by Patrick Allitt ‧ RELEASE DATE: Sept. 1, 1997
A scholarly and stimulating history of the impact made by gifted thinkers who became Catholics on both sides of the Atlantic between 1825 and 1962, and of the problems they faced in their new Church and in society Generations of penal legislation in Britain and in many parts of the American colonies had left Catholics an uneducated, suspect group. Allitt (History/Emory Univ.) traces the fortunes of a rich variety of scholars and literary figures who ``went over to Rome,'' often in the face of social and professional ostracism. Beginning with the English Romantic architect Augustus Welby Pugin and renowned Oxford scholar John Henry Newman, who unexpectedly found the stance of the early Church in contemporary Rome, we follow the careers of Americans such as Orestes Brownson and Isaac Hecker, who came to the Catholic Church from Transcendentalism and saw Catholic belief as uniquely consonant with the American ideals of freedom and optimism. Allitt shows how the converts had to deal with pressures from inside the Church, such as the 1870 declaration of papal infallibility and Rome's increasing phobia toward new ideas in politics, science, and philosophy, which resulted in the excommunication of scientist St. George Milvard and Jesuit theologian George Tyrrel. A very different era ensued with authors Robert Hugh Benson, Hilaire Belloc, and G.K. Chesterton, who focused on Catholicism as a counterculture opposed to the Protestant-inspired industrial society and big Capitalism. Evelyn Waugh and Graham Greene brought their anguished perspectives to Catholicism, while Thomas Merton, Marshall McLuhan, and Fr. Avery Dulles initiated a more authentically American Catholic outlook before the watershed of Vatican II. Allitt makes good use of the extensive scholarship available on many of these figures, adding his own incisive observations and showing how their work tried but failed to restore the cultural visibility that the Church had enjoyed in former centuries.
Pub Date: Sept. 1, 1997
ISBN: 0-8014-2996-X
Page Count: 352
Publisher: Cornell Univ.
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: Aug. 1, 1997
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by David Brooks ‧ RELEASE DATE: April 21, 2015
The author’s sincere sermon—at times analytical, at times hortatory—remains a hopeful one.
New York Times columnist Brooks (The Social Animal: The Hidden Sources of Love, Character and Achievement, 2011, etc.) returns with another volume that walks the thin line between self-help and cultural criticism.
Sandwiched between his introduction and conclusion are eight chapters that profile exemplars (Samuel Johnson and Michel de Montaigne are textual roommates) whose lives can, in Brooks’ view, show us the light. Given the author’s conservative bent in his column, readers may be surprised to discover that his cast includes some notable leftists, including Frances Perkins, Dorothy Day, and A. Philip Randolph. (Also included are Gens. Eisenhower and Marshall, Augustine, and George Eliot.) Throughout the book, Brooks’ pattern is fairly consistent: he sketches each individual’s life, highlighting struggles won and weaknesses overcome (or not), and extracts lessons for the rest of us. In general, he celebrates hard work, humility, self-effacement, and devotion to a true vocation. Early in his text, he adapts the “Adam I and Adam II” construction from the work of Rabbi Joseph Soloveitchik, Adam I being the more external, career-driven human, Adam II the one who “wants to have a serene inner character.” At times, this veers near the Devil Bugs Bunny and Angel Bugs that sit on the cartoon character’s shoulders at critical moments. Brooks liberally seasons the narrative with many allusions to history, philosophy, and literature. Viktor Frankl, Edgar Allan Poe, Paul Tillich, William and Henry James, Matthew Arnold, Virginia Woolf—these are but a few who pop up. Although Brooks goes after the selfie generation, he does so in a fairly nuanced way, noting that it was really the World War II Greatest Generation who started the ball rolling. He is careful to emphasize that no one—even those he profiles—is anywhere near flawless.
The author’s sincere sermon—at times analytical, at times hortatory—remains a hopeful one.Pub Date: April 21, 2015
ISBN: 978-0-8129-9325-7
Page Count: 320
Publisher: Random House
Review Posted Online: Feb. 15, 2015
Kirkus Reviews Issue: March 1, 2015
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by Ben Katchor illustrated by Ben Katchor ‧ RELEASE DATE: March 10, 2020
An informative, nostalgic evocation of a special urban dining experience.
An account of once-popular New York restaurants that had a rich social and cultural history.
“Since, by choice or historical necessity, exile and travel were defining aspects of Jewish life, somewhere a Jew was always eating out,” observes cartoonist and MacArthur fellow Katchor (Illustration/Parsons, the New School; Hand-Drying in America, 2013, etc.) in his exhaustively researched, entertaining, and profusely illustrated history of Jewish dining preferences and practices. The Garden of Eden, he notes wryly, was “the first private eating place open to the public,” serving as a model for all the restaurants that came after: cafes, cafeterias, buffets, milk halls, lunch counters, diners, delicatessens, and, especially, dairy restaurants, a favorite destination among New York Jews, which Katchor remembers from his wanderings around the city as a young adult. Dairy restaurants, because they served no meat, attracted diners who observed kosher laws; many boasted a long menu that included items such as mushroom cutlet, blintzes, broiled fish, vegetarian liver, and fried eggplant steak. Attracted by the homey appearance and “forlorn” atmosphere of these restaurants, Katchor set out to uncover their history, engaging in years of “aimless reading in the libraries of New York and on the pages of the internet,” where he found menus, memoirs, telephone directories, newspaper ads, fiction, and food histories that fill the pages of his book with colorful anecdotes, trivia, and food lore. Although dairy restaurants were popular with Jewish immigrants, their advent in the U.S. predated immigrants’ demand for Eastern European meatless dishes. The milk hall, often located in parks, resorts, or spas, gained popularity throughout 19th-century Europe. Franz Kafka, for example, treated himself to a glass of sour milk from a milk pavilion after a day in a Prague park. Jews were not alone in embracing vegetarianism. In Europe and America, shunning meat was inspired by several causes, including utopian socialism, which sought to distance itself from “the beef-eating aristocracy”; ethical preferences; and health concerns. A meatless diet relieved digestive problems, many sufferers found.
An informative, nostalgic evocation of a special urban dining experience.Pub Date: March 10, 2020
ISBN: 978-0-8052-4219-5
Page Count: 496
Publisher: Schocken
Review Posted Online: Nov. 23, 2019
Kirkus Reviews Issue: Dec. 15, 2019
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