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THE FRUIT OF THE DENDRAGON TREE

A unique, daring fantasy more interested in morality than the dazzle of other worlds.

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A novel about a young man’s journey to a fantastic place, with real-world consequences for himself and his family.

With an almost chant-like cadence, Deepan renders the psychological tensions in the Patel household via the careful descriptions given by the father of 17-year-old Jake, descriptions that illuminate the many movements and evasive gestures that structure his relationship to his son. The emotional fire that fuels this father-son bond grows from a wife-mother dying of cancer, and from this metastasis spread many tendrils of grief, blame, desperation and resentment. It’s a strikingly contemporary and unorthodox prologue to a novel that the author eventually populates with sorcerers, witches, spells and mystical lands. It seems initially jarring, but this down-to-earth pathos and mature psychological detail gives the phantasmagoric portions of the book additional heft and material dimension. Jake’s father informs the reader directly that this is the story of his son and himself, and that, whatever follows, nothing will be the same for anyone involved. Jake takes the brunt of the drama as he finds his way, by aid of Ureth the witch, to Tiramonde, a fantastic land whose destiny is intertwined with his where he embarks on a quest to reverse his mother’s fate with the restorative fruit of the Dendragon Tree. Though parallel destinies and plucky chosen ones are standard fare for young-adult fantasy, the moral conundrums that compound on Jake’s shoulders set this novel apart. He searches for the fruit of the Dendragon Tree, but Jake must also contend with legends that foretell the release of an ancient, destructive dragon should he dare pluck the tree’s fruit—is his mother’s life worth that of an entire world? Eventually Jake’s father journeys to Tiramonde to retrieve his son, but that only increases the moral murkiness of Jake’s decisions. Deepan’s prose is elegant and clear, even when Jake’s proper course of action is not, and readers will get caught up in the struggles of characters with such depth and heart. If this fantasy novel were only about a troubled kingdom in need of its lost crystal, or some other well-worn trope, it would probably still have been entertaining. But the work deftly allegorizes the hero’s journey into a story about family, death and forgiveness, setting it apart as a genuine curiosity and affirming read for fantasy fans.

A unique, daring fantasy more interested in morality than the dazzle of other worlds.

Pub Date: May 17, 2010

ISBN: 978-1432756703

Page Count: 321

Publisher: Outskirts

Review Posted Online: Aug. 5, 2011

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TO KILL A MOCKINGBIRD

A first novel, this is also a first person account of Scout's (Jean Louise) recall of the years that led to the ending of a mystery, the breaking of her brother Jem's elbow, the death of her father's enemy — and the close of childhood years. A widower, Atticus raises his children with legal dispassion and paternal intelligence, and is ably abetted by Calpurnia, the colored cook, while the Alabama town of Maycomb, in the 1930's, remains aloof to their divergence from its tribal patterns. Scout and Jem, with their summer-time companion, Dill, find their paths free from interference — but not from dangers; their curiosity about the imprisoned Boo, whose miserable past is incorporated in their play, results in a tentative friendliness; their fears of Atticus' lack of distinction is dissipated when he shoots a mad dog; his defense of a Negro accused of raping a white girl, Mayella Ewell, is followed with avid interest and turns the rabble whites against him. Scout is the means of averting an attack on Atticus but when he loses the case it is Boo who saves Jem and Scout by killing Mayella's father when he attempts to murder them. The shadows of a beginning for black-white understanding, the persistent fight that Scout carries on against school, Jem's emergence into adulthood, Calpurnia's quiet power, and all the incidents touching on the children's "growing outward" have an attractive starchiness that keeps this southern picture pert and provocative. There is much advance interest in this book; it has been selected by the Literary Guild and Reader's Digest; it should win many friends.

Pub Date: July 11, 1960

ISBN: 0060935464

Page Count: 323

Publisher: Lippincott

Review Posted Online: Oct. 7, 2011

Kirkus Reviews Issue: July 1, 1960

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SUMMER ISLAND

The best-selling author of tearjerkers like Angel Falls (2000) serves up yet another mountain of mush, topped off with...

Talk-show queen takes tumble as millions jeer.

Nora Bridges is a wildly popular radio spokesperson for family-first virtues, but her loyal listeners don't know that she walked out on her husband and teenaged daughters years ago and didn't look back. Now that a former lover has sold racy pix of naked Nora and horny himself to a national tabloid, her estranged daughter Ruby, an unsuccessful stand-up comic in Los Angeles, has been approached to pen a tell-all. Greedy for the fat fee she's been promised, Ruby agrees and heads for the San Juan Islands, eager to get reacquainted with the mom she plans to betray. Once in the family homestead, nasty Ruby alternately sulks and glares at her mother, who is temporarily wheelchair-bound as a result of a post-scandal car crash. Uncaring, Ruby begins writing her side of the story when she's not strolling on the beach with former sweetheart Dean Sloan, the son of wealthy socialites who basically ignored him and his gay brother Eric. Eric, now dying of cancer and also in a wheelchair, has returned to the island. This dismal threesome catch up on old times, recalling their childhood idylls on the island. After Ruby's perfect big sister Caroline shows up, there's another round of heartfelt talk. Nora gradually reveals the truth about her unloving husband and her late father's alcoholism, which led her to seek the approval of others at the cost of her own peace of mind. And so on. Ruby is aghast to discover that she doesn't know everything after all, but Dean offers her subdued comfort. Happy endings await almost everyone—except for readers of this nobly preachy snifflefest.

The best-selling author of tearjerkers like Angel Falls (2000) serves up yet another mountain of mush, topped off with syrupy platitudes about life and love.

Pub Date: March 1, 2001

ISBN: 0-609-60737-5

Page Count: 336

Publisher: Crown

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: Jan. 15, 2001

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