A disappointing second outing marked by a thin story and thinner characters.

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CIRCLE OF THREE

A conventional take on the well-worn theme of the relationship between mothers and daughters, this time exploring the effects on lives when a husband and father dies suddenly and three generations find the past still shaping their lives.

As seems almost obligatory with this increasingly formulaic concept, Gaffney (Saving Graces, 1999) has three women take turns narrating the story: Carrie Van Allen, the recently widowed wife of mathematician Stephen; her 15-year-old daughter Ruth; and Dana Danziger, Carrie’s mother, all of whom live in Clayborne, the small Virginia town where Carrie’s father and Stephen both taught at the local college. Carrie, an artist, feels especially responsible for Stephen’s heart attack—they had been arguing minutes before it occurred—but her guilt has even deeper roots: she realizes she never really loved Stephen and that her heart still belongs to local farmer Jess Deeping, whom she’s adored since high school. Ruth, missing her father, and worried about Carrie’s depression, finds solace in visiting Jess’s farm. Dana, meanwhile, whose family were dirt-poor country folk, is bored with husband George, whom she married because she thought he’d give her social standing; she now wants Carrie to remarry someone of good family and promise—meaning not Jess. Carrie, though, who starts painting again, is newly drawn to Jess and resents all the more her mother’s meddling and her earlier role in preventing her from marrying Jess previously. The two become lovers, angering both Ruth and Dana. Shocked by what she thinks is Carrie’s disloyalty to Stephen, Ruth runs away to Washington, D.C., in an action that seems more plot device to bring things to a head than nail-biting scare: for, once back home, all three women confess their misgivings and mistakes and are ready to move on.

A disappointing second outing marked by a thin story and thinner characters.

Pub Date: June 1, 2000

ISBN: 0-06-019375-1

Page Count: 432

Publisher: HarperCollins

Review Posted Online: June 24, 2010

Kirkus Reviews Issue: May 15, 2000

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Kin “[find] each other’s lives inscrutable” in this rich, sharp story about the way identity is formed.

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THE VANISHING HALF

Inseparable identical twin sisters ditch home together, and then one decides to vanish.

The talented Bennett fuels her fiction with secrets—first in her lauded debut, The Mothers (2016), and now in the assured and magnetic story of the Vignes sisters, light-skinned women parked on opposite sides of the color line. Desiree, the “fidgety twin,” and Stella, “a smart, careful girl,” make their break from stultifying rural Mallard, Louisiana, becoming 16-year-old runaways in 1954 New Orleans. The novel opens 14 years later as Desiree, fleeing a violent marriage in D.C., returns home with a different relative: her 8-year-old daughter, Jude. The gossips are agog: “In Mallard, nobody married dark....Marrying a dark man and dragging his blueblack child all over town was one step too far.” Desiree's decision seals Jude’s misery in this “colorstruck” place and propels a new generation of flight: Jude escapes on a track scholarship to UCLA. Tending bar as a side job in Beverly Hills, she catches a glimpse of her mother’s doppelgänger. Stella, ensconced in white society, is shedding her fur coat. Jude, so black that strangers routinely stare, is unrecognizable to her aunt. All this is expertly paced, unfurling before the book is half finished; a reader can guess what is coming. Bennett is deeply engaged in the unknowability of other people and the scourge of colorism. The scene in which Stella adopts her white persona is a tour de force of doubling and confusion. It calls up Toni Morrison’s The Bluest Eye, the book's 50-year-old antecedent. Bennett's novel plays with its characters' nagging feelings of being incomplete—for the twins without each other; for Jude’s boyfriend, Reese, who is trans and seeks surgery; for their friend Barry, who performs in drag as Bianca. Bennett keeps all these plot threads thrumming and her social commentary crisp. In the second half, Jude spars with her cousin Kennedy, Stella's daughter, a spoiled actress.

Kin “[find] each other’s lives inscrutable” in this rich, sharp story about the way identity is formed.

Pub Date: June 2, 2020

ISBN: 978-0-525-53629-1

Page Count: 352

Publisher: Riverhead

Review Posted Online: March 15, 2020

Kirkus Reviews Issue: April 1, 2020

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More Hallmarkiana, from a shameless expert in the genre.

THE RESCUE

High-stakes weepmeister Sparks (A Walk to Remember, 1999, etc.) opts for a happy ending his fourth time out. His writing has improved—though it's still the equivalent of paint-by-numbers—and he makes use this time of at least a vestige of credible psychology.

That vestige involves the deep dark secret—it has something to do with his father's death when son Taylor was nine—that haunts kind, good 36-year-old local contractor Taylor McAden and makes him withdraw from relationships whenever they start getting serious enough to maybe get permanent. He's done this twice before, and now he does it again with pretty and sweet single mother Denise Holton, age 29, who's moved from Atlanta to Taylor's town of Edenton, North Carolina, in order to devote her time more fully to training her four-year-old son Kyle to overcome the peculiar impediment he has that keeps him from achieving normal language acquisition. Okay? When Denise has a car accident in a bad storm, she's rescued by volunteer fireman Taylor—who also rescues little Kyle after he wanders away from his injured mom in the storm. Love blooms in the weeks that follow—until Taylor suddenly begins putting on the brakes. What is it that holds him back, when there just isn't any question but that he loves Denise and vice versa-not to mention that he's "great" with Kyle, just like a father? It will require a couple of near-death experiences (as fireman Taylor bravely risks his life to save others); emotional steadiness from the intelligent, good, true Denise; and the terrible death of a dear and devoted friend before Taylor will come to the point at last of confiding to Denise the terrible memory of how his father died—and the guilt that's been its legacy to Taylor. The psychological dam broken, love will at last be able to flow.

More Hallmarkiana, from a shameless expert in the genre.

Pub Date: Sept. 19, 2000

ISBN: 0-446-52550-2

Page Count: 352

Publisher: N/A

Review Posted Online: May 20, 2010

Kirkus Reviews Issue: July 15, 2000

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