by Paul R. Ehrlich ‧ RELEASE DATE: Jan. 17, 2023
Consistently interesting stories from a famous scientist’s busy life.
A memoir from the renowned biologist, ecologist, and conservationist.
Ehrlich (b. 1932) is best known for his 1968 international bestseller, The Population Bomb; his memoir is less controversial but entirely entertaining. For decades, he has been a well-known, sometimes contentious public figure, a “natural-born loudmouth.” Less well known is his day job as an entomologist who has made major contributions to evolutionary science. Readers reluctant to experience another environmental-destruction polemic will be pleased that the first half of the book describes the author’s life before The Population Bomb. Ehrlich delivers an amusing account of a science-obsessed childhood, college at the University of Pennsylvania, pursuit of a doctorate at the University of Kansas, and the surprisingly nasty politics that accompanied his climb through academia. University teaching is not a lucrative career, and writing began as a supplement to his “inadequate salary,” but research grants, sabbaticals, and fellowships enabled him to travel the world, from the Arctic to the tropics to Australia and Africa. On the downside, travel exposed him to a great deal of human misery. “Although we saw plenty of poverty in Southeast Asia, at least in the places we visited it was not with the same immense press of people or with the same depth of poverty or lack of sanitation we found in India,” he writes. “Our experience there really brought home to us how lucky we were.” Critics of Ehrlich’s iconic book point out that the population explosion predicted in 1968 never happened and that technology has vastly increased food production. In response, he makes the plausible argument that today’s Earth is, in fact, overpopulated, and hunger remains widespread. Supplying food and energy to this excess population is exhausting the soil, wiping out wildlife, destroying the environment, and warming the planet. He maintains that, far from being a voice of doom, “I was actually wildly optimistic about what would be accomplished if society’s leaders and the public were alerted to the dangers ahead.”
Consistently interesting stories from a famous scientist’s busy life.Pub Date: Jan. 17, 2023
ISBN: 978-0-300-26454-8
Page Count: 400
Publisher: Yale Univ.
Review Posted Online: Oct. 17, 2022
Kirkus Reviews Issue: Nov. 15, 2022
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by Stephanie Johnson & Brandon Stanton illustrated by Henry Sene Yee ‧ RELEASE DATE: July 12, 2022
A blissfully vicarious, heartfelt glimpse into the life of a Manhattan burlesque dancer.
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A former New York City dancer reflects on her zesty heyday in the 1970s.
Discovered on a Manhattan street in 2020 and introduced on Stanton’s Humans of New York Instagram page, Johnson, then 76, shares her dynamic history as a “fiercely independent” Black burlesque dancer who used the stage name Tanqueray and became a celebrated fixture in midtown adult theaters. “I was the only black girl making white girl money,” she boasts, telling a vibrant story about sex and struggle in a bygone era. Frank and unapologetic, Johnson vividly captures aspects of her former life as a stage seductress shimmying to blues tracks during 18-minute sets or sewing lingerie for plus-sized dancers. Though her work was far from the Broadway shows she dreamed about, it eventually became all about the nightly hustle to simply survive. Her anecdotes are humorous, heartfelt, and supremely captivating, recounted with the passion of a true survivor and the acerbic wit of a weathered, street-wise New Yorker. She shares stories of growing up in an abusive household in Albany in the 1940s, a teenage pregnancy, and prison time for robbery as nonchalantly as she recalls selling rhinestone G-strings to prostitutes to make them sparkle in the headlights of passing cars. Complemented by an array of revealing personal photographs, the narrative alternates between heartfelt nostalgia about the seedier side of Manhattan’s go-go scene and funny quips about her unconventional stage performances. Encounters with a variety of hardworking dancers, drag queens, and pimps, plus an account of the complexities of a first love with a drug-addled hustler, fill out the memoir with personality and candor. With a narrative assist from Stanton, the result is a consistently titillating and often moving story of human struggle as well as an insider glimpse into the days when Times Square was considered the Big Apple’s gloriously unpolished underbelly. The book also includes Yee’s lush watercolor illustrations.
A blissfully vicarious, heartfelt glimpse into the life of a Manhattan burlesque dancer.Pub Date: July 12, 2022
ISBN: 978-1-250-27827-2
Page Count: 192
Publisher: St. Martin's
Review Posted Online: July 27, 2022
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by Brandon Stanton photographed by Brandon Stanton
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by Brandon Stanton ; photographed by Brandon Stanton
by Ron Chernow ‧ RELEASE DATE: May 13, 2025
Essential reading for any Twain buff and student of American literature.
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A decidedly warts-and-all portrait of the man many consider to be America’s greatest writer.
It makes sense that distinguished biographer Chernow (Washington: A Life and Alexander Hamilton) has followed up his life of Ulysses S. Grant with one of Mark Twain: Twain, after all, pulled Grant out of near bankruptcy by publishing the ex-president’s Civil War memoir under extremely favorable royalty terms. The act reflected Twain’s inborn generosity and his near pathological fear of poverty, the prime mover for the constant activity that characterized the author’s life. As Chernow writes, Twain was “a protean figure who played the role of printer, pilot, miner, journalist, novelist, platform artist, toastmaster, publisher, art patron, pundit, polemicist, inventor, crusader, investor, and maverick.” He was also slippery: Twain left his beloved Mississippi River for the Nevada gold fields as a deserter from the Confederate militia, moved farther west to California to avoid being jailed for feuding, took up his pseudonym to stay a step ahead of anyone looking for Samuel Clemens, especially creditors. Twain’s flaws were many in his own day. Problematic in our own time is a casual racism that faded as he grew older (charting that “evolution in matters of racial tolerance” is one of the great strengths of Chernow’s book). Harder to explain away is Twain’s well-known but discomfiting attraction to adolescent and even preadolescent girls, recruiting “angel-fish” to keep him company and angrily declaring when asked, “It isn’t the public’s affair.” While Twain emerges from Chernow’s pages as the masterful—if sometimes wrathful and vengeful—writer that he is now widely recognized to be, he had other complexities, among them a certain gullibility as a businessman that kept that much-feared poverty often close to his door, as well as an overarchingly gloomy view of the human condition that seemed incongruous with his reputation, then and now, as a humanist.
Essential reading for any Twain buff and student of American literature.Pub Date: May 13, 2025
ISBN: 9780525561729
Page Count: 1200
Publisher: Penguin Press
Review Posted Online: Feb. 1, 2025
Kirkus Reviews Issue: March 1, 2025
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