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PRIESTDADDY

A MEMOIR

A linguistically dexterous, eloquently satisfying narrative debut.

Awards & Accolades

Our Verdict

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  • Kirkus Reviews'
    Best Books Of 2017


  • Kirkus Prize
  • Kirkus Prize
    finalist

A noted young poet unexpectedly boomerangs back into her parents’ home and transforms the return into a richly textured story of an unconventional family and life.

After Lockwood (Motherland Fatherland Homelandsexuals, 2014, etc.) discovered that her journalist husband, Jason, needed lens replacements in both his eyes, the pair “[threw themselves] on the mercy of the church.” This meant going to Kansas City to live with her mother and eccentric father, an ex-Navy man and former Lutheran minister–turned–deer-hunting, guitar-wielding Catholic priest. For the next eight months, Lockwood and Jason, who had met online when both were 19 and begun their peripatetic married life not long afterward, found they were like “babies in limbo”: dependent on parents after 10 years of living on their own. Throughout, Lockwood interweaves a narrative of those eight months with memories of her childhood and adolescence. Though not always occupying center stage, her father is always at the heart of the book. The author describes her “priestdaddy’s” penchant for creating “armageddon” with the guitar, which he treated like some illicit lover by practicing it “behind half-closed doors.” At the same time, she confesses her own uncomfortable proximity to church pedophile scandals and clerics that had been forced to resign. Lockwood treats other figures—like the mother who wanted to call the police after discovering semen on a Nashville hotel bed and the virgin seminarian “haunted by the concept [of milfs]”—with a wickedly hilarious mix of love and scorn. Yet belying the unapologetically raunchy humor is a profound seriousness. Episodes that trace the darker parts of Lockwood’s life—such as a Tylenol-fueled teenage suicide attempt; her father’s arrest at an abortion clinic sit-in; and origins of the disease and sterility that would become her family’s “crosses” to bear—are especially moving. Funny, tender, and profane, Lockwood’s complex story moves with lyrical ease between comedy and tragedy as it explores issues of identity, religion, belonging, and love.

A linguistically dexterous, eloquently satisfying narrative debut.

Pub Date: May 2, 2017

ISBN: 978-1-59463-373-7

Page Count: 352

Publisher: Riverhead

Review Posted Online: March 6, 2017

Kirkus Reviews Issue: March 15, 2017

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NIGHT

The author's youthfulness helps to assure the inevitable comparison with the Anne Frank diary although over and above the...

Elie Wiesel spent his early years in a small Transylvanian town as one of four children. 

He was the only one of the family to survive what Francois Maurois, in his introduction, calls the "human holocaust" of the persecution of the Jews, which began with the restrictions, the singularization of the yellow star, the enclosure within the ghetto, and went on to the mass deportations to the ovens of Auschwitz and Buchenwald. There are unforgettable and horrifying scenes here in this spare and sombre memoir of this experience of the hanging of a child, of his first farewell with his father who leaves him an inheritance of a knife and a spoon, and of his last goodbye at Buchenwald his father's corpse is already cold let alone the long months of survival under unconscionable conditions. 

The author's youthfulness helps to assure the inevitable comparison with the Anne Frank diary although over and above the sphere of suffering shared, and in this case extended to the death march itself, there is no spiritual or emotional legacy here to offset any reader reluctance.

Pub Date: Jan. 16, 2006

ISBN: 0374500010

Page Count: 120

Publisher: Hill & Wang

Review Posted Online: Oct. 7, 2011

Kirkus Reviews Issue: Jan. 15, 2006

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GENGHIS KHAN AND THE MAKING OF THE MODERN WORLD

A horde-pleaser, well-written and full of surprises.

“The Mongols swept across the globe as conquerors,” writes the appreciative pop anthropologist-historian Weatherford (The History of Money, 1997, etc.), “but also as civilization’s unrivaled cultural carriers.”

No business-secrets fluffery here, though Weatherford does credit Genghis Khan and company for seeking “not merely to conquer the world but to impose a global order based on free trade, a single international law, and a universal alphabet with which to write all the languages of the world.” Not that the world was necessarily appreciative: the Mongols were renowned for, well, intemperance in war and peace, even if Weatherford does go rather lightly on the atrocities-and-butchery front. Instead, he accentuates the positive changes the Mongols, led by a visionary Genghis Khan, brought to the vast territories they conquered, if ever so briefly: the use of carpets, noodles, tea, playing cards, lemons, carrots, fabrics, and even a few words, including the cheer hurray. (Oh, yes, and flame throwers, too.) Why, then, has history remembered Genghis and his comrades so ungenerously? Whereas Geoffrey Chaucer considered him “so excellent a lord in all things,” Genghis is a byword for all that is savage and terrible; the word “Mongol” figures, thanks to the pseudoscientific racism of the 19th century, as the root of “mongoloid,” a condition attributed to genetic throwbacks to seed sown by Mongol invaders during their decades of ravaging Europe. (Bad science, that, but Dr. Down’s son himself argued that imbeciles “derived from an earlier form of the Mongol stock and should be considered more ‘pre-human, rather than human.’ ”) Weatherford’s lively analysis restores the Mongols’ reputation, and it takes some wonderful learned detours—into, for instance, the history of the so-called Secret History of the Mongols, which the Nazis raced to translate in the hope that it would help them conquer Russia, as only the Mongols had succeeded in doing.

A horde-pleaser, well-written and full of surprises.

Pub Date: March 2, 2004

ISBN: 0-609-61062-7

Page Count: 320

Publisher: Crown

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: Dec. 1, 2003

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