lies,” helpful to politicians and movie stars alike. And all these rituals attract ghosts. It’s Alex’s job to keep the supernatural forces from embarrassing the magical elite by releasing chaos into the community (all while trying desperately to keep her grades up). “Dealing with ghosts was like riding the subway: Do not make eye contact. Do not smile. Do not engage. Otherwise, you never know what might follow you home.” A townie’s murder sets in motion a taut plot full of drug deals, drunken assaults, corruption, and cover-ups. Loyalties stretch and snap. Under it all runs the deep, dark river of ambition and anxiety that at once powers and undermines the Yale experience. Alex may have more reason than most to feel like an imposter, but anyone who’s spent time around the golden children of the Ivy League will likely recognize her self-doubt.

With an aura of both enchantment and authenticity, Bardugo’s compulsively readable novel leaves a portal ajar for equally dazzling sequels.

Pub Date: Oct. 1, 2019

ISBN: 978-1-250-31307-2

Page Count: 448

Publisher: Flatiron Books

Review Posted Online: June 30, 2019

Kirkus Reviews Issue: July 15, 2019

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THE BOOK OF KOLI

A captivating start to what promises to be an epic post-apocalyptic fable.

The first volume in Carey’s Rampart trilogy is set centuries into a future shaped by war and climate change, where the scant remains of humankind are threatened by genetically modified trees and plants.

Teenager Koli Woodsmith lives in Mythen Rood, a village of about 200 people in a place called Ingland, which has other names such as “Briton and Albion and Yewkay.” He was raised to cultivate, and kill, the wood from the dangerous trees beyond Mythen Rood’s protective walls. Mythen Rood is governed by the Ramparts (made up entirely of members of one family—what a coincidence), who protect the village with ancient, solar-powered tech. After the Waiting, a time in which each child, upon turning 15, must decide their future, Koli takes the Rampart test: He must “awaken” a piece of old tech. After he inevitably fails, he steals a music player which houses a charming “manic pixie dream girl” AI named Monono, who reveals a universe of knowledge. Of course, a little bit of knowledge can threaten entire societies or, in Koli’s case, a village held in thrall to a family with unfettered access to powerful weapons. Koli attempts to use the device to become a Rampart, he becomes their greatest threat, and he’s exiled to the world beyond Mythen Rood. Luckily, the pragmatic Koli has his wits, Monono, and an ally in Ursala, a traveling doctor who strives to usher in a healthy new generation of babies before humanity dies out for good. Koli will need all the help he can get, especially when he’s captured by a fearsome group ruled by a mad messianic figure who claims to have psychic abilities. Narrator Koli’s inquisitive mind and kind heart make him the perfect guide to Carey’s (Someone Like Me, 2018, etc.) immersive, impeccably rendered world, and his speech and way of life are different enough to imagine the weight of what was lost but still achingly familiar, and as always, Carey leavens his often bleak scenarios with empathy and hope. Readers will be thrilled to know the next two books will be published in short order.

A captivating start to what promises to be an epic post-apocalyptic fable.

Pub Date: April 14, 2020

ISBN: 978-0-316-47753-6

Page Count: 416

Publisher: Orbit/Little, Brown

Review Posted Online: Jan. 12, 2020

Kirkus Reviews Issue: Feb. 1, 2020

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