A kitschy murder-mystery thriller with a retro feel.
Anderson (The Devil Made Me Do It Again and Again, 2016, etc.) tells the story of a vicious series of murders in a small Illinois town in this thriller.
Seventeen-year-old Joyce Roberts underwent an unbelievable trauma when she was 6—her father killed her older sister, and the event left both her mind and body scarred. Now an orphan living with her grandparents, she tries to acclimate to life as a normal teenager. She excitedly agrees to attend the senior prom with Tony Virusso, the most popular boy in school. Things go well, and Tony takes Joyce to the cool kids’ after-party. But after the two go off to an empty room with the intention of sleeping together, the night goes off the rails: Tony’s jealous ex-girlfriend bursts into the room, revealing Joyce’s hideous scars to the school’s social elite and causing her to flee into the night. Things get even worse, however, when someone murders the other partygoers, including Tony. The victims are all struck in the head, and the faces of the men bashed in. Det. Sgt. Carl Erickson and Dr. Marsha Wade, the police team assigned to investigate the murders, guess that the assailant is most likely a woman, and the identity of the killer may have something to do with Joyce’s troubled past. Anderson originally published this novel in 1989, but this edition has been revised and updated with more contemporary references; one character, for example, is described as a “Britney Spears lookalike.” Still, the book has the feel of a vintage 1980s pulp novel, which may help distract readers from the plot’s more predictable elements. Overall, it traffics in mostly enjoyable camp, featuring scenes of gore (“Pools of blood ruined the carpet and flecks of blood and brains stained the wallpaper”), sex (“his hands slid up her thighs to probe again at her liquid center”), and dated teen dialogue (“Is she Gary’s steady?”). That said, its tendency to dwell on the size of female characters’ breasts is somewhat off-putting.
A kitschy murder-mystery thriller with a retro feel.Pub Date: Nov. 21, 2016
ISBN: 978-1-5190-5831-7
Page Count: 212
Publisher: CreateSpace
Review Posted Online: Jan. 16, 2017
Review Program: Kirkus Indie
Wacky plot keeps the pages turning and enduring schmaltzy romantic sequences.
Sisters work together to solve a child-abandonment case.
Ellie and Julia Cates have never been close. Julia is shy and brainy; Ellie gets by on charm and looks. Their differences must be tossed aside when a traumatized young girl wanders in from the forest into their hometown in Washington. The sisters’ professional skills are put to the test. Julia is a world-renowned child psychologist who has lost her edge. She is reeling from a case that went publicly sour. Though she was cleared of all wrongdoing, Julia’s name was tarnished, forcing her to shutter her Beverly Hills practice. Ellie Barton is the local police chief in Rain Valley, who’s never faced a tougher case. This is her chance to prove she is more than just a fading homecoming queen, but a scarcity of clues and a reluctant victim make locating the girl’s parents nearly impossible. Ellie places an SOS call to her sister; she needs an expert to rehabilitate this wild-child who has been living outside of civilization for years. Confronted with her professional demons, Julia once again has the opportunity to display her talents and salvage her reputation. Hannah (The Things We Do for Love, 2004, etc.) is at her best when writing from the girl’s perspective. The feral wolf-child keeps the reader interested long after the other, transparent characters have grown tiresome. Hannah’s torturously over-written romance passages are stale, but there are surprises in store as the sisters set about unearthing Alice’s past and creating a home for her.
Wacky plot keeps the pages turning and enduring schmaltzy romantic sequences.Pub Date: March 1, 2006
ISBN: 0-345-46752-3
Page Count: 400
Publisher: Ballantine
Review Posted Online: June 24, 2010
Kirkus Reviews Issue: Dec. 1, 2005
A strict report, worthy of sympathy.
A violent surfacing of adolescence (which has little in common with Tarkington's earlier, broadly comic, Seventeen) has a compulsive impact.
"Nobody big except me" is the dream world of Holden Caulfield and his first person story is down to the basic, drab English of the pre-collegiate. For Holden is now being bounced from fancy prep, and, after a vicious evening with hall- and roommates, heads for New York to try to keep his latest failure from his parents. He tries to have a wild evening (all he does is pay the check), is terrorized by the hotel elevator man and his on-call whore, has a date with a girl he likes—and hates, sees his 10 year old sister, Phoebe. He also visits a sympathetic English teacher after trying on a drunken session, and when he keeps his date with Phoebe, who turns up with her suitcase to join him on his flight, he heads home to a hospital siege. This is tender and true, and impossible, in its picture of the old hells of young boys, the lonesomeness and tentative attempts to be mature and secure, the awful block between youth and being grown-up, the fright and sickness that humans and their behavior cause the challenging, the dramatization of the big bang. It is a sorry little worm's view of the off-beat of adult pressure, of contemporary strictures and conformity, of sentiment….
A strict report, worthy of sympathy.Pub Date: June 15, 1951
ISBN: 0316769177
Page Count: -
Publisher: Little, Brown
Review Posted Online: Nov. 2, 2011
Kirkus Reviews Issue: June 15, 1951
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