Evocative and perfectly written—trademark Modiano, in other words.
A short, pensive novel of bohemian Paris just after the war, Nobel Prize winner Modiano’s (Missing Person, 2015, etc.) favorite time and place.
“She had known right from the outset that things would turn out badly for us.” With names like Tarzan, Fred, and La Houpa, it’s no wonder the young, disaffected patrons of the Condé—collectively known as “the lost Youth,” and some of them true juvenile delinquents plunged unwillingly into early adulthood—are at a dead end. The war is over, the Nazis are gone, and meaning has been drained from life. Ah, but there’s always Louki to provide the lookie-loo itch for everyone to scratch, young and elegant and very quiet. Who is she, and why is she with “the brown-haired guy in the suede jacket”? So, at the formative stages of a minor obsession, ponders our initial narrator, whose point of view is just one of several. One might as well ask who anyone is, for, as that narrator reveals, everyone at the Condé lives in the present, no one talks about the past, and the smarter of the patrons are bound up in endless discussions concerning “pataphysics, lettrism, automatic writing, metagraphics,” and other such heady matters. Louki’s identity, always hazy, takes clearer form as the slender narrative progresses—and as it does, some of the entanglements become a little more dangerous, and to downright tragic effect in at least one case. Much of the novel is based on the informal circle run by the now canonical philosopher Guy Debord, whose double in this novel is himself obsessed by the escapist novel Lost Horizons. Modiano touches on themes of intellectual despair and ennui without ever quite slipping into Camus-ian bleakness, but more, he writes of memory, impression, and our cursed inability to know, truly know, what reality is, to say nothing of the person across the table from us.
Evocative and perfectly written—trademark Modiano, in other words.Pub Date: March 8, 2016
ISBN: 978-1-59017-953-6
Page Count: 124
Publisher: New York Review Books
Review Posted Online: Dec. 20, 2015
Kirkus Reviews Issue: Jan. 1, 2016
Still, a respectful and absorbing page-turner.
Hannah’s new novel is an homage to the extraordinary courage and endurance of Frenchwomen during World War II.
In 1995, an elderly unnamed widow is moving into an Oregon nursing home on the urging of her controlling son, Julien, a surgeon. This trajectory is interrupted when she receives an invitation to return to France to attend a ceremony honoring passeurs: people who aided the escape of others during the war. Cut to spring, 1940: Viann has said goodbye to husband Antoine, who's off to hold the Maginot line against invading Germans. She returns to tending her small farm, Le Jardin, in the Loire Valley, teaching at the local school and coping with daughter Sophie’s adolescent rebellion. Soon, that world is upended: The Germans march into Paris and refugees flee south, overrunning Viann’s land. Her long-estranged younger sister, Isabelle, who has been kicked out of multiple convent schools, is sent to Le Jardin by Julien, their father in Paris, a drunken, decidedly unpaternal Great War veteran. As the depredations increase in the occupied zone—food rationing, systematic looting, and the billeting of a German officer, Capt. Beck, at Le Jardin—Isabelle’s outspokenness is a liability. She joins the Resistance, volunteering for dangerous duty: shepherding downed Allied airmen across the Pyrenees to Spain. Code-named the Nightingale, Isabelle will rescue many before she's captured. Meanwhile, Viann’s journey from passive to active resistance is less dramatic but no less wrenching. Hannah vividly demonstrates how the Nazis, through starvation, intimidation and barbarity both casual and calculated, demoralized the French, engineering a community collapse that enabled the deportations and deaths of more than 70,000 Jews. Hannah’s proven storytelling skills are ideally suited to depicting such cataclysmic events, but her tendency to sentimentalize undermines the gravitas of this tale.
Still, a respectful and absorbing page-turner.Pub Date: Feb. 3, 2015
ISBN: 978-0-312-57722-3
Page Count: 448
Publisher: St. Martin's
Review Posted Online: Nov. 19, 2014
Kirkus Reviews Issue: Dec. 1, 2014
BOOK TO SCREEN
SEEN & HEARD
BOOK TO SCREEN
The story's very ambiguity steadily feeds its mysteriousness and power, and Danielewski's mastery of postmodernist and...
An amazingly intricate and ambitious first novel - ten years in the making - that puts an engrossing new spin on the traditional haunted-house tale.
Texts within texts, preceded by intriguing introductory material and followed by 150 pages of appendices and related "documents" and photographs, tell the story of a mysterious old house in a Virginia suburb inhabited by esteemed photographer-filmmaker Will Navidson, his companion Karen Green (an ex-fashion model), and their young children Daisy and Chad. The record of their experiences therein is preserved in Will's film The Davidson Record - which is the subject of an unpublished manuscript left behind by a (possibly insane) old man, Frank Zampano - which falls into the possession of Johnny Truant, a drifter who has survived an abusive childhood and the perverse possessiveness of his mad mother (who is institutionalized). As Johnny reads Zampano's manuscript, he adds his own (autobiographical) annotations to the scholarly ones that already adorn and clutter the text (a trick perhaps influenced by David Foster Wallace's Infinite Jest) - and begins experiencing panic attacks and episodes of disorientation that echo with ominous precision the content of Davidson's film (their house's interior proves, "impossibly," to be larger than its exterior; previously unnoticed doors and corridors extend inward inexplicably, and swallow up or traumatize all who dare to "explore" their recesses). Danielewski skillfully manipulates the reader's expectations and fears, employing ingeniously skewed typography, and throwing out hints that the house's apparent malevolence may be related to the history of the Jamestown colony, or to Davidson's Pulitzer Prize-winning photograph of a dying Vietnamese child stalked by a waiting vulture. Or, as "some critics [have suggested,] the house's mutations reflect the psychology of anyone who enters it."
The story's very ambiguity steadily feeds its mysteriousness and power, and Danielewski's mastery of postmodernist and cinema-derived rhetoric up the ante continuously, and stunningly. One of the most impressive excursions into the supernatural in many a year.Pub Date: March 6, 2000
ISBN: 0-375-70376-4
Page Count: 704
Publisher: Pantheon
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: Feb. 1, 2000
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