by Paul Dale Anderson ‧ RELEASE DATE: Sept. 30, 2015
Steady pace keeps this novel consistently riveting and often entertaining.
In Anderson’s (Light, 2015, etc.) latest thriller, it’s up to a small group of people to stop an evil corporation from disrupting the balance between the spirit and material worlds.
When someone brutally murders Wisconsin tree farmer Ellen Groves, the Pentagon sends Lt. Col. Robert McMichaels to investigate out of suspicions that terrorists are targeting soldiers’ families. He meets up with Maj. Tom Groves and quickly learns that the Groves family, including sisters Diane and Nancy, believe something else entirely is afoot. They claim Ellen was one of the Guardians of the Watchtowers, controlling the flow of energy between the spiritual world and physical world. Meanwhile, Philip Ashur, CEO of XIIMI and master of the Black Arts, is plotting to kill all the Guardians, keeping a body part from each on ice to prevent their spirits from reaching the other side. Anderson’s novel triumphantly merges thriller elements with the supernatural: what seems like a typical murder investigation eventually pits the forces of good and evil against one another. The action scenes dabble in both. Ashur’s men kidnap McMichaels’ children, for example, leading to just one of the numerous gunfights. At the same time, Diane and Nancy, as well as others, like their aunts, are capable of magic. Diane transfers her spirit to a hawk for a particularly vicious attack entailing a bit of eye gouging. The story addresses an abundance of abstract notions, including reincarnation; for instance, Shelia Ryan, an attorney whom Ashur sends to purchase Ellen’s land, may have a change of heart once she remembers her past life from centuries ago in Egypt. Fortunately, the atypical concepts work well amid a genuine threat to the more familiar world: if Ashur succeeds at closing the spirit world, restless spirits in the physical realm will turn “vile, mean, and nasty.” Romantic interests develop perhaps a little too quickly, since they all seem predestined; Diane, who’s short with McMichaels at first, warms up to him immediately when realizing they were lovers in past lives. But Anderson rounds out his story with shocking deaths and a surprising ally for the Groves clan.Steady pace keeps this novel consistently riveting and often entertaining.
Pub Date: Sept. 30, 2015
Page Count: 558
Publisher: 2AM Publications
Review Posted Online: Nov. 23, 2015
Review Program: Kirkus Indie
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by Hanya Yanagihara ‧ RELEASE DATE: March 10, 2015
The phrase “tour de force” could have been invented for this audacious novel.
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National Book Award Finalist
Four men who meet as college roommates move to New York and spend the next three decades gaining renown in their professions—as an architect, painter, actor and lawyer—and struggling with demons in their intertwined personal lives.
Yanagihara (The People in the Trees, 2013) takes the still-bold leap of writing about characters who don’t share her background; in addition to being male, JB is African-American, Malcolm has a black father and white mother, Willem is white, and “Jude’s race was undetermined”—deserted at birth, he was raised in a monastery and had an unspeakably traumatic childhood that’s revealed slowly over the course of the book. Two of them are gay, one straight and one bisexual. There isn’t a single significant female character, and for a long novel, there isn’t much plot. There aren’t even many markers of what’s happening in the outside world; Jude moves to a loft in SoHo as a young man, but we don’t see the neighborhood change from gritty artists’ enclave to glitzy tourist destination. What we get instead is an intensely interior look at the friends’ psyches and relationships, and it’s utterly enthralling. The four men think about work and creativity and success and failure; they cook for each other, compete with each other and jostle for each other’s affection. JB bases his entire artistic career on painting portraits of his friends, while Malcolm takes care of them by designing their apartments and houses. When Jude, as an adult, is adopted by his favorite Harvard law professor, his friends join him for Thanksgiving in Cambridge every year. And when Willem becomes a movie star, they all bask in his glow. Eventually, the tone darkens and the story narrows to focus on Jude as the pain of his past cuts deep into his carefully constructed life.The phrase “tour de force” could have been invented for this audacious novel.
Pub Date: March 10, 2015
Page Count: 720
Review Posted Online: Dec. 21, 2014
Kirkus Reviews Issue: Jan. 1, 2015
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by J.D. Salinger ‧ RELEASE DATE: June 15, 1951
A strict report, worthy of sympathy.
A violent surfacing of adolescence (which has little in common with Tarkington's earlier, broadly comic, Seventeen) has a compulsive impact.
"Nobody big except me" is the dream world of Holden Caulfield and his first person story is down to the basic, drab English of the pre-collegiate. For Holden is now being bounced from fancy prep, and, after a vicious evening with hall- and roommates, heads for New York to try to keep his latest failure from his parents. He tries to have a wild evening (all he does is pay the check), is terrorized by the hotel elevator man and his on-call whore, has a date with a girl he likes—and hates, sees his 10 year old sister, Phoebe. He also visits a sympathetic English teacher after trying on a drunken session, and when he keeps his date with Phoebe, who turns up with her suitcase to join him on his flight, he heads home to a hospital siege. This is tender and true, and impossible, in its picture of the old hells of young boys, the lonesomeness and tentative attempts to be mature and secure, the awful block between youth and being grown-up, the fright and sickness that humans and their behavior cause the challenging, the dramatization of the big bang. It is a sorry little worm's view of the off-beat of adult pressure, of contemporary strictures and conformity, of sentiment….A strict report, worthy of sympathy.
Pub Date: June 15, 1951
Page Count: -
Publisher: Little, Brown
Review Posted Online: Nov. 2, 2011
Kirkus Reviews Issue: June 15, 1951
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