A stunning setting and bewitching premise make this book appealing, but Brackston’s execution falls short of its mark.
Grief, magic and the ancient world collide in Brackston’s (The Midnight Witch, 2014, etc.) fourth novel.
Still grieving the unexpected death of her husband, artist Tilda Fordwells moves into the remote cottage on a Welsh lake they had intended to share. But as Tilda becomes the center of a series of paranormal events, she soon realizes her pull to the area is anything but accidental. Equally unsettling are the curious new effect Tilda seems to have on electricity and the terrifying visions she's been having since settling into the cottage. Even as Tilda seeks to understand the bizarre new powers she possesses, she's blindsided by her attraction to Dylan, an archaeological diver hired to explore the ancient crannog that once dominated the lake. Alternating smoothly with the modern storyline is the tale of Seren Arianaidd, a 10th-century shaman charged with protecting Prince Brynach, the handsome royal who rules from the crannog on the lake. As the two stories unfold, the reader learns what ancient act of love and revenge ties the two women together—and what deadly, dark power has awoken from the dark waters of the lake. The story has moments of glory, but Brackston’s writing, so solid in earlier books, vacillates unpredictably between evocative and uninventive. Her use of description also founders: A full page is dedicated to detailing the interior contents of a hut, and three various men are described as “wiry” in the first hundred pages. And while the reader may thrill to the idea of both a contemporary and a historical romantic storyline, the romance between Prince Brynach and seer Seren feels disappointingly devoid of foundation, chemistry and heart. It may be only the die-hard fans of Brackston’s particular blend of history and fantasy that are able to overlook such missed opportunities.
A stunning setting and bewitching premise make this book appealing, but Brackston’s execution falls short of its mark.Pub Date: April 21, 2015
ISBN: 978-1-250-02879-2
Page Count: 320
Publisher: Dunne/St. Martin's
Review Posted Online: Jan. 28, 2015
Kirkus Reviews Issue: Feb. 15, 2015
BOOK REVIEW
BOOK REVIEW
BOOK REVIEW
Wendig is clearly wrestling with some of the demons of our time, resulting in a story that is ambitious, bold, and worthy of...
What if the only way to save humanity was to lose almost everyone?
This was kind of inevitable: Wendig (Vultures, 2019, etc.) wrestles with a magnum opus that grapples with culture, science, faith, and our collective anxiety while delivering an epic equal to Steven King’s The Stand (1978). While it’s not advertised as an entry in Wendig’s horrifying Future Proof universe that includes Zer0es (2015) and Invasive (2016), it’s the spiritual next step in the author’s deconstruction of not only our culture, but the awful things that we—humanity—are capable of delivering with our current technology and terrible will. The setup is vividly cinematic: After a comet passes near Earth, a sleeping sickness takes hold, causing victims to start wandering in the same direction, barring those who spontaneously, um, explode. Simultaneously, a government-built, wickedly terrifying AI called Black Swan tells its minders that a disgraced scientist named Benji Ray might be the key to solving the mystery illness. Wendig breaks out a huge cast that includes Benji’s boss, Sadie Emeka; a rock star who’s a nod to King’s Springsteen-esque Larry Underwood; a pair of sisters—one of whom is part of the “herd” of sleepwalkers and one who identifies as a “shepherd” tending to the sick; and Matthew Bird, who leads the faithful at God’s Light Church and who struggles with a world in which technology itself can become either God or the devil incarnate. Anyone who’s touched on Wendig’s oeuvre, let alone his lively social media presence, knows he’s a full-voiced political creature who’s less concerned with left and right than the chasm between right and wrong, and that impulse is fully on display here. Parsing the plot isn’t really critical—Wendig has stretched his considerable talents beyond the hyperkinetic horror that is his wheelhouse to deliver a story about survival that’s not just about you and me, but all of us, together.
Wendig is clearly wrestling with some of the demons of our time, resulting in a story that is ambitious, bold, and worthy of attention.Pub Date: July 2, 2019
ISBN: 978-0-399-18210-5
Page Count: 800
Publisher: Del Rey
Review Posted Online: April 13, 2019
Kirkus Reviews Issue: May 1, 2019
Flamboyantly written, if a little too conventionally peopled and plotted.
A treasure hunt leads a young girl to discover her mother’s darkest secret.
In 1936, 9-year-old Alice has been consigned by her mother, Selina Lennox Carew, to the care of her Lennox grandparents at their ancestral stately home, Blackwood Park. The reason for this custodial arrangement is Selina’s trip to Southeast Asia with Alice’s cold, distant father, Rupert, who needs to visit his ruby mines in Burma. Alice is kept abreast of her parents’ travels through her mother’s letters, delivered by longtime family servant Polly. Alice is also directed, by Polly, to discover clues set by her mother, leading the girl on a treasure hunt that helps lift her out of her depression. Alice’s Blackwood sojourn alternates with chapters set in 1925, when young Selina, age 22, is setting the London tabloids ablaze with her antics as one of a cadre of Bright Young People, devil-may-care upper-class flappers and their escorts. But everything changes when, on a madcap treasure hunt of her own, Selina meets Lawrence Weston, a struggling portrait painter and aspiring photographer. The two are drawn inexorably into an affair. Selina's choice of a passionless marriage to Rupert over life with her soul mate, Lawrence, is the fateful decision on which the novel turns, and her rationalizations will be a little too pat to satisfy most readers. Nor will readers be long baffled by Alice’s hunt—given the 1925 backstory, the solution to the puzzle is obvious almost from the start. But genuine surprises do await, even if they entail punishing Selina, after the manner of post-Code Hollywood melodrama, for her breach of class boundaries, disregard for propriety, and unladylike smoking and drinking. The characters verge on stereotypical although there are no true villains and only the domestics lack flaws, particularly Polly and Mr. Patterson, the gardener who introduces Alice to the redemptive joys of nature. However, Grey’s use of sensory detail, enlivening the most mundane of scenes, redeems this novel, too.
Flamboyantly written, if a little too conventionally peopled and plotted.Pub Date: Dec. 10, 2019
ISBN: 978-1-250-06679-4
Page Count: 480
Publisher: Thomas Dunne Books
Review Posted Online: Sept. 14, 2019
Kirkus Reviews Issue: Oct. 1, 2019
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