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THE SHOCKOE SLIP GANG

A MYSTERY

A delightful tale headlined by responsible tweens who just happen to be exceptional amateur detectives.

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Youngsters in Richmond, Virginia, are determined to find the thieves who looted a local art museum in this middle-grade mystery.

The last year hasn’t been easy for the Corbett children. Since their father’s death, the family has struggled financially. Now that it’s summer, 12-year-old Sally, who’s just off crutches from a lacrosse injury, can help younger brother, Andrew, 11, with his business. He handles everything from lawn care to feeding and walking pets. But the kids, along with Jane, the youngest, are shocked by a burglary at the museum where their mother, Cary, works. The thieves evidently zeroed in on antique American toys, which were part of an exhibition Cary had been organizing. As this show ties in with her recent promotion to head curator, the Corbetts are worried she’ll receive the blame for the thefts and lose her job. Consequently, Sally and Andrew decide to search for the culprits and recover the toys. They get their first big break from peer Henry Morrison, whose dad, Jim, is chairman of the museum’s board of trustees. Henry has a business similar to Andrew’s, and one of his clients had an antique toy that may have been from the exhibition. But going to speak with the client only leads to more questions and several suspects, including a suspicious motorcyclist the kids spotted prior to the robbery. As Sally, Andrew, and Henry inch closer to unmasking the thieves, they take increasing risks and may soon find themselves up against individuals more menacing than they could have ever imagined. Hass’ (Monument Avenue Memories, 2013, etc.) relatively short novel moves at a steady clip, due in large part to its succinct prose and tight editing. The author introduces the exceedingly likable Corbetts and skillfully teases the story’s mystery (by way of the shady motorcyclist) within the opening 10 pages. Sally, Andrew, and Henry are well-developed characters; they are all bright and considerate of others. Although they disregard cops’ warnings to stay away from the case and may commit a crime or two, the kids are generally cautious. For example, when they’re separated, they remain in contact as much as possible via cellphones. But more importantly, they’re responsible, as Andrew’s business takes precedence over any plan to follow up on a clue. In one instance, they decide first who’s cleaning a client’s pigeon coop before choosing which youngster will bike to check out a suspect’s workplace. The mystery isn’t difficult to unravel and often relies on coincidence. But Hass effectively generates a fraught narrative at the mere suggestion of danger. In one memorable scene, Sally, following the evidence, bikes to a store a distance away. Before she even arrives, an imminent storm produces dark clouds coupled with “low and ominous” rumbling thunder. The images by debut illustrator Corson resemble notebook sketches, but with copious details and shading. She deftly captures some of the book’s more intense sequences, though the highlight is a simple picture of little Jane enjoying a sandwich with the family cat in her lap. The author concludes her entertaining novel with a strong possibility of a sequel (Hint: The summer isn’t over).

A delightful tale headlined by responsible tweens who just happen to be exceptional amateur detectives.

Pub Date: Oct. 22, 2019

ISBN: 978-0-578-55877-6

Page Count: 202

Publisher: Windsong Press

Review Posted Online: Dec. 10, 2019

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TO KILL A MOCKINGBIRD

A first novel, this is also a first person account of Scout's (Jean Louise) recall of the years that led to the ending of a mystery, the breaking of her brother Jem's elbow, the death of her father's enemy — and the close of childhood years. A widower, Atticus raises his children with legal dispassion and paternal intelligence, and is ably abetted by Calpurnia, the colored cook, while the Alabama town of Maycomb, in the 1930's, remains aloof to their divergence from its tribal patterns. Scout and Jem, with their summer-time companion, Dill, find their paths free from interference — but not from dangers; their curiosity about the imprisoned Boo, whose miserable past is incorporated in their play, results in a tentative friendliness; their fears of Atticus' lack of distinction is dissipated when he shoots a mad dog; his defense of a Negro accused of raping a white girl, Mayella Ewell, is followed with avid interest and turns the rabble whites against him. Scout is the means of averting an attack on Atticus but when he loses the case it is Boo who saves Jem and Scout by killing Mayella's father when he attempts to murder them. The shadows of a beginning for black-white understanding, the persistent fight that Scout carries on against school, Jem's emergence into adulthood, Calpurnia's quiet power, and all the incidents touching on the children's "growing outward" have an attractive starchiness that keeps this southern picture pert and provocative. There is much advance interest in this book; it has been selected by the Literary Guild and Reader's Digest; it should win many friends.

Pub Date: July 11, 1960

ISBN: 0060935464

Page Count: 323

Publisher: Lippincott

Review Posted Online: Oct. 7, 2011

Kirkus Reviews Issue: July 1, 1960

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SUMMER ISLAND

The best-selling author of tearjerkers like Angel Falls (2000) serves up yet another mountain of mush, topped off with...

Talk-show queen takes tumble as millions jeer.

Nora Bridges is a wildly popular radio spokesperson for family-first virtues, but her loyal listeners don't know that she walked out on her husband and teenaged daughters years ago and didn't look back. Now that a former lover has sold racy pix of naked Nora and horny himself to a national tabloid, her estranged daughter Ruby, an unsuccessful stand-up comic in Los Angeles, has been approached to pen a tell-all. Greedy for the fat fee she's been promised, Ruby agrees and heads for the San Juan Islands, eager to get reacquainted with the mom she plans to betray. Once in the family homestead, nasty Ruby alternately sulks and glares at her mother, who is temporarily wheelchair-bound as a result of a post-scandal car crash. Uncaring, Ruby begins writing her side of the story when she's not strolling on the beach with former sweetheart Dean Sloan, the son of wealthy socialites who basically ignored him and his gay brother Eric. Eric, now dying of cancer and also in a wheelchair, has returned to the island. This dismal threesome catch up on old times, recalling their childhood idylls on the island. After Ruby's perfect big sister Caroline shows up, there's another round of heartfelt talk. Nora gradually reveals the truth about her unloving husband and her late father's alcoholism, which led her to seek the approval of others at the cost of her own peace of mind. And so on. Ruby is aghast to discover that she doesn't know everything after all, but Dean offers her subdued comfort. Happy endings await almost everyone—except for readers of this nobly preachy snifflefest.

The best-selling author of tearjerkers like Angel Falls (2000) serves up yet another mountain of mush, topped off with syrupy platitudes about life and love.

Pub Date: March 1, 2001

ISBN: 0-609-60737-5

Page Count: 336

Publisher: Crown

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: Jan. 15, 2001

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