Next book

GOOD BOYS

Reidinger's third bedraggled novel (The Best Man, 1986; Intimate Evil, 1989) is about three men, one of them gay, who keep in touch, more or less, for ten years while working their way through girlfriends, careers, and oodles of twenty-and-thirty- something ennui. It's all tediously episodic, with occasional comic touches that aren't enough to save it. Our heroes are Michael, Chris, and Drew. Chris, the gay one, loves Drew, he thinks, but Drew, who can never make up his mind what he wants (aside from lots of straight sex), is a jerk, whereas Michael, who's been unfaithful once with Drew's wife, goes through a vast identity crisis, especially when his wife gives birth to a ``huge emotional mass.'' All of this material, of course, is the stuff of real-life drama, but Reidinger is earnest where a light touch is called for, and sarcastic or facetious where we want sobriety. Worse, the story inches along—from the sophomoric banter of college (Chris is confused about his sexuality) to early career moves (Michael is a doctor, Drew a lawyer) to love affairs (Chris, who begins to come out with ``Forty-five-minute voyages into San Francisco,'' meets Carl; Drew and girlfriend Dana have long dreary arguments about love, the nature of) to climaxes and resolutions (Michael, husband and father, begins to see a shrink because he keeps thinking of Dana; Carl gets AIDS, and Chris has intimations of mortality; Drew, his job and girl gone, goes to the park and picks up a guy who happens to be working toward a Ph.D. in comparative literature but who really wants to be in Hollywood). ``Thinking of your peers as adults isn't easy.'' Especially, it seems, after a book like this—a tossed salad of half-digested instances that rarely rises above soap opera or sitcom.

Pub Date: June 8, 1993

ISBN: 0-525-93616-5

Page Count: 256

Publisher: Dutton

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: April 1, 1993

Categories:
Next book

MAGIC HOUR

Wacky plot keeps the pages turning and enduring schmaltzy romantic sequences.

Sisters work together to solve a child-abandonment case.

Ellie and Julia Cates have never been close. Julia is shy and brainy; Ellie gets by on charm and looks. Their differences must be tossed aside when a traumatized young girl wanders in from the forest into their hometown in Washington. The sisters’ professional skills are put to the test. Julia is a world-renowned child psychologist who has lost her edge. She is reeling from a case that went publicly sour. Though she was cleared of all wrongdoing, Julia’s name was tarnished, forcing her to shutter her Beverly Hills practice. Ellie Barton is the local police chief in Rain Valley, who’s never faced a tougher case. This is her chance to prove she is more than just a fading homecoming queen, but a scarcity of clues and a reluctant victim make locating the girl’s parents nearly impossible. Ellie places an SOS call to her sister; she needs an expert to rehabilitate this wild-child who has been living outside of civilization for years. Confronted with her professional demons, Julia once again has the opportunity to display her talents and salvage her reputation. Hannah (The Things We Do for Love, 2004, etc.) is at her best when writing from the girl’s perspective. The feral wolf-child keeps the reader interested long after the other, transparent characters have grown tiresome. Hannah’s torturously over-written romance passages are stale, but there are surprises in store as the sisters set about unearthing Alice’s past and creating a home for her.

Wacky plot keeps the pages turning and enduring schmaltzy romantic sequences.

Pub Date: March 1, 2006

ISBN: 0-345-46752-3

Page Count: 400

Publisher: Ballantine

Review Posted Online: June 24, 2010

Kirkus Reviews Issue: Dec. 1, 2005

Categories:
Next book

THE CATCHER IN THE RYE

A strict report, worthy of sympathy.

A violent surfacing of adolescence (which has little in common with Tarkington's earlier, broadly comic, Seventeen) has a compulsive impact.

"Nobody big except me" is the dream world of Holden Caulfield and his first person story is down to the basic, drab English of the pre-collegiate. For Holden is now being bounced from fancy prep, and, after a vicious evening with hall- and roommates, heads for New York to try to keep his latest failure from his parents. He tries to have a wild evening (all he does is pay the check), is terrorized by the hotel elevator man and his on-call whore, has a date with a girl he likes—and hates, sees his 10 year old sister, Phoebe. He also visits a sympathetic English teacher after trying on a drunken session, and when he keeps his date with Phoebe, who turns up with her suitcase to join him on his flight, he heads home to a hospital siege. This is tender and true, and impossible, in its picture of the old hells of young boys, the lonesomeness and tentative attempts to be mature and secure, the awful block between youth and being grown-up, the fright and sickness that humans and their behavior cause the challenging, the dramatization of the big bang. It is a sorry little worm's view of the off-beat of adult pressure, of contemporary strictures and conformity, of sentiment….

A strict report, worthy of sympathy.

Pub Date: June 15, 1951

ISBN: 0316769177

Page Count: -

Publisher: Little, Brown

Review Posted Online: Nov. 2, 2011

Kirkus Reviews Issue: June 15, 1951

Categories:
Close Quickview