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THE CHRONICLES OF IONA: EXILE

Exciting, immersive and authentic.

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This historical novel, set in sixth-century Scotland, relates the struggles of St. Columba to establish his monastery and of Aedan mac Gabran to gain a kingship.

In 563, Columba, an exiled abbot (and future saint), arrives with his monks on the west coast of Scotland, hoping to establish a monastery. The pagan King Conall agrees to give them the isle of Iona, if they can wrest it somehow from the Picts—a seemingly impossible task. Aedan mac Gabran, a dispossessed cousin of the king, befriends Columba; as a prince of Ireland, the abbot could make a good ally. When the woman Aedan loves marries someone else, he sinks into a meaningless life dedicated to taking on all comers: “They could devise no feat to best him.” Meanwhile, Columba struggles with spiritual darkness, and the monks’ temporary home is invaded in a bloody raid. Columba devises a bold scheme: exchange an important Pictish hostage for Iona. Aedan—feeling he has little to lose—agrees to help. On the long, dangerous journey, Aedan proves to be an expert warrior and Columba, having regained his hopeful sense of wonder, directs them through several tight spots through miracles he performs. As a medieval historian, de Fougerolles is deeply informed: Her novel includes historical notes, a glossary and a chronology, as well as hand-drawn maps. Throughout, the reader learns of the Dark Ages’ complicated cultural scene, as when, for instance, Columba wonders about Aedan’s status: “Were the young man a high lord, his clothing would have been far more gaudy: back home, in Hibernia [Ireland], a slave was permitted to wear only one color, and a farmer two, but a king could sport as many as six colors at once.” But this is no textbook: The characters come alive with complex inner lives, and Columba’s spiritual struggles take on a fully rendered significance that matches Aedan’s love affair. The hazardous journey sparks with rescues, magic, monsters, escapes and miracles. Through it all, de Fougerolles writes well: “Could Aedan tame Draig, stallion of the Visigoths, killer of men…unridden because of his ferocity? (Not hard: Aedan whispered it words of comfort and love and, head bowed, the grateful, terrified beast came to his hand.)” The first in a planned series, this historical novel will leave readers eager for more.

Exciting, immersive and authentic.

Pub Date: May 25, 2012

ISBN: 978-0615602547

Page Count: 394

Publisher: Careswell Press

Review Posted Online: July 3, 2012

Kirkus Reviews Issue: Aug. 1, 2012

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THE ALCHEMIST

Coelho's placebo has racked up impressive sales in Brazil and Europe. Americans should flock to it like gulls.

Coelho is a Brazilian writer with four books to his credit. Following Diary of a Magus (1992—not reviewed) came this book, published in Brazil in 1988: it's an interdenominational, transcendental, inspirational fable—in other words, a bag of wind. 

 The story is about a youth empowered to follow his dream. Santiago is an Andalusian shepherd boy who learns through a dream of a treasure in the Egyptian pyramids. An old man, the king of Salem, the first of various spiritual guides, tells the boy that he has discovered his destiny: "to realize one's destiny is a person's only real obligation." So Santiago sells his sheep, sails to Tangier, is tricked out of his money, regains it through hard work, crosses the desert with a caravan, stops at an oasis long enough to fall in love, escapes from warring tribesmen by performing a miracle, reaches the pyramids, and eventually gets both the gold and the girl. Along the way he meets an Englishman who describes the Soul of the World; the desert woman Fatima, who teaches him the Language of the World; and an alchemist who says, "Listen to your heart" A message clings like ivy to every encounter; everyone, but everyone, has to put in their two cents' worth, from the crystal merchant to the camel driver ("concentrate always on the present, you'll be a happy man"). The absence of characterization and overall blandness suggest authorship by a committee of self-improvement pundits—a far cry from Saint- Exupery's The Little Prince: that flagship of the genre was a genuine charmer because it clearly derived from a quirky, individual sensibility. 

 Coelho's placebo has racked up impressive sales in Brazil and Europe. Americans should flock to it like gulls.

Pub Date: July 1, 1993

ISBN: 0-06-250217-4

Page Count: 192

Publisher: N/A

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: May 1, 1993

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A LITTLE LIFE

The phrase “tour de force” could have been invented for this audacious novel.

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Four men who meet as college roommates move to New York and spend the next three decades gaining renown in their professions—as an architect, painter, actor and lawyer—and struggling with demons in their intertwined personal lives.

Yanagihara (The People in the Trees, 2013) takes the still-bold leap of writing about characters who don’t share her background; in addition to being male, JB is African-American, Malcolm has a black father and white mother, Willem is white, and “Jude’s race was undetermined”—deserted at birth, he was raised in a monastery and had an unspeakably traumatic childhood that’s revealed slowly over the course of the book. Two of them are gay, one straight and one bisexual. There isn’t a single significant female character, and for a long novel, there isn’t much plot. There aren’t even many markers of what’s happening in the outside world; Jude moves to a loft in SoHo as a young man, but we don’t see the neighborhood change from gritty artists’ enclave to glitzy tourist destination. What we get instead is an intensely interior look at the friends’ psyches and relationships, and it’s utterly enthralling. The four men think about work and creativity and success and failure; they cook for each other, compete with each other and jostle for each other’s affection. JB bases his entire artistic career on painting portraits of his friends, while Malcolm takes care of them by designing their apartments and houses. When Jude, as an adult, is adopted by his favorite Harvard law professor, his friends join him for Thanksgiving in Cambridge every year. And when Willem becomes a movie star, they all bask in his glow. Eventually, the tone darkens and the story narrows to focus on Jude as the pain of his past cuts deep into his carefully constructed life.  

The phrase “tour de force” could have been invented for this audacious novel.

Pub Date: March 10, 2015

ISBN: 978-0-385-53925-8

Page Count: 720

Publisher: Doubleday

Review Posted Online: Dec. 21, 2014

Kirkus Reviews Issue: Jan. 1, 2015

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