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WHERE'S MY PARTICIPATION TROPHY?

A heartfelt, wry, and amusing memoir of growing up in the ’90s and confronting the adult world.

Rothenberg’s memoir chronicles the life of a late-nineties kid.

In his nonfiction debut, the author uses an episodic approach to tell his story. Born in Brooklyn, he grew up in the Long Island town of West Babylon in the late 1980s and ’90s with an older father ailing from Parkinson’s, an Italian Catholic mother, and one sibling, his older sister, Leah. Characterizing himself as an ordinary guy, he dramatizes moments from his life ranging from the very ordinary (dealing with allergies, going to college, joining a fraternity) to the more unusual, as when he and his friends were able to obtain some “magic mushrooms” (“No small feat in suburban Long Island for a bunch of honors students,” he quips). Some of the chapters are flights of fancy, as when Rothenberg writes up an interview between fictional “psychiatrist, best-selling author, and humanitarian” Dr. Julien Montaine and an author stand-in named “Paulo”; others are firmly grounded in the historic events that dot his narrative, like the Covid-19 pandemic (“the shelves throughout the apartment are lined with non-perishable foods”). Whether describing attending a poker tournament in Atlantic City or living alone for the first time in Virginia in 2012, the author is comfortable using saucy language from time to time, and he pulls no punches when recounting instances of drunken revelry. In a series of relatively short and fast-paced chapters, he recalls various milestones, including job-hunting experiences and meeting and marrying a woman named Arina.

The episodic approach Rothenberg adopts throughout does a good deal to prevent the book from feeling merely like a barrage of autobiographical trivia. Most of the chapters read as self-contained material, acting as free-standing meditations on some moment or memory from the past—signposts like the author’s first car, his first solo apartment, baseball games (“I come from a long line of insufferable Yankees fans,” he confesses, which will confuse some readers who believe there is no other kind of Yankees fan), or the terrorist attacks of 9/11 (“I was in English class when the first plane hit”). The common element connecting these semi-compartmentalized chapters is Rothenberg’s caustic, often funny self-deprecation. He’s never above taking jabs at himself, either as an awkward, skinny kid or as an adult unsure of himself in certain social settings. There’s no pomposity in his tone, and he does an effective job of switching up the narrative’s tenor and highlighting his own emotional vulnerabilities—he likens receiving a tough response from a friend, for instance, to taking a crowbar to his insecurity: “I was swirling, boiling, livid and desolate all at once.” Rothenberg displays skill at working in atmospheric details that pin down the book to its time period, referencing MySpace and Geocities and a steady parade of songs on the radio. Readers happily turning pages to the end of this book will be engaged by a sharp portrait of a man of his times.

A heartfelt, wry, and amusing memoir of growing up in the ’90s and confronting the adult world.

Pub Date: March 27, 2026

ISBN: 9798317825638

Page Count: 268

Publisher: BookBaby

Review Posted Online: May 5, 2026

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  • New York Times Bestseller

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TANQUERAY

A blissfully vicarious, heartfelt glimpse into the life of a Manhattan burlesque dancer.

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A former New York City dancer reflects on her zesty heyday in the 1970s.

Discovered on a Manhattan street in 2020 and introduced on Stanton’s Humans of New York Instagram page, Johnson, then 76, shares her dynamic history as a “fiercely independent” Black burlesque dancer who used the stage name Tanqueray and became a celebrated fixture in midtown adult theaters. “I was the only black girl making white girl money,” she boasts, telling a vibrant story about sex and struggle in a bygone era. Frank and unapologetic, Johnson vividly captures aspects of her former life as a stage seductress shimmying to blues tracks during 18-minute sets or sewing lingerie for plus-sized dancers. Though her work was far from the Broadway shows she dreamed about, it eventually became all about the nightly hustle to simply survive. Her anecdotes are humorous, heartfelt, and supremely captivating, recounted with the passion of a true survivor and the acerbic wit of a weathered, street-wise New Yorker. She shares stories of growing up in an abusive household in Albany in the 1940s, a teenage pregnancy, and prison time for robbery as nonchalantly as she recalls selling rhinestone G-strings to prostitutes to make them sparkle in the headlights of passing cars. Complemented by an array of revealing personal photographs, the narrative alternates between heartfelt nostalgia about the seedier side of Manhattan’s go-go scene and funny quips about her unconventional stage performances. Encounters with a variety of hardworking dancers, drag queens, and pimps, plus an account of the complexities of a first love with a drug-addled hustler, fill out the memoir with personality and candor. With a narrative assist from Stanton, the result is a consistently titillating and often moving story of human struggle as well as an insider glimpse into the days when Times Square was considered the Big Apple’s gloriously unpolished underbelly. The book also includes Yee’s lush watercolor illustrations.

A blissfully vicarious, heartfelt glimpse into the life of a Manhattan burlesque dancer.

Pub Date: July 12, 2022

ISBN: 978-1-250-27827-2

Page Count: 192

Publisher: St. Martin's

Review Posted Online: July 27, 2022

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LOVE, PAMELA

A juicy story with some truly crazy moments, yet Anderson's good heart shines through.

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The iconic model tells the story of her eventful life.

According to the acknowledgments, this memoir started as "a fifty-page poem and then grew into hundreds of pages of…more poetry." Readers will be glad that Anderson eventually turned to writing prose, since the well-told anecdotes and memorable character sketches are what make it a page-turner. The poetry (more accurately described as italicized notes-to-self with line breaks) remains strewn liberally through the pages, often summarizing the takeaway or the emotional impact of the events described: "I was / and still am / an exceptionally / easy target. / And, / I'm proud of that." This way of expressing herself is part of who she is, formed partly by her passion for Anaïs Nin and other writers; she is a serious maven of literature and the arts. The narrative gets off to a good start with Anderson’s nostalgic memories of her childhood in coastal Vancouver, raised by very young, very wild, and not very competent parents. Here and throughout the book, the author displays a remarkable lack of anger. She has faced abuse and mistreatment of many kinds over the decades, but she touches on the most appalling passages lightly—though not so lightly you don't feel the torment of the media attention on the events leading up to her divorce from Tommy Lee. Her trip to the pages of Playboy, which involved an escape from a violent fiance and sneaking across the border, is one of many jaw-dropping stories. In one interesting passage, Julian Assange's mother counsels Anderson to desexualize her image in order to be taken more seriously as an activist. She decided that “it was too late to turn back now”—that sexy is an inalienable part of who she is. Throughout her account of this kooky, messed-up, enviable, and often thrilling life, her humility (her sons "are true miracles, considering the gene pool") never fails her.

A juicy story with some truly crazy moments, yet Anderson's good heart shines through.

Pub Date: Jan. 31, 2023

ISBN: 9780063226562

Page Count: 256

Publisher: Dey Street/HarperCollins

Review Posted Online: Dec. 5, 2022

Kirkus Reviews Issue: Jan. 1, 2023

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