Bedside fodder for general readers and a bonanza for fiction writers looking for core stories to launch a novel.

I THOUGHT MY FATHER WAS GOD

AND OTHER TRUE TALES FROM NPR’S NATIONAL STORY PROJECT

A collection of vignettes from the American stew pot, written for broadcast on National Public Radio by men and women from every racial, cultural, and economic stratum.

Auster, who proposed the National Story Project in 1999 and has been reading the results on NPR ever since, has received more than 4,000 submissions since the project began. He culled 179 of them for this volume, few more than two or three pages long, some as brief as half a page. Placing no limits on subject matter, Auster asked his listeners only for anecdotes that “revealed the mysterious and unknowable forces at work in our lives.” What he got were tales ranging from spectral apparitions in the bedroom to painful custody trials, with a preponderant emphasis on childhood memories. The collection he shaped from this material encompasses the comic and the tragic, the absurd and the surreal, the mundane and the ethereal. The title story, for instance, recounts a bizarre incident from the writer’s youth, when his father in a burst of justifiable irritation told a cranky neighbor to “drop dead”—and the neighbor did. “The Chicken,” which opens the collection, is a provocative six-sentence tale about a bird’s adventure on the streets of Portland, Oregon. The volume is divided somewhat arbitrarily into 10 chapters, beginning with “Animals” and concluding with “Meditations”; “War,” “Death,” “Love,” and “Slapstick” fall in between. The prose can be awkward, pretentious, or occasionally elegant, but for the most part it’s simple and direct. “A Shot in the Light,” for instance, relates the story of a man who was shot four times by a stranded motorist he had befriended. Victim and shooter survive, and the piece shows forgiveness on both sides, but the author makes no attempt to relate the incident to larger religious or political themes.

Bedside fodder for general readers and a bonanza for fiction writers looking for core stories to launch a novel.

Pub Date: Sept. 13, 2001

ISBN: 0-8050-6714-0

Page Count: 400

Publisher: Henry Holt

Review Posted Online: May 20, 2010

Kirkus Reviews Issue: July 1, 2001

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If the authors are serious, this is a silly, distasteful book. If they are not, it’s a brilliant satire.

THE 48 LAWS OF POWER

The authors have created a sort of anti-Book of Virtues in this encyclopedic compendium of the ways and means of power.

Everyone wants power and everyone is in a constant duplicitous game to gain more power at the expense of others, according to Greene, a screenwriter and former editor at Esquire (Elffers, a book packager, designed the volume, with its attractive marginalia). We live today as courtiers once did in royal courts: we must appear civil while attempting to crush all those around us. This power game can be played well or poorly, and in these 48 laws culled from the history and wisdom of the world’s greatest power players are the rules that must be followed to win. These laws boil down to being as ruthless, selfish, manipulative, and deceitful as possible. Each law, however, gets its own chapter: “Conceal Your Intentions,” “Always Say Less Than Necessary,” “Pose as a Friend, Work as a Spy,” and so on. Each chapter is conveniently broken down into sections on what happened to those who transgressed or observed the particular law, the key elements in this law, and ways to defensively reverse this law when it’s used against you. Quotations in the margins amplify the lesson being taught. While compelling in the way an auto accident might be, the book is simply nonsense. Rules often contradict each other. We are told, for instance, to “be conspicuous at all cost,” then told to “behave like others.” More seriously, Greene never really defines “power,” and he merely asserts, rather than offers evidence for, the Hobbesian world of all against all in which he insists we live. The world may be like this at times, but often it isn’t. To ask why this is so would be a far more useful project.

If the authors are serious, this is a silly, distasteful book. If they are not, it’s a brilliant satire.

Pub Date: Sept. 1, 1998

ISBN: 0-670-88146-5

Page Count: 430

Publisher: Viking

Review Posted Online: May 20, 2010

Kirkus Reviews Issue: July 15, 1998

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Doyle offers another lucid, inspiring chronicle of female empowerment and the rewards of self-awareness and renewal.

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UNTAMED

More life reflections from the bestselling author on themes of societal captivity and the catharsis of personal freedom.

In her third book, Doyle (Love Warrior, 2016, etc.) begins with a life-changing event. “Four years ago,” she writes, “married to the father of my three children, I fell in love with a woman.” That woman, Abby Wambach, would become her wife. Emblematically arranged into three sections—“Caged,” “Keys,” “Freedom”—the narrative offers, among other elements, vignettes about the soulful author’s girlhood, when she was bulimic and felt like a zoo animal, a “caged girl made for wide-open skies.” She followed the path that seemed right and appropriate based on her Catholic upbringing and adolescent conditioning. After a downward spiral into “drinking, drugging, and purging,” Doyle found sobriety and the authentic self she’d been suppressing. Still, there was trouble: Straining an already troubled marriage was her husband’s infidelity, which eventually led to life-altering choices and the discovery of a love she’d never experienced before. Throughout the book, Doyle remains open and candid, whether she’s admitting to rigging a high school homecoming court election or denouncing the doting perfectionism of “cream cheese parenting,” which is about “giving your children the best of everything.” The author’s fears and concerns are often mirrored by real-world issues: gender roles and bias, white privilege, racism, and religion-fueled homophobia and hypocrisy. Some stories merely skim the surface of larger issues, but Doyle revisits them in later sections and digs deeper, using friends and familial references to personify their impact on her life, both past and present. Shorter pieces, some only a page in length, manage to effectively translate an emotional gut punch, as when Doyle’s therapist called her blooming extramarital lesbian love a “dangerous distraction.” Ultimately, the narrative is an in-depth look at a courageous woman eager to share the wealth of her experiences by embracing vulnerability and reclaiming her inner strength and resiliency.

Doyle offers another lucid, inspiring chronicle of female empowerment and the rewards of self-awareness and renewal.

Pub Date: March 10, 2020

ISBN: 978-1-9848-0125-8

Page Count: 352

Publisher: Dial Books

Review Posted Online: Dec. 22, 2019

Kirkus Reviews Issue: Jan. 15, 2020

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