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The Downeaster

DEADLY VOYAGE

A clever, riveting, and multifaceted tale about sailing, so vivid that readers should taste the salt spray.

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  • Kirkus Reviews'
    Best Books Of 2016

A debut historical novel captures life on the ocean waves in the late 19th century.

For the uninitiated, a downeaster is a fast, medium-size clipper ship, designed to carry cargo. The year is 1872, and the downeaster featured here is The Providence, anchored in Bath, Maine. The captain of the ship is Isaac Griffin, one of the tale’s three central characters. Griffin, a man down on his luck, faces a choice: bankruptcy or the financially beneficial yet desperately perilous journey around Cape Horn. To complicate matters, a fire severely burned his hand during a previous voyage (“pain shrieked from the damaged tendons and injured nerve endings”). The opening of the story points to a classic “Horn run” adventure with storms, curses, and sea shanties aplenty. On this front, the storyline does not disappoint, yet it is further bolstered by the author’s fastidious charting of his characters’ psychological development. With regard to Nicholas Priest in particular, the novel develops into a well-wrought bildungsroman. A victim of a brutal hazing at his boarding school, where he was tied to a tree in the freezing cold, the young Nicholas is first seen at the elbow of his father, weak and with breathing difficulties. His father’s kill-or-cure solution for him turns out to be a sea voyage. Nicholas’ personal journey into manhood, punctuated by courageousness and healing, becomes one of the most vivid strands in an elaborately woven narrative. The third, yet by no means least important, of the three central characters is the green-eyed nurse Kayleigh MacKenna. MacKenna’s story, a refreshing addition, allows the author to explore 19th-century women’s rights and attempts to perceive the era from a female aesthetic. How each of these distinct narrative threads becomes interwoven is part of the joy of reading this witty, vigorous book. In terms of style, each sentence, elegantly composed, embodies sufficient ruggedness to capture the fervor of a life spent at sea: “The wind had been steady and brisk from southwest and south. Large waves crested with white foam rolled atop sides carved rough with gouges. These made Providence behave like a young stallion racing, absorbed and satisfied by the joy of its own physicality.” Inspired by the close scrutiny of ships’ logs of the age, this historically accurate, engrossing account will likely appeal to seasoned seadogs and landlubbers alike.

A clever, riveting, and multifaceted tale about sailing, so vivid that readers should taste the salt spray. 

Pub Date: Jan. 18, 2016

ISBN: 978-1-61179-331-4

Page Count: 356

Publisher: Fireship Press

Review Posted Online: April 5, 2016

Kirkus Reviews Issue: May 15, 2016

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SUMMER ISLAND

The best-selling author of tearjerkers like Angel Falls (2000) serves up yet another mountain of mush, topped off with...

Talk-show queen takes tumble as millions jeer.

Nora Bridges is a wildly popular radio spokesperson for family-first virtues, but her loyal listeners don't know that she walked out on her husband and teenaged daughters years ago and didn't look back. Now that a former lover has sold racy pix of naked Nora and horny himself to a national tabloid, her estranged daughter Ruby, an unsuccessful stand-up comic in Los Angeles, has been approached to pen a tell-all. Greedy for the fat fee she's been promised, Ruby agrees and heads for the San Juan Islands, eager to get reacquainted with the mom she plans to betray. Once in the family homestead, nasty Ruby alternately sulks and glares at her mother, who is temporarily wheelchair-bound as a result of a post-scandal car crash. Uncaring, Ruby begins writing her side of the story when she's not strolling on the beach with former sweetheart Dean Sloan, the son of wealthy socialites who basically ignored him and his gay brother Eric. Eric, now dying of cancer and also in a wheelchair, has returned to the island. This dismal threesome catch up on old times, recalling their childhood idylls on the island. After Ruby's perfect big sister Caroline shows up, there's another round of heartfelt talk. Nora gradually reveals the truth about her unloving husband and her late father's alcoholism, which led her to seek the approval of others at the cost of her own peace of mind. And so on. Ruby is aghast to discover that she doesn't know everything after all, but Dean offers her subdued comfort. Happy endings await almost everyone—except for readers of this nobly preachy snifflefest.

The best-selling author of tearjerkers like Angel Falls (2000) serves up yet another mountain of mush, topped off with syrupy platitudes about life and love.

Pub Date: March 1, 2001

ISBN: 0-609-60737-5

Page Count: 336

Publisher: Crown

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: Jan. 15, 2001

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THE CATCHER IN THE RYE

A strict report, worthy of sympathy.

A violent surfacing of adolescence (which has little in common with Tarkington's earlier, broadly comic, Seventeen) has a compulsive impact.

"Nobody big except me" is the dream world of Holden Caulfield and his first person story is down to the basic, drab English of the pre-collegiate. For Holden is now being bounced from fancy prep, and, after a vicious evening with hall- and roommates, heads for New York to try to keep his latest failure from his parents. He tries to have a wild evening (all he does is pay the check), is terrorized by the hotel elevator man and his on-call whore, has a date with a girl he likes—and hates, sees his 10 year old sister, Phoebe. He also visits a sympathetic English teacher after trying on a drunken session, and when he keeps his date with Phoebe, who turns up with her suitcase to join him on his flight, he heads home to a hospital siege. This is tender and true, and impossible, in its picture of the old hells of young boys, the lonesomeness and tentative attempts to be mature and secure, the awful block between youth and being grown-up, the fright and sickness that humans and their behavior cause the challenging, the dramatization of the big bang. It is a sorry little worm's view of the off-beat of adult pressure, of contemporary strictures and conformity, of sentiment….

A strict report, worthy of sympathy.

Pub Date: June 15, 1951

ISBN: 0316769177

Page Count: -

Publisher: Little, Brown

Review Posted Online: Nov. 2, 2011

Kirkus Reviews Issue: June 15, 1951

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