A tribute to Dead Elvis that ranges from campy and fun to morbid and strange, from inventive and clever to weird and just plain dumb. Sammon (editor of Splatterpunks, 1990, etc.) collects stories and essays with two simple guidelines in mind: Elvis must appear in some way, shape, or form, and Elvis must be dead. This means that serious critiques like Lou Reed's sadly sentimental ``Damaged Goods,'' which questions Elvis's sense of self, and Greil Marcus's somewhat underdeveloped assertion that ``Elvis was less a recognizable symbol [like Madonna or Sinead O'Connor], than a symbol of recognizability'' in ``Someone You Never Forget'' are interspersed with a wide range of fiction. Some stories, like Victor Koman's ``The Eagle Cape,'' in which he saves a young girl from her abusive father, feature Elvis as a powerful centerpiece. Others turn him into a meaningless walk-on. In Del James's ``Backstage,'' a heroin-abusing member of a famous rock band checks out in the middle of a lovemaking session with a groupie and everyone from Morrison and Hendrix to The King step in to finish what he started. Too often we're left imagining Sammon saying, ``Just stick him in there somewhere and I'll put you in the book.'' Among the better entries is Harlan Ellison's ``The Pale Silver Dollar of the Moon Pays Its Way and Makes Change,'' the somber story of Jessie Garon, Elvis's twin brother, who, in this story, didn't die at birth and is responsible for the many Elvis sightings. Among the worst is Joe R. Lansdales's ``(Bubba Ho-Tep),'' which spends too much time on The King's hard-ons. Though old curly lip remains an enticing phenomenon, too much bad writing leaves the reader all shook up and itchin like a man on a fuzzy tree.
Pub Date: Sept. 1, 1994
ISBN: 0-385-31253-9
Page Count: 381
Publisher: Delta
Review Posted Online: June 24, 2010
Kirkus Reviews Issue: Aug. 1, 1994
BOOK REVIEW
The best-selling author of tearjerkers like Angel Falls (2000) serves up yet another mountain of mush, topped off with...
Talk-show queen takes tumble as millions jeer.
Nora Bridges is a wildly popular radio spokesperson for family-first virtues, but her loyal listeners don't know that she walked out on her husband and teenaged daughters years ago and didn't look back. Now that a former lover has sold racy pix of naked Nora and horny himself to a national tabloid, her estranged daughter Ruby, an unsuccessful stand-up comic in Los Angeles, has been approached to pen a tell-all. Greedy for the fat fee she's been promised, Ruby agrees and heads for the San Juan Islands, eager to get reacquainted with the mom she plans to betray. Once in the family homestead, nasty Ruby alternately sulks and glares at her mother, who is temporarily wheelchair-bound as a result of a post-scandal car crash. Uncaring, Ruby begins writing her side of the story when she's not strolling on the beach with former sweetheart Dean Sloan, the son of wealthy socialites who basically ignored him and his gay brother Eric. Eric, now dying of cancer and also in a wheelchair, has returned to the island. This dismal threesome catch up on old times, recalling their childhood idylls on the island. After Ruby's perfect big sister Caroline shows up, there's another round of heartfelt talk. Nora gradually reveals the truth about her unloving husband and her late father's alcoholism, which led her to seek the approval of others at the cost of her own peace of mind. And so on. Ruby is aghast to discover that she doesn't know everything after all, but Dean offers her subdued comfort. Happy endings await almost everyone—except for readers of this nobly preachy snifflefest.
The best-selling author of tearjerkers like Angel Falls (2000) serves up yet another mountain of mush, topped off with syrupy platitudes about life and love.Pub Date: March 1, 2001
ISBN: 0-609-60737-5
Page Count: 336
Publisher: Crown
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: Jan. 15, 2001
Briskly written soap with down-to-earth types, mostly without the lachrymose contrivances of Hannah’s previous titles...
Sisters in and out of love.
Meghann Dontess is a high-powered matrimonial lawyer in Seattle who prefers sex with strangers to emotional intimacy: a strategy bound to backfire sooner or later, warns her tough-talking shrink. It’s advice Meghann decides to ignore, along with the memories of her difficult childhood, neglectful mother, and younger sister. Though she managed to reunite Claire with Sam Cavenaugh (her father but not Meghann’s) when her mother abandoned both girls long ago, Meghann still feels guilty that her sister’s life doesn’t measure up, at least on her terms. Never married, Claire ekes out a living running a country campground with her dad and is raising her six-year-old daughter on her own. When she falls in love for the first time with an up-and-coming country musician, Meghann is appalled: Bobby Austin is a three-time loser at marriage—how on earth can Claire be so blind? Bobby’s blunt explanation doesn’t exactly satisfy the concerned big sister, who busies herself planning Claire’s dream wedding anyway. And, to relieve the stress, she beds various guys she picks up in bars, including Dr. Joe Wyatt, a neurosurgeon turned homeless drifter after the demise of his beloved wife Diane (whom he euthanized). When Claire’s awful headache turns out to be a kind of brain tumor known among neurologists as a “terminator,” Joe rallies. Turns out that Claire had befriended his wife on her deathbed, and now in turn he must try to save her. Is it too late? Will Meghann find true love at last?
Briskly written soap with down-to-earth types, mostly without the lachrymose contrivances of Hannah’s previous titles (Distant Shores, 2002, etc.). Kudos for skipping the snifflefest this time around.Pub Date: May 1, 2003
ISBN: 0-345-45073-6
Page Count: 400
Publisher: Ballantine
Review Posted Online: June 24, 2010
Kirkus Reviews Issue: April 1, 2003
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