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LOVE'S MANSION

A new angle on an old subject from West (The Women of Whitechapel and Jack the Ripper, 1991, etc.), who here makes the familiar horrors of WW I the heart of a son's story of beloved parents. Clive, now in his early 50s, is engaged not merely in an exercise of filial piety but also in an attempt to understand—by remembering, reconstructing, and imagining—just what it must have been like to be Hilly and Harry. Harry, the son of a coal miner, met Hilly, four years older and known to be musical, at a bell- ringing recital in their English Midlands town. Soon a regular visitor at the Fitzalans—a notch up the social ladder, thanks to Hilly's prosperous butcher father—Harry would listen to Hilly, an accomplished pianist, practice and then return to his own loving but poor family. But Harry, sensitive and ambitious, received two blows that irrevocably changed his life: his family's inability to pay for high school, and his wartime experiences. Horrified by the carnage and the snobbery of the officers, he became a detached killing machine himself, maintaining his sanity only by listening to records. Then, blinded by a shell, he was nursed by a quirky angel of mercy who sexually initiated him, which later made marriage to the virginal and mystical Hilly a disappointment, at least sexually. He regained sight in one eye, but it was the ``Promethean-Victorian'' Hilly who really supported the family by teaching music. Harry obsessively relived the war but was a spent force, his only consolations gambling and music. Clive eventually understands that ``his parents had come into the world to use life a lot, in spite of vicissitudes and injuries, until they had had enough, and cried bravely aloud for a full stop.'' An affecting and pleasingly unsentimental tribute, though the story is often bogged down in repetitive detail and by West's need to flash his haute-literary credentials. A pity, too, because much here is very good.

Pub Date: Sept. 1, 1992

ISBN: 0-394-58734-0

Page Count: 448

Publisher: Random House

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: July 1, 1992

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WITHOUT FAIL

From the Jack Reacher series , Vol. 6

Relentlessly suspenseful and unexpectedly timely: just the thing for Dick Cheney’s bedside reading wherever he’s keeping...

When the newly elected Vice President’s life is threatened, the Secret Service runs to nomadic soldier-of-fortune Jack Reacher (Echo Burning, 2001, etc.) in this razor-sharp update of The Day of the Jackal and In the Line of Fire that’s begging to be filmed.

Why Reacher? Because M.E. Froelich, head of the VP’s protection team, was once a colleague and lover of his late brother Joe, who’d impressed her with tales of Jack’s derring-do as an Army MP. Now Froelich and her Brooks Brothers–tailored boss Stuyvesant have been receiving a series of anonymous messages threatening the life of North Dakota Senator/Vice President–elect Brook Armstrong. Since the threats may be coming from within the Secret Service’s own ranks—if they aren’t, it’s hard to see how they’ve been getting delivered—they can’t afford an internal investigation. Hence the call to Reacher, who wastes no time in hooking up with his old friend Frances Neagley, another Army vet turned private eye, first to see whether he can figure out a way to assassinate Armstrong, then to head off whoever else is trying. It’s Reacher’s matter-of-fact gift to think of everything, from the most likely position a sniper would assume at Armstrong’s Thanksgiving visit to a homeless shelter to the telltale punctuation of one of the threats, and to pluck helpers from the tiny cast who can fill the remaining gaps because they aren’t idiots or stooges. And it’s Child’s gift to keep tightening the screws, even when nothing’s happening except the arrival of a series of unsigned letters, and to convey a sense of the blank impossibility of guarding any public figure from danger day after highly exposed day, and the dedication and heroism of the agents who take on this daunting job.

Relentlessly suspenseful and unexpectedly timely: just the thing for Dick Cheney’s bedside reading wherever he’s keeping himself these days.

Pub Date: May 1, 2001

ISBN: 0-399-14861-2

Page Count: 384

Publisher: Putnam

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: March 15, 2002

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THE SECRET HISTORY

The Brat Pack meets The Bacchae in this precious, way-too-long, and utterly unsuspenseful town-and-gown murder tale. A bunch of ever-so-mandarin college kids in a small Vermont school are the eager epigones of an aloof classics professor, and in their exclusivity and snobbishness and eagerness to please their teacher, they are moved to try to enact Dionysian frenzies in the woods. During the only one that actually comes off, a local farmer happens upon them—and they kill him. But the death isn't ruled a murder—and might never have been if one of the gang—a cadging sybarite named Bunny Corcoran—hadn't shown signs of cracking under the secret's weight. And so he too is dispatched. The narrator, a blank-slate Californian named Richard Pepen chronicles the coverup. But if you're thinking remorse-drama, conscience masque, or even semi-trashy who'll-break-first? page-turner, forget it: This is a straight gee-whiz, first-to-have-ever-noticed college novel—"Hampden College, as a body, was always strangely prone to hysteria. Whether from isolation, malice, or simple boredom, people there were far more credulous and excitable than educated people are generally thought to be, and this hermetic, overheated atmosphere made it a thriving black petri dish of melodrama and distortion." First-novelist Tartt goes muzzy when she has to describe human confrontations (the murder, or sex, or even the ping-ponging of fear), and is much more comfortable in transcribing aimless dorm-room paranoia or the TV shows that the malefactors anesthetize themselves with as fate ticks down. By telegraphing the murders, Tartt wants us to be continually horrified at these kids—while inviting us to semi-enjoy their manneristic fetishes and refined tastes. This ersatz-Fitzgerald mix of moralizing and mirror-looking (Jay McInerney shook and poured the shaker first) is very 80's—and in Tartt's strenuous version already seems dated, formulaic. Les Nerds du Mal—and about as deep (if not nearly as involving) as a TV movie.

Pub Date: Sept. 16, 1992

ISBN: 1400031702

Page Count: 592

Publisher: Knopf

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: July 1, 1992

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