Not without flaws but an important account of coming of age (and rage) within today’s explosive racial dynamic.

WHEN THEY CALL YOU A TERRORIST

A BLACK LIVES MATTER MEMOIR

A founder of Black Lives Matter chronicles growing up sensitive and black in a country militarized against her community.

With assistance from Bandele (Something Like Beautiful: One Single Mother's Story, 2009, etc.), Khan-Cullors synthesizes memoir and polemic to discuss oppressive policing and mass imprisonment, the hypocrisy of the drug war, and other aspects of white privilege, portraying the social network–based activism of BLM and like-minded groups as the only rational response to American-style apartheid. She argues repeatedly and powerfully that mechanisms have evolved to ensnare working-class people of color from childhood, while white Americans are afforded leniency in their youthful trespasses. She learned of such hidden codes early, and she documents her hardscrabble but vibrant upbringing in segregated, suburban Los Angeles during the 1980s. The drug war’s resurgence, and a newly punitive attitude toward the poor, cast a shadow over the lives of her endlessly working mother and her male relatives: “[My brother] and his friends—really all of us—were out there trying to stay safe against the onslaught of adults who, Vietnam-like, saw the enemy as anyone Black or Brown.” Her perspective was amplified by attending segregated, gifted schools in adjoining white suburbs, where she explored the arts and acknowledged her queer sexuality while developing a passion for social organizing. Later, her outrage over the unpunished killings of Trayvon Martin and others led her and two friends to brainstorm a new, viral social justice movement: “We know we want whatever we create to have global reach.” The author’s passion is undeniable and infectious, but the many summary-based passages sometimes feel repetitive, and the concrete narrative of BLM’s expanding activism is underdeveloped. Since she emphasizes her organizational focus as prioritizing the role of women of color and LBGT or gender-nonconforming individuals, the audience for this socially relevant jeremiad may be limited.

Not without flaws but an important account of coming of age (and rage) within today’s explosive racial dynamic.

Pub Date: Jan. 16, 2018

ISBN: 978-1-250-17108-5

Page Count: 272

Publisher: St. Martin's

Review Posted Online: Nov. 13, 2017

Kirkus Reviews Issue: Dec. 1, 2017

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If the authors are serious, this is a silly, distasteful book. If they are not, it’s a brilliant satire.

THE 48 LAWS OF POWER

The authors have created a sort of anti-Book of Virtues in this encyclopedic compendium of the ways and means of power.

Everyone wants power and everyone is in a constant duplicitous game to gain more power at the expense of others, according to Greene, a screenwriter and former editor at Esquire (Elffers, a book packager, designed the volume, with its attractive marginalia). We live today as courtiers once did in royal courts: we must appear civil while attempting to crush all those around us. This power game can be played well or poorly, and in these 48 laws culled from the history and wisdom of the world’s greatest power players are the rules that must be followed to win. These laws boil down to being as ruthless, selfish, manipulative, and deceitful as possible. Each law, however, gets its own chapter: “Conceal Your Intentions,” “Always Say Less Than Necessary,” “Pose as a Friend, Work as a Spy,” and so on. Each chapter is conveniently broken down into sections on what happened to those who transgressed or observed the particular law, the key elements in this law, and ways to defensively reverse this law when it’s used against you. Quotations in the margins amplify the lesson being taught. While compelling in the way an auto accident might be, the book is simply nonsense. Rules often contradict each other. We are told, for instance, to “be conspicuous at all cost,” then told to “behave like others.” More seriously, Greene never really defines “power,” and he merely asserts, rather than offers evidence for, the Hobbesian world of all against all in which he insists we live. The world may be like this at times, but often it isn’t. To ask why this is so would be a far more useful project.

If the authors are serious, this is a silly, distasteful book. If they are not, it’s a brilliant satire.

Pub Date: Sept. 1, 1998

ISBN: 0-670-88146-5

Page Count: 430

Publisher: Viking

Review Posted Online: May 20, 2010

Kirkus Reviews Issue: July 15, 1998

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The author's youthfulness helps to assure the inevitable comparison with the Anne Frank diary although over and above the...

NIGHT

Elie Wiesel spent his early years in a small Transylvanian town as one of four children. 

He was the only one of the family to survive what Francois Maurois, in his introduction, calls the "human holocaust" of the persecution of the Jews, which began with the restrictions, the singularization of the yellow star, the enclosure within the ghetto, and went on to the mass deportations to the ovens of Auschwitz and Buchenwald. There are unforgettable and horrifying scenes here in this spare and sombre memoir of this experience of the hanging of a child, of his first farewell with his father who leaves him an inheritance of a knife and a spoon, and of his last goodbye at Buchenwald his father's corpse is already cold let alone the long months of survival under unconscionable conditions. 

The author's youthfulness helps to assure the inevitable comparison with the Anne Frank diary although over and above the sphere of suffering shared, and in this case extended to the death march itself, there is no spiritual or emotional legacy here to offset any reader reluctance.

Pub Date: Jan. 16, 2006

ISBN: 0374500010

Page Count: 120

Publisher: Hill & Wang

Review Posted Online: Oct. 7, 2011

Kirkus Reviews Issue: Jan. 15, 2006

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