A thriller that’s difficult to put down despite a familiar storyline.

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BADEN-POWELL'S BEADS: JERUSALEM

BOOK FOUR; BEADS SERIES

In Parson’s (Baden Powell’s Beads: Aksum, 2013, etc.) fourth installment in his thriller series, the world’s survival hangs in the balance as an asteroid approaches Earth.

Homeland Security agents Patrick Dartson and Adnan Fazeph are back in Washington, D.C., only months after thwarting terrorist Lij Mered’s attempt to procure all 23 of the titular mystical, ancient beads, which can make their owner unstoppable. However, the agents’ fight is far from over, as Mered and his formidable army remain at large. When the agents’ seductive enemy Cheri Hassan calls, Patrick reluctantly agrees to meet with her in Paris in the hope that an alliance will help them find and stop Mered’s terrorist acts and his attempts at world domination. Pam Blanchard, a new agent-in-training and Patrick’s love interest, convinces them to accept her assistance in their mission. Meanwhile, the agents’ supervisor, Secretary of Homeland Security Cisneros, receives news that a phenomenally fast asteroid is rapidly heading toward the Earth’s surface. Scientists predict that in just two months, it will hit, destroying all life—unless drastic measures are taken to stop it. As a result, the agents’ mission to obtain the beads becomes even more urgent. Parson pulls out all the stops in this classic Armageddon scenario. Although the overarching plotline isn’t entirely original, the intersecting subplots and changing alliances keep the story surprising and addictive. Parson also adds more complexity to both his heroes and antagonists in this installment. Although the descriptions of the female characters still often fixate on their physical attributes, women do take on more powerful, complex roles. Overall, this character development will deepen readers’ investment in the story.

A thriller that’s difficult to put down despite a familiar storyline.

Pub Date: Aug. 5, 2014

ISBN: 978-1500141752

Page Count: 342

Publisher: CreateSpace

Review Posted Online: Sept. 16, 2014

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Archer will be a great series character for fans of crime fiction. Let’s hope the cigarettes don’t kill him.

ONE GOOD DEED

Thriller writer Baldacci (A Minute to Midnight, 2019, etc.) launches a new detective series starring World War II combat vet Aloysius Archer.

In 1949, Archer is paroled from Carderock Prison (he was innocent) and must report regularly to his parole officer, Ernestine Crabtree (she’s “damn fine-looking”). Parole terms forbid his visiting bars or loose women, which could become a problem. Trouble starts when businessman Hank Pittleman offers Archer $100 to recover a ’47 Cadillac that’s collateral for a debt owed by Lucas Tuttle, who readily agrees he owes the money. But Tuttle wants his daughter Jackie back—she’s Pittleman’s girlfriend, and she won’t return to Daddy. Archer finds the car, but it’s been torched. With no collateral to collect, he may have to return his hundred bucks. Meanwhile, Crabtree gets Archer the only job available, butchering hogs at the slaughterhouse. He’d killed plenty of men in combat, and now he needs peace. The Pittleman job doesn’t provide that peace, but at least it doesn’t involve bashing hogs’ brains in. People wind up dead and Archer becomes a suspect. So he noses around and shows that he might have the chops to be a good private investigator, a shamus. This is an era when gals have gams, guys say dang and keep extra Lucky Strikes in their hatbands, and a Lady Liberty half-dollar buys a good meal. The dialogue has a '40s noir feel: “And don’t trust nobody.…I don’t care how damn pretty they are.” There’s adult entertainment at the Cat’s Meow, cheap grub at the Checkered Past, and just enough clichés to prove that no one’s highfalutin. Readers will like Archer. He’s a talented man who enjoys detective stories, won’t keep ill-gotten gains, and respects women. All signs suggest a sequel where he hangs out a shamus shingle.

Archer will be a great series character for fans of crime fiction. Let’s hope the cigarettes don’t kill him.

Pub Date: July 9, 2019

ISBN: 978-1-5387-5056-8

Page Count: 432

Publisher: Grand Central Publishing

Review Posted Online: Nov. 14, 2019

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The writing is merely serviceable, and one can’t help but wish the author had found a way to present her material as...

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THE TATTOOIST OF AUSCHWITZ

An unlikely love story set amid the horrors of a Nazi death camp.

Based on real people and events, this debut novel follows Lale Sokolov, a young Slovakian Jew sent to Auschwitz in 1942. There, he assumes the heinous task of tattooing incoming Jewish prisoners with the dehumanizing numbers their SS captors use to identify them. When the Tätowierer, as he is called, meets fellow prisoner Gita Furman, 17, he is immediately smitten. Eventually, the attraction becomes mutual. Lale proves himself an operator, at once cagey and courageous: As the Tätowierer, he is granted special privileges and manages to smuggle food to starving prisoners. Through female prisoners who catalog the belongings confiscated from fellow inmates, Lale gains access to jewels, which he trades to a pair of local villagers for chocolate, medicine, and other items. Meanwhile, despite overwhelming odds, Lale and Gita are able to meet privately from time to time and become lovers. In 1944, just ahead of the arrival of Russian troops, Lale and Gita separately leave the concentration camp and experience harrowingly close calls. Suffice it to say they both survive. To her credit, the author doesn’t flinch from describing the depravity of the SS in Auschwitz and the unimaginable suffering of their victims—no gauzy evasions here, as in Boy in the Striped Pajamas. She also manages to raise, if not really explore, some trickier issues—the guilt of those Jews, like the tattooist, who survived by doing the Nazis’ bidding, in a sense betraying their fellow Jews; and the complicity of those non-Jews, like the Slovaks in Lale’s hometown, who failed to come to the aid of their beleaguered countrymen.

The writing is merely serviceable, and one can’t help but wish the author had found a way to present her material as nonfiction. Still, this is a powerful, gut-wrenching tale that is hard to shake off.

Pub Date: Sept. 4, 2018

ISBN: 978-0-06-279715-5

Page Count: 272

Publisher: Harper/HarperCollins

Review Posted Online: July 17, 2018

Kirkus Reviews Issue: Aug. 1, 2018

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