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UNICORN'S BLOOD

Another gutsy, dagger-flashing, chain-rattling, wit-wrestling tale of danger, dark agonies, and royal power-plays, by Finney (The Firedrake's Eye, 1992, etc.), again centered in the 16th-century reign of that complex, brilliant, and terrifying Tudor, Elizabeth I of England. Set four years after the events of Firedrake (in which the queen was saved from assassination), the story here picks up with the search for a book containing Elizabeth's youthful confession, a personal diary that, if found by enemies, could topple her Crown. In 158687, the Thames freezes and Londoners play on the ice, while in the Tower a soldierly man without a memory (thanks to a blow to the head) is being tortured as a ``Papist'' at the direction of spymaster Davison, a religious fanatic among the Queen's advisors. The prisoner, David Becket, turns out to be not what he seems, and he's eventually moved to Fleet Prison, where he finds that his cellmate is Simon Ames, presumed dead, his former friend and partner in saving the Queen. Eventually, David and Simon, with the help of a Catholic priest, manage to escape Fleet. Meanwhile, plotters, spies, and counterspies are hard at work: David and the priest (with different agendas) work in harness to trace the diary; ancient Mary, a drunken ex-nun in rags, hides it, planning a dowry for her grandchild; the ``Queen's Fool,'' Thomasina, a minute person ``a yard high,'' profitably roams London's streets in the guise of a child; and back at the palace, Elizabeth faces blackmail. Many will die, but Elizabeth, once ``bent like a damascene steel blade . . . whips back with devastating effect.'' A hot-blooded, noisy cast, including the great Queen; shudderingly graphic details of torture chambers and executions; and an exhilarating facsimile of the grandeur and grunge of Elizabethan London: in all, a roaring good tale, with a poetic sensibility and judicious sense of humanity at its core.

Pub Date: Feb. 18, 1998

ISBN: 0-312-18201-5

Page Count: 384

Publisher: Picador

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: Dec. 15, 1997

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WE WERE THE LUCKY ONES

Too beholden to sentimentality and cliché, this novel fails to establish a uniquely realized perspective.

Hunter’s debut novel tracks the experiences of her family members during the Holocaust.

Sol and Nechuma Kurc, wealthy, cultured Jews in Radom, Poland, are successful shop owners; they and their grown children live a comfortable lifestyle. But that lifestyle is no protection against the onslaught of the Holocaust, which eventually scatters the members of the Kurc family among several continents. Genek, the oldest son, is exiled with his wife to a Siberian gulag. Halina, youngest of all the children, works to protect her family alongside her resistance-fighter husband. Addy, middle child, a composer and engineer before the war breaks out, leaves Europe on one of the last passenger ships, ending up thousands of miles away. Then, too, there are Mila and Felicia, Jakob and Bella, each with their own share of struggles—pain endured, horrors witnessed. Hunter conducted extensive research after learning that her grandfather (Addy in the book) survived the Holocaust. The research shows: her novel is thorough and precise in its details. It’s less precise in its language, however, which frequently relies on cliché. “You’ll get only one shot at this,” Halina thinks, enacting a plan to save her husband. “Don’t botch it.” Later, Genek, confronting a routine bit of paperwork, must decide whether or not to hide his Jewishness. “That form is a deal breaker,” he tells himself. “It’s life and death.” And: “They are low, it seems, on good fortune. And something tells him they’ll need it.” Worse than these stale phrases, though, are the moments when Hunter’s writing is entirely inadequate for the subject matter at hand. Genek, describing the gulag, calls the nearest town “a total shitscape.” This is a low point for Hunter’s writing; elsewhere in the novel, it’s stronger. Still, the characters remain flat and unknowable, while the novel itself is predictable. At this point, more than half a century’s worth of fiction and film has been inspired by the Holocaust—a weighty and imposing tradition. Hunter, it seems, hasn’t been able to break free from her dependence on it.

Too beholden to sentimentality and cliché, this novel fails to establish a uniquely realized perspective.

Pub Date: Feb. 14, 2017

ISBN: 978-0-399-56308-9

Page Count: 416

Publisher: Viking

Review Posted Online: Nov. 21, 2016

Kirkus Reviews Issue: Dec. 1, 2016

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MAGIC HOUR

Wacky plot keeps the pages turning and enduring schmaltzy romantic sequences.

Sisters work together to solve a child-abandonment case.

Ellie and Julia Cates have never been close. Julia is shy and brainy; Ellie gets by on charm and looks. Their differences must be tossed aside when a traumatized young girl wanders in from the forest into their hometown in Washington. The sisters’ professional skills are put to the test. Julia is a world-renowned child psychologist who has lost her edge. She is reeling from a case that went publicly sour. Though she was cleared of all wrongdoing, Julia’s name was tarnished, forcing her to shutter her Beverly Hills practice. Ellie Barton is the local police chief in Rain Valley, who’s never faced a tougher case. This is her chance to prove she is more than just a fading homecoming queen, but a scarcity of clues and a reluctant victim make locating the girl’s parents nearly impossible. Ellie places an SOS call to her sister; she needs an expert to rehabilitate this wild-child who has been living outside of civilization for years. Confronted with her professional demons, Julia once again has the opportunity to display her talents and salvage her reputation. Hannah (The Things We Do for Love, 2004, etc.) is at her best when writing from the girl’s perspective. The feral wolf-child keeps the reader interested long after the other, transparent characters have grown tiresome. Hannah’s torturously over-written romance passages are stale, but there are surprises in store as the sisters set about unearthing Alice’s past and creating a home for her.

Wacky plot keeps the pages turning and enduring schmaltzy romantic sequences.

Pub Date: March 1, 2006

ISBN: 0-345-46752-3

Page Count: 400

Publisher: Ballantine

Review Posted Online: June 24, 2010

Kirkus Reviews Issue: Dec. 1, 2005

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