Reverent and informative, but too distanced from its subject.
Former Kerrang! editor Brannigan’s scattershot attempt at presenting a definitive biographical portrait of reluctant rock star Dave Grohl.
The author’s unauthorized bio of Nirvana drummer turned Foo Fighters front man Dave Grohl is his first book, and in some ways it reflects the author’s lack of experience. Brannigan allows his subject’s personal history to be swallowed up by the larger cultural history that his bands helped to shape. For example, when broaching the subject of Grohl’s early interest in punk, the author provides a mediocre textbook history of punk rock, followed by a surface-skimming overview of the Washington, D.C., hardcore scene that would eventually lure Grohl into its clutches. Grohl was a high-school dropout touring with hardcore bands by the time he was 17; yet he was rarely the dominant personality in any of his bands, from his younger days in hardcore outfits Dain Bramage and Scream, to his drumming duties in world-conquering grunge band Nirvana. Brannigan begins to deal with Grohl’s tenure in Nirvana during the peak of that band’s success around 1992. Even in his own post-Nirvana project Foo Fighters, it wasn’t until almost a decade into this second career that he finally embraced his public role as bandleader. Brannigan, obviously stretching his limited access to Grohl, takes a bio-by-the-numbers approach to the Foo Fighters legacy. We’re privy to a few mild controversies and personality clashes during the making of each album, as well as the predictable listing of critical notices from the rock press and Grohl's always-brief side of things. If this book is a reliable measure, Grohl is a simple, uncontroversial, not-particularly-quotable guy who saves his self-expression for his music. If nothing else, Brannigan salutes a musician who’s surfaced, prosperous and sane, from the perils of an extended punk-rock adolescence that not all of his friends survived.
Reverent and informative, but too distanced from its subject.Pub Date: Dec. 1, 2011
ISBN: 978-0-306-81956-8
Page Count: 416
Publisher: Da Capo
Review Posted Online: Oct. 25, 2011
Kirkus Reviews Issue: Nov. 15, 2011
BOOK REVIEW
A moving meditation on mortality by a gifted writer whose dual perspectives of physician and patient provide a singular...
A neurosurgeon with a passion for literature tragically finds his perfect subject after his diagnosis of terminal lung cancer.
Writing isn’t brain surgery, but it’s rare when someone adept at the latter is also so accomplished at the former. Searching for meaning and purpose in his life, Kalanithi pursued a doctorate in literature and had felt certain that he wouldn’t enter the field of medicine, in which his father and other members of his family excelled. “But I couldn’t let go of the question,” he writes, after realizing that his goals “didn’t quite fit in an English department.” “Where did biology, morality, literature and philosophy intersect?” So he decided to set aside his doctoral dissertation and belatedly prepare for medical school, which “would allow me a chance to find answers that are not in books, to find a different sort of sublime, to forge relationships with the suffering, and to keep following the question of what makes human life meaningful, even in the face of death and decay.” The author’s empathy undoubtedly made him an exceptional doctor, and the precision of his prose—as well as the moral purpose underscoring it—suggests that he could have written a good book on any subject he chose. Part of what makes this book so essential is the fact that it was written under a death sentence following the diagnosis that upended his life, just as he was preparing to end his residency and attract offers at the top of his profession. Kalanithi learned he might have 10 years to live or perhaps five. Should he return to neurosurgery (he could and did), or should he write (he also did)? Should he and his wife have a baby? They did, eight months before he died, which was less than two years after the original diagnosis. “The fact of death is unsettling,” he understates. “Yet there is no other way to live.”
A moving meditation on mortality by a gifted writer whose dual perspectives of physician and patient provide a singular clarity.Pub Date: Jan. 19, 2016
ISBN: 978-0-8129-8840-6
Page Count: 248
Publisher: Random House
Review Posted Online: Sept. 29, 2015
Kirkus Reviews Issue: Oct. 15, 2015
PERSPECTIVES
The author's youthfulness helps to assure the inevitable comparison with the Anne Frank diary although over and above the...
Elie Wiesel spent his early years in a small Transylvanian town as one of four children.
He was the only one of the family to survive what Francois Maurois, in his introduction, calls the "human holocaust" of the persecution of the Jews, which began with the restrictions, the singularization of the yellow star, the enclosure within the ghetto, and went on to the mass deportations to the ovens of Auschwitz and Buchenwald. There are unforgettable and horrifying scenes here in this spare and sombre memoir of this experience of the hanging of a child, of his first farewell with his father who leaves him an inheritance of a knife and a spoon, and of his last goodbye at Buchenwald his father's corpse is already cold let alone the long months of survival under unconscionable conditions.
Pub Date: Jan. 16, 2006
ISBN: 0374500010
Page Count: 120
Publisher: Hill & Wang
Review Posted Online: Oct. 7, 2011
Kirkus Reviews Issue: Jan. 15, 2006
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