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THE CHRONICLES OF IONA: PROPHET

This historical fantasy series’ latest installment once again brings myth, history, magic and religion to warm and vivid...

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This historical fantasy novel, the second in a series, continues the adventures of warrior Aedan mac Gabran and monk St. Columba in sixth-century western Scotland.

In her debut novel, 2012’s The Chronicles of Iona: Exile, (one of Kirkus Reviews’ Best Books of 2012), de Fougerolles recounted how Columba founded his famous monastery and helped set the stage for warrior Aedan’s rise to power. This second volume picks up some four years after the first, in the year 567. Aedan has been living among the Picts, his former enemies and now his in-laws; he’s learned their language and customs, and while he may not deeply love his Pict wife, he adores his small son. But now his brother, Eogan, needs his help. Saxon invaders threaten many small kingdoms, prophecies thicken the air, and Aedan and Columba work to restore a strong, wise kingship amid political, ethnic and religious strife. As she did in Exile, de Fougerolles, a medieval historian, reveals sixth-century Europe in vivid, brutal and beautiful detail—a place where myth, legend and history mingle. Her characters are fully rounded and psychologically complex, not just hack-and-slash warriors. The political intrigue is made more complicated by the tangle of unfamiliar people and places; for example, the names Elmet, Gwallawg, King Yffi, Catraeth, Kynfarch, Cair Ebrauc, the Oenaches and Din Guoaroy, among others, can all be found on a single page. (The author helpfully provides a glossary, maps and a timeline.) The appealing Columba has less to do in this installment, and Aedan sometimes seems to have little agency as circumstances back him into corners. That said, this book provides a rich feast, and fans will likely look forward to the series’ third book, forthcoming later this year.

This historical fantasy series’ latest installment once again brings myth, history, magic and religion to warm and vivid life.

Pub Date: Jan. 14, 2013

ISBN: 9780615753362

Page Count: 380

Publisher: Careswell Press

Review Posted Online: Feb. 26, 2013

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SUMMER ISLAND

The best-selling author of tearjerkers like Angel Falls (2000) serves up yet another mountain of mush, topped off with...

Talk-show queen takes tumble as millions jeer.

Nora Bridges is a wildly popular radio spokesperson for family-first virtues, but her loyal listeners don't know that she walked out on her husband and teenaged daughters years ago and didn't look back. Now that a former lover has sold racy pix of naked Nora and horny himself to a national tabloid, her estranged daughter Ruby, an unsuccessful stand-up comic in Los Angeles, has been approached to pen a tell-all. Greedy for the fat fee she's been promised, Ruby agrees and heads for the San Juan Islands, eager to get reacquainted with the mom she plans to betray. Once in the family homestead, nasty Ruby alternately sulks and glares at her mother, who is temporarily wheelchair-bound as a result of a post-scandal car crash. Uncaring, Ruby begins writing her side of the story when she's not strolling on the beach with former sweetheart Dean Sloan, the son of wealthy socialites who basically ignored him and his gay brother Eric. Eric, now dying of cancer and also in a wheelchair, has returned to the island. This dismal threesome catch up on old times, recalling their childhood idylls on the island. After Ruby's perfect big sister Caroline shows up, there's another round of heartfelt talk. Nora gradually reveals the truth about her unloving husband and her late father's alcoholism, which led her to seek the approval of others at the cost of her own peace of mind. And so on. Ruby is aghast to discover that she doesn't know everything after all, but Dean offers her subdued comfort. Happy endings await almost everyone—except for readers of this nobly preachy snifflefest.

The best-selling author of tearjerkers like Angel Falls (2000) serves up yet another mountain of mush, topped off with syrupy platitudes about life and love.

Pub Date: March 1, 2001

ISBN: 0-609-60737-5

Page Count: 336

Publisher: Crown

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: Jan. 15, 2001

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TO KILL A MOCKINGBIRD

A first novel, this is also a first person account of Scout's (Jean Louise) recall of the years that led to the ending of a mystery, the breaking of her brother Jem's elbow, the death of her father's enemy — and the close of childhood years. A widower, Atticus raises his children with legal dispassion and paternal intelligence, and is ably abetted by Calpurnia, the colored cook, while the Alabama town of Maycomb, in the 1930's, remains aloof to their divergence from its tribal patterns. Scout and Jem, with their summer-time companion, Dill, find their paths free from interference — but not from dangers; their curiosity about the imprisoned Boo, whose miserable past is incorporated in their play, results in a tentative friendliness; their fears of Atticus' lack of distinction is dissipated when he shoots a mad dog; his defense of a Negro accused of raping a white girl, Mayella Ewell, is followed with avid interest and turns the rabble whites against him. Scout is the means of averting an attack on Atticus but when he loses the case it is Boo who saves Jem and Scout by killing Mayella's father when he attempts to murder them. The shadows of a beginning for black-white understanding, the persistent fight that Scout carries on against school, Jem's emergence into adulthood, Calpurnia's quiet power, and all the incidents touching on the children's "growing outward" have an attractive starchiness that keeps this southern picture pert and provocative. There is much advance interest in this book; it has been selected by the Literary Guild and Reader's Digest; it should win many friends.

Pub Date: July 11, 1960

ISBN: 0060935464

Page Count: 323

Publisher: Lippincott

Review Posted Online: Oct. 7, 2011

Kirkus Reviews Issue: July 1, 1960

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