Fresh turf for American fiction from a talented young writer.
In this first novel by the author of the story collection Trouble (2006), a young man and, separately, a middle-aged woman test their capacity to love and be loved.
As a favor to his pregnant wife, Matt takes a few days off from the plant where he works to try to find the cradle Marissa had as a baby. She wants it for their son. The cradle dates back to the Civil War, and it was stolen when Marissa was 15, around the same time Marissa’s mother walked out. Neither has been seen since. With a relative’s former address as his only clue, Matt sets off, traveling through towns large and small, from Green Bay, Wis., to Walton, Minn., to Rensselaer, Ind., with a brief detour (via Internet video hook-up) to Antarctica. Along the way, Matt finds much more than he anticipated, including how his own childhood—18 years of foster homes and state agencies—shaped his feelings about family. Ten years later, in a well-heeled neighborhood of Chicago, Renee and her husband Bill prepare to say goodbye to their only son Adam, a Marine who is leaving for Iraq in a matter of days. Affable and bright, Adam believes he has a duty to serve his country—a position not shared by Renee, a children’s-book author turned poet who passionately protested the Vietnam War when she was in college. As the family works to keep their last days together normal—they go out for donuts; watch a football game on television—Renee’s feelings about Adam’s impending departure threaten to tear from her lips a long-buried secret. One not even her husband knows. Somerville’s two story lines unfold and ultimately dovetail with a quiet confidence. This meditative novel dignifies small gestures, which bring to life the compelling characters. A bonus is the fresh regional sensibility the author brings to Matt’s road trip through the Northern Middle West states.
Fresh turf for American fiction from a talented young writer.Pub Date: March 1, 2009
ISBN: 978-0-316-03612-2
Page Count: 204
Publisher: Little, Brown
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: Feb. 1, 2009
BOOK REVIEW
BOOK REVIEW
Still, a respectful and absorbing page-turner.
Hannah’s new novel is an homage to the extraordinary courage and endurance of Frenchwomen during World War II.
In 1995, an elderly unnamed widow is moving into an Oregon nursing home on the urging of her controlling son, Julien, a surgeon. This trajectory is interrupted when she receives an invitation to return to France to attend a ceremony honoring passeurs: people who aided the escape of others during the war. Cut to spring, 1940: Viann has said goodbye to husband Antoine, who's off to hold the Maginot line against invading Germans. She returns to tending her small farm, Le Jardin, in the Loire Valley, teaching at the local school and coping with daughter Sophie’s adolescent rebellion. Soon, that world is upended: The Germans march into Paris and refugees flee south, overrunning Viann’s land. Her long-estranged younger sister, Isabelle, who has been kicked out of multiple convent schools, is sent to Le Jardin by Julien, their father in Paris, a drunken, decidedly unpaternal Great War veteran. As the depredations increase in the occupied zone—food rationing, systematic looting, and the billeting of a German officer, Capt. Beck, at Le Jardin—Isabelle’s outspokenness is a liability. She joins the Resistance, volunteering for dangerous duty: shepherding downed Allied airmen across the Pyrenees to Spain. Code-named the Nightingale, Isabelle will rescue many before she's captured. Meanwhile, Viann’s journey from passive to active resistance is less dramatic but no less wrenching. Hannah vividly demonstrates how the Nazis, through starvation, intimidation and barbarity both casual and calculated, demoralized the French, engineering a community collapse that enabled the deportations and deaths of more than 70,000 Jews. Hannah’s proven storytelling skills are ideally suited to depicting such cataclysmic events, but her tendency to sentimentalize undermines the gravitas of this tale.
Still, a respectful and absorbing page-turner.Pub Date: Feb. 3, 2015
ISBN: 978-0-312-57722-3
Page Count: 448
Publisher: St. Martin's
Review Posted Online: Nov. 19, 2014
Kirkus Reviews Issue: Dec. 1, 2014
BOOK TO SCREEN
SEEN & HEARD
BOOK TO SCREEN
The emotions run high, the conversations run deep, and the relationships ebb and flow with grace.
When tragedy strikes, a mother and daughter forge a new life.
Morgan felt obligated to marry her high school sweetheart, Chris, when she got pregnant with their daughter, Clara. But she secretly got along much better with Chris’ thoughtful best friend, Jonah, who was dating her sister, Jenny. Now her life as a stay-at-home parent has left her feeling empty but not ungrateful for what she has. Jonah and Jenny eventually broke up, but years later they had a one-night stand and Jenny got pregnant with their son, Elijah. Now Jonah is back in town, engaged to Jenny, and working at the local high school as Clara’s teacher. Clara dreams of being an actress and has a crush on Miller, who plans to go to film school, but her father doesn't approve. It doesn’t help that Miller already has a jealous girlfriend who stalks him via text from college. But Clara and Morgan’s home life changes radically when Chris and Jenny are killed in an accident, revealing long-buried secrets and forcing Morgan to reevaluate the life she chose when early motherhood forced her hand. Feeling betrayed by the adults in her life, Clara marches forward, acting both responsible and rebellious as she navigates her teenage years without her father and her aunt, while Jonah and Morgan's relationship evolves in the wake of the accident. Front-loaded with drama, the story leaves plenty of room for the mother and daughter to unpack their feelings and decide what’s next.
The emotions run high, the conversations run deep, and the relationships ebb and flow with grace.Pub Date: Dec. 10, 2019
ISBN: 978-1-5420-1642-1
Page Count: 400
Publisher: Montlake Romance
Review Posted Online: Oct. 13, 2019
Kirkus Reviews Issue: Nov. 1, 2019
BOOK TO SCREEN
BOOK TO SCREEN
BOOK TO SCREEN
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