RE JANE

Name: RE JANE
Author: Patricia Park
ISBN: 978-0-525-42740-7

by Patricia Park ‧ RELEASE DATE: May 5, 2015

An enjoyable book offering a portrait of a young woman struggling to come into her own in the increasingly complicated...

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A young Korean-American woman grapples with issues of identity, family, and love in Park’s debut novel, a sweet and savvy bildungsroman.

Jane Re is a recent college graduate whose high-finance job offer evaporated when the dot-com bubble burst. Now she’s stuck restocking shelves and serving irritable customers at Food, her disapproving aunt and uncle’s grocery store. It doesn’t help that everyone in her Korean immigrant neighborhood knows she's an orphan, and honhyol (mixed-blood) to boot. While her friends from school are off to impressive professional jobs, Jane is stuck in unfashionable Queens, wrestling with the broken door of the walk-in freezer, the constant criticism of her appearance (“Koreanish”) and behavior, and the uncomfortable rigidity of family life. When her geeky friend Eunice Oh suggests she apply for an au pair job in Brooklyn, Jane finds herself plunged into a bewilderingly different cultural context that turns out to be a brave new world. The book is, in its own way, both a historical novel and a novel of place. Park’s lovingly detailed descriptions reveal Brooklyn, Queens, and Seoul as seen by an intelligent 20-something in the first years of the 21st century. A varied cast of characters—women’s-studies professors, a Chinese adoptee, an Italian immigrant babysitter with a talent for home renovation—is drawn with affectionate respect. Park does a lovely job of tracing Jane’s growing maturity and self-knowledge. Her experiences facing her family history and complex identity when she visits South Korea to see her dying grandfather nicely mirror those among Korean immigrants and others in the U.S. Park is a fine writer with an eye for the effects of class and ethnic identity, a sense of humor, and a compassionate view of human weakness who nevertheless doesn't make the rookie error of letting her characters off easy.

An enjoyable book offering a portrait of a young woman struggling to come into her own in the increasingly complicated opening years of a new century.

Pub Date: May 5, 2015

ISBN: 978-0-525-42740-7

Page Count: 352

Publisher: Viking

Review Posted Online: March 4, 2015

Kirkus Reviews Issue: March 15, 2015

Categories:

GENERAL FICTION

- PERSPECTIVES
Rooms With Views (and Other Literary Homages)

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SUMMER ISLAND

by Kristin Hannah ‧ RELEASE DATE: March 1, 2001

The best-selling author of tearjerkers like Angel Falls (2000) serves up yet another mountain of mush, topped off with...

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Talk-show queen takes tumble as millions jeer.

Nora Bridges is a wildly popular radio spokesperson for family-first virtues, but her loyal listeners don't know that she walked out on her husband and teenaged daughters years ago and didn't look back. Now that a former lover has sold racy pix of naked Nora and horny himself to a national tabloid, her estranged daughter Ruby, an unsuccessful stand-up comic in Los Angeles, has been approached to pen a tell-all. Greedy for the fat fee she's been promised, Ruby agrees and heads for the San Juan Islands, eager to get reacquainted with the mom she plans to betray. Once in the family homestead, nasty Ruby alternately sulks and glares at her mother, who is temporarily wheelchair-bound as a result of a post-scandal car crash. Uncaring, Ruby begins writing her side of the story when she's not strolling on the beach with former sweetheart Dean Sloan, the son of wealthy socialites who basically ignored him and his gay brother Eric. Eric, now dying of cancer and also in a wheelchair, has returned to the island. This dismal threesome catch up on old times, recalling their childhood idylls on the island. After Ruby's perfect big sister Caroline shows up, there's another round of heartfelt talk. Nora gradually reveals the truth about her unloving husband and her late father's alcoholism, which led her to seek the approval of others at the cost of her own peace of mind. And so on. Ruby is aghast to discover that she doesn't know everything after all, but Dean offers her subdued comfort. Happy endings await almost everyone—except for readers of this nobly preachy snifflefest.

The best-selling author of tearjerkers like Angel Falls (2000) serves up yet another mountain of mush, topped off with syrupy platitudes about life and love.

Pub Date: March 1, 2001

ISBN: 0-609-60737-5

Page Count: 336

Publisher: Crown

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: Jan. 15, 2001

Categories:

GENERAL FICTION

- BOOK REVIEW
THE WOMEN
by Kristin Hannah

- BOOK REVIEW
THE FOUR WINDS
by Kristin Hannah

- BOOK REVIEW
THE GREAT ALONE
by Kristin Hannah

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LAST ORDERS

by Graham Swift ‧ RELEASE DATE: April 5, 1996

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Britisher Swift's sixth novel (Ever After, 1992 etc.) and fourth to appear here is a slow-to-start but then captivating tale of English working-class families in the four decades following WW II. When Jack Dodds dies suddenly of cancer after years of running a butcher shop in London, he leaves a strange request—namely, that his ashes be scattered off Margate pier into the sea. And who could better be suited to fulfill this wish than his three oldest drinking buddies—insurance man Ray, vegetable seller Lenny, and undertaker Vic, all of whom, like Jack himself, fought also as soldiers or sailors in the long-ago world war. Swift's narrative start, with its potential for the melodramatic, is developed instead with an economy, heart, and eye that release (through the characters' own voices, one after another) the story's humanity and depth instead of its schmaltz. The jokes may be weak and self- conscious when the three old friends meet at their local pub in the company of the urn holding Jack's ashes; but once the group gets on the road, in an expensive car driven by Jack's adoptive son, Vince, the story starts gradually to move forward, cohere, and deepen. The reader learns in time why it is that no wife comes along, why three marriages out of three broke apart, and why Vince always hated his stepfather Jack and still does—or so he thinks. There will be stories of innocent youth, suffering wives, early loves, lost daughters, secret affairs, and old antagonisms—including a fistfight over the dead on an English hilltop, and a strewing of Jack's ashes into roiling seawaves that will draw up feelings perhaps unexpectedly strong. Without affectation, Swift listens closely to the lives that are his subject and creates a songbook of voices part lyric, part epic, part working-class social realism—with, in all, the ring to it of the honest, human, and true.