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AFTER THE BALL

GILDED AGE SECRETS, BOARDROOM BETRAYALS, AND THE PARTY THAT IGNITED THE GREAT WALL STREET SCANDAL OF 1905

Solid storytelling brought to bear on a dusty corner of financial history.

In which a proto-yuppie out of a Tarkington novel gets his comeuppance—sort of.

James Hazen Hyde, writes journalist Beard (Good Daughters, 1999, etc.), had it all: charm, good looks, and lots and lots of money. By his late 20s, bottom-feeding in a Wall Street run by the likes of J.P. Morgan, Alfred Vanderbilt, and E.H. Harriman, he had become a senior officer in the Equitable Life Assurance Society and a director of no fewer than 46 companies, all of which netted him an income so vast that he was able, in the early 1900s, to pay an annual upkeep on a mansion in the neighborhood of $100,000, complete with a huge collection of carriages and other toys. Just as perp-walked executives of today insist that they came by their fortunes honestly and poor accounting was to blame for company woes, Hyde protested his own straight-upness when, in the wake of a lavish party he threw in 1905, his comfortable world dissolved in a vast scandal; when the books were finally balanced, it was revealed that millions had gone missing, including $7 million alone in the mysterious category “for other disbursements.” Hyde high-tailed it to Europe, marrying well and producing a son who became a leading figure in the Cold War intelligence community. In his later years, clad in a cape and spats, the statute of limitations presumably up, he could be seen wandering the streets of New York; he made for good gossip, “and if he was an odd duck,” Beard writes, “he was also a sophisticated, entertaining, fascinating dinner partner.” Was he the Ken Lay of his time? The evidence is spotty, but Beard depcits well the Gilded Age and its spectacular excesses—and in an age of corporate scandal, it’s comforting somehow to know that legions of the crooked have gone before us.

Solid storytelling brought to bear on a dusty corner of financial history.

Pub Date: July 4, 2003

ISBN: 0-06-019939-3

Page Count: 416

Publisher: HarperCollins

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: May 15, 2003

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NIGHT

The author's youthfulness helps to assure the inevitable comparison with the Anne Frank diary although over and above the...

Elie Wiesel spent his early years in a small Transylvanian town as one of four children. 

He was the only one of the family to survive what Francois Maurois, in his introduction, calls the "human holocaust" of the persecution of the Jews, which began with the restrictions, the singularization of the yellow star, the enclosure within the ghetto, and went on to the mass deportations to the ovens of Auschwitz and Buchenwald. There are unforgettable and horrifying scenes here in this spare and sombre memoir of this experience of the hanging of a child, of his first farewell with his father who leaves him an inheritance of a knife and a spoon, and of his last goodbye at Buchenwald his father's corpse is already cold let alone the long months of survival under unconscionable conditions. 

The author's youthfulness helps to assure the inevitable comparison with the Anne Frank diary although over and above the sphere of suffering shared, and in this case extended to the death march itself, there is no spiritual or emotional legacy here to offset any reader reluctance.

Pub Date: Jan. 16, 2006

ISBN: 0374500010

Page Count: 120

Publisher: Hill & Wang

Review Posted Online: Oct. 7, 2011

Kirkus Reviews Issue: Jan. 15, 2006

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I AM OZZY

An autobiography as toxic and addictive as any drug its author has ever ingested.

The legendary booze-addled metal rocker turned reality-TV star comes clean in his tell-all autobiography.

Although brought up in the bleak British factory town of Aston, John “Ozzy” Osbourne’s tragicomic rags-to-riches tale is somehow quintessentially American. It’s an epic dream/nightmare that takes him from Winson Green prison in 1966 to a presidential dinner with George W. Bush in 2004. Tracing his adult life from petty thief and slaughterhouse worker to rock star, Osbourne’s first-person slang-and-expletive-driven style comes off like he’s casually relating his story while knocking back pints at the pub. “What you read here,” he writes, “is what dribbled out of the jelly I call my brain when I asked it for my life story.” During the late 1960s his transformation from inept shoplifter to notorious Black Sabbath frontman was unlikely enough. In fact, the band got its first paying gigs by waiting outside concert venues hoping the regularly scheduled act wouldn’t show. After a few years, Osbourne and his bandmates were touring America and becoming millionaires from their riff-heavy doom music. As expected, with success came personal excess and inevitable alienation from the other members of the group. But as a solo performer, Osbourne’s predilection for guns, drink, drugs, near-death experiences, cruelty to animals and relieving himself in public soon became the stuff of legend. His most infamous exploits—biting the head off a bat and accidentally urinating on the Alamo—are addressed, but they seem tame compared to other dark moments of his checkered past: nearly killing his wife Sharon during an alcohol-induced blackout, waking up after a bender in the middle of a busy highway, burning down his backyard, etc. Osbourne is confessional to a fault, jeopardizing his demonic-rocker reputation with glib remarks about his love for Paul McCartney and Robin Williams. The most distinguishing feature of the book is the staggering chapter-by-chapter accumulation of drunken mishaps, bodily dysfunctions and drug-induced mayhem over a 40-plus-year career—a résumé of anti-social atrocities comparable to any of rock ’n’ roll’s most reckless outlaws.

An autobiography as toxic and addictive as any drug its author has ever ingested.

Pub Date: Jan. 25, 2010

ISBN: 978-0-446-56989-7

Page Count: 320

Publisher: Grand Central Publishing

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: Dec. 1, 2009

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