With humor and pithy human insights, Taylor continues pleasing readers with the escapades of Dr. Fingal Flahertie O’Reilly.
Taylor (Fingal O’Reilly, Irish Doctor, 2013, etc.) reminds fans that even in the peaceable kingdom of County Antrim and County Down, good men shed blood when Hitler infected Europe.
Taylor moves back and forth between 1960s Northern Ireland and the wartime travails of 1939-40, with minor emergencies and mysterious illnesses at home and terrifying adventures at sea. In 1966, Dr. Fingal O’Reilly is married to his first love, Kitty, but the book’s passionate romance comes as Fingal recalls his wartime courtship of first wife Deirdre, a nurse midwife in training. Taylor’s gift is dialect (there’s a glossary)—“a shmall little minute to toast and butter the bramback”—and sentences end with “so” or “bye.” When the war starts, Fingal is assigned to the battleship HMS Warspite as medical officer. Covering Royal Navy battles at Westfjord in Norway and later in the Mediterranean off Italy, Taylor’s descriptive powers are as mighty as Warspite’s 15-inch naval rifles—“[h]e had to grab onto a handrail...the noise that surrounded him like an impenetrable wall and by its force seemed to be crushing his chest.” At Warspite’s new home port of Alexandria, Taylor offers a précis on the last days of the gin-and-tonic empire as world war washed over ancient Egypt. There, lonely Fingal is tempted with a love affair. As Warspite sails, characters step aboard, most compelling the medical detachment’s stalwart leader, Surgeon Cmdr. Wilcoxson, and Tom Laverty, ship’s navigator and father of Fingal’s future partner, each of whom support Fingal, wide-eyed country doctor, who shakily steps into operating theaters where emergency amputations and bloody trepanning are de rigueur. But Fingal's true domain is Ireland's green-drenched landscape, “coarse marram grass hillocks that lay between the glen and the shingly shore," with familiar Ballybucklebo characters like young partner Barry, medical student Jenny, and his newly married housekeeper, Kinky.
With humor and pithy human insights, Taylor continues pleasing readers with the escapades of Dr. Fingal Flahertie O’Reilly.Pub Date: Oct. 21, 2014
ISBN: 978-0-7653-3836-5
Page Count: 416
Publisher: Forge
Review Posted Online: Aug. 25, 2014
Kirkus Reviews Issue: Sept. 15, 2014
BOOK REVIEW
BOOK REVIEW
BOOK REVIEW
Fun to read, as always with Moriarty's books, but try not to think about it or it will stop making sense.
Nine people gather at a luxurious health resort in the Australian bushland. Will they have sex, fall in love, get killed, or maybe just lose weight?
Moriarty (Truly Madly Guilty, 2014, etc.) is known for darkly humorous novels set in the suburbs of Sydney—though her most famous book, Big Little Lies (2014), has been transported to Monterey, California, by Reese Witherspoon's HBO series. Her new novel moves away from the lives of prosperous parents to introduce a more eclectic group of people who've signed up for a 10-day retreat at Tranquillium House, a remote spa run by the messianic Masha, "an extraordinary-looking woman. A supermodel. An Olympic athlete. At least six feet tall, with corpse-like white skin and green eyes so striking and huge they were almost alien-like." This was the moment when the guests should probably have fled, but they all decided to stay (perhaps because their hefty payments were nonrefundable?). The book's title is slightly misleading, since not all the guests are strangers to each other. There are two family groups: Ben and Jessica Chandler, a young couple whose relationship broke down after they won the lottery, and the Marconis, Napolean and Heather and their 20-year-old daughter, Zoe, who are trying to recover after the death of Zoe's twin brother, Zach. Carmel Schneider is a divorced housewife who wants to get her mojo back, Lars Lee is an abnormally handsome divorce lawyer who's addicted to spas, and Tony Hogburn is a former professional footballer who wants to get back into shape. Though all these people have their own chapters, the main character is Frances Welty, a romance writer who needs a pick-me-up after having had her latest novel rejected and having been taken in by an internet scam—she fell in love with a man she met on Facebook and sent money to help his (nonexistent) son, who'd been in a (nonexistent) car accident. How humiliating for a writer to fall for a fictional person, Frances thinks, in her characteristically wry way. When the guests arrive, they're given blood tests (why?) and told they're going to start off with a five-day "noble silence" in which they're not even supposed to make eye contact with each other. As you can imagine, something fishy is going on, and while Moriarty displays her usual humor and Frances in particular is an appealing character, it's all a bit ridiculous.
Pub Date: Nov. 6, 2018
ISBN: 978-1-250-06982-5
Page Count: 464
Publisher: Flatiron Books
Review Posted Online: Nov. 14, 2018
Kirkus Reviews Issue: Dec. 1, 2018
BOOK TO SCREEN
BOOK TO SCREEN
BOOK TO SCREEN
A forceful record of migration within a family and the dangers and triumphs of our undocumented population.
Sylvester’s second novel interweaves past and present, America and Mexico into the legacy of a family divided by its own stories.
The day of her wedding, Isabel meets her new husband's father’s ghost. Omar is trying to repair the damage he left his son, Martin, and wife, Elda, by persuading Isabel to give him a chance to work toward redemption. The novel treats the appearances of Omar throughout the story with a straightforwardness that both boosts his apparition’s legitimacy and also reveals the weakness in the book, which is a sort of flat tone that belies the moving family narratives. From the wedding day forward, Isabel is met by Omar on the Day of the Dead. The book transitions smoothly from past to present, and Sylvester is in complete control of her story. She gradually documents the original sin that traces trauma throughout the family legacy, revealing the battles and scars that Elda in particular bears, having immigrated illegally in the 1980s with Omar. Ultimately the appearance of Eduardo, Martin’s cousin, brings the past into the present and provides another point of view on Omar. Hospitalizations, rape, incarceration, and marital stress push and pull Isabel as she slowly learns to understand Martin’s family history. The book starts and ends powerfully but struggles in the middle to meet the dynamic needs of its story.
A forceful record of migration within a family and the dangers and triumphs of our undocumented population.Pub Date: March 13, 2018
ISBN: 978-1-5420-4637-4
Page Count: 334
Publisher: Little A
Review Posted Online: March 19, 2018
Kirkus Reviews Issue: April 1, 2018
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