An intricately detailed but emotionally flat novel set in early medieval Ireland.
A monk and an upstart king take on a tyrant in De Fougerolles’ latest historical novel in a series.
Columba, a long-exiled abbot and prince, has returned to his native Ireland. For years, he has lived on the Scottish isle of Iona, building a monastery; now he’s come back home, where he’s at the side of his old friend, Aedan mac Gabran, who reigns as the new king of the united Dal Riatas, a small state that spans the channel between Scotland and Ireland. Aedan’s come to make war on an old enemy—the overking of Ulaid, Baetan mac Cairell, who currently holds both of Aedan’s wives and one of his sons hostage. Aedan’s grip on the fractious Dal Riata is tenuous: “As I see it, you seek to unite, if you can, rather than to divide,” Columba advises Aedan. “That is a noble pursuit, a virtue in anyone….Whether you can unite here, we can only wait and see. But you must act; you know you must.” In order to win allies to their cause, Columba and Aedan must install a teenager, imprisoned by Baetan mac Cairell, on the throne of a nearby kingdom.At the same time, they’re desperate to learn the fate of Eogan mac Gabran, Aedan’s brother who was recently kidnapped by rogue monks. The two quests will take the friends through the petty kingdoms of northern Ireland, negotiating a complex political system involving warlords, abbots, and kings. At the same time, a plague has arrived from the continent and is slowly creeping north across the island. Can Aedan and Columba hold their weakened federation together long enough to defeat a tyrant? It will take all their bravery and cunning—and perhaps a bit of help from Columba’s God.
Historian de Fougerolles displays a deep understanding of the nuances of ancient Irish society, offering readers a blend of Gaelic cultural practices and insular Christian theology. Here, for example, Columba explains in detail how a petty king might beneficially cultivate a monastery on his lands: “Being dicenn—being kinless, or ‘headless’, as they say—the exiled Christian may apply to the lord of the strange land in which they find themselves, to petition that he take them under his protection….For, in law, as you know, the king of a tuath is responsible—can choose to be responsible—for a kinless man.” This loving attention to history is offset, though, by a relative lack of development when it comes to characters’ psychology. There’s plenty of scheming and oath-swearing, but readers may have trouble finding very much to care about in these men and women, in part because so many of their motivations are rooted in their cultural moment. The author does her best to make the material accessible—there are plenty of maps, a glossary, a timeline, and a guide to pronouncing the many unintuitive proper names—but the biggest barrier that readers will face is the lack of relatable stakes. An intricately detailed but emotionally flat novel set in early medieval Ireland.Pub Date: Oct. 6, 2022
ISBN: 9780692043868
Page Count: 421
Publisher: Careswell Press
Review Posted Online: Dec. 7, 2022
Review Program: Kirkus Indie
BOOK REVIEW
BOOK REVIEW
BOOK REVIEW
Fans of Stockett’s bestselling debut will love this engaging follow-up.
Stockett heads to Mississippi for another historical novel about feisty women.
This time, perhaps recalling criticisms of cultural appropriation in The Help (2009), she sticks to feisty white women, with one exception. The setting is Oxford in 1933. For two miserable years, 11-year-old Meg has lived in “the Orphan,” a county asylum for parentless girls. Chairlady Garnett—a villain so one-note she’d twirl a mustache if she had one—makes it her mission to ostracize the older girls she deems unadoptable, stigmatizing them as offspring of the “feebleminded” mothers who abandoned them. She particularly has it in for smart, sassy Meg, who refuses to believe her mother’s mysterious disappearance was deliberate. Elsewhere in Oxford, Birdie Calhoun comes to visit her sister Frances, who married a wealthy banker, to ask for money on behalf of their mother and grandmother back in Footely. Frances isn’t thrilled by this reminder of her impoverished small-town origins. But she’s trying to climb up in Oxford society by volunteering at the Orphan, the asylum’s books need to be done before the state inspector shows up in a few weeks, and Birdie is a bookkeeper. Having neatly arranged to keep Birdie in town and draw these two storylines together, Stockett goes on to spin a compulsively readable yarn with enough plot for a half-dozen novels. Birdie and Meg become friends, Meg is adopted despite Garnett’s best efforts, Meg’s mother turns up at the Orphan demanding to know where her child is—and that’s less than a quarter of the way through a long, winding narrative that keeps piling on more dramatic developments until all loose ends are neatly, if hastily, wrapped up in the final pages. Stockett might be making a point about Southern women facing facts and standing up for themselves, but mostly this is just a satisfyingly twisty tale that should make a great miniseries.
Fans of Stockett’s bestselling debut will love this engaging follow-up.Pub Date: May 5, 2026
ISBN: 9781954118812
Page Count: 656
Publisher: Spiegel & Grau
Review Posted Online: Feb. 2, 2026
Kirkus Reviews Issue: March 1, 2026
BOOK REVIEW
An affecting portrait of a prickly woman.
A lifetime’s worth of letters combine to portray a singular character.
Sybil Van Antwerp, a cantankerous but exceedingly well-mannered septuagenarian, is the titular correspondent in Evans’ debut novel. Sybil has retired from a beloved job as chief clerk to a judge with whom she had previously been in private legal practice. She is the divorced mother of two living adult children and one who died when he was 8. She is a reader of novels, a gardener, and a keen observer of human nature. But the most distinguishing thing about Sybil is her lifelong practice of letter writing. As advancing vision problems threaten Sybil’s carefully constructed way of life—in which letters take the place of personal contact and engagement—she must reckon with unaddressed issues from her past that threaten the house of cards (letters, really) she has built around herself. Sybil’s relationships are gradually revealed in the series of letters sent to and received from, among others, her brother, sister-in-law, children, former work associates, and, intriguingly, literary icons including Joan Didion and Larry McMurtry. Perhaps most affecting is the series of missives Sybil writes but never mails to a shadowy figure from her past. Thoughtful musings on the value and immortal quality of letters and the written word populate one of Sybil’s notes to a young correspondent while other messages are laugh-out-loud funny, tinged with her characteristic blunt tartness. Evans has created a brusque and quirky yet endearing main character with no shortage of opinions and advice for others but who fails to excavate the knotty difficulties of her own life. As Sybil grows into a delayed self-awareness, her letters serve as a chronicle of fitful growth.
An affecting portrait of a prickly woman.Pub Date: May 6, 2025
ISBN: 9780593798430
Page Count: 304
Publisher: Crown
Review Posted Online: Feb. 15, 2025
Kirkus Reviews Issue: March 15, 2025
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