Lyrical and affecting, the novel succeeds in skirting clichés through its empathy and through the depth of its major...

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NEWS OF THE WORLD

In post–Civil War Texas, a 10-year-old girl makes an odyssey back to her aunt and uncle’s home after living with the Kiowa warriors who had killed her parents four years earlier.

Johanna Leonberger remembers almost nothing of her first 6 years, when she lived with her parents. Instead, her memory extends only as far as her Kiowa family—she speaks no English and by white standards is uncivilized. Tired of being harassed by the cavalry, the Kiowa sell her back to an Indian agent for "fifteen Hudson’s Bay four-stripe blankets and a set of silver dinnerware." Enter Capt. Jefferson Kyle Kidd, a 70-year-old veteran of two wars and, in 1870, when the novel takes place, a professional reader—he travels through Texas giving public readings from newspapers to an audience hungry for events of the world. At first reluctant to take her the 400 miles to the town near San Antonio where her aunt and uncle live, he soon realizes his itinerant life makes him the most plausible person for the job—and he also knows it’s the right thing to do. He buys a wagon, and they start their journey, much to the reluctance and outrage of the undomesticated Johanna; but a relationship soon begins to develop between the two. Jiles makes the narrative compelling by unsentimentally constructing a bond based at least in part on a mutual need for survival, but slowly and delicately, Johanna and Kidd begin to respect as well as need one another. What cements their alliance is facing many obstacles along the way, including an unmerciful landscape; a lack of weapons; and a vicious cowboy and his companions, who want to kill Kidd and use the girl for their own foul purposes. As one might expect, Kidd and Johanna eventually develop a deep and affectionate relationship; when they arrive at the Leonbergers, the captain must make a difficult choice about whether to leave the girl there or hold onto her himself.

Lyrical and affecting, the novel succeeds in skirting clichés through its empathy and through the depth of its major characters.

Pub Date: Oct. 4, 2016

ISBN: 978-0-06-240920-1

Page Count: 224

Publisher: Morrow/HarperCollins

Review Posted Online: Jan. 20, 2016

Kirkus Reviews Issue: Feb. 1, 2016

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With humor and insight, Straub creates a family worth rooting for.

ALL ADULTS HERE

When Astrid Strick witnesses a school bus run over a longtime acquaintance of hers—Barbara Baker, a woman she doesn't like very much—it's only the beginning of the shake-ups to come in her life and the lives of those she loves.

Astrid has been tootling along contentedly in the Hudson Valley town of Clapham, New York, a 68-year-old widow with three grown children. After many years of singlehood since her husband died, she's been quietly seeing Birdie Gonzalez, her hairdresser, for the past two years, and after Barbara's death she determines to tell her children about the relationship: "There was no time to waste, not in this life. There were always more school buses." Elliot, her oldest, who's in real estate, lives in Clapham with his wife, Wendy, who's Chinese American, and their twins toddlers, Aidan and Zachary, who are "such hellions that only a fool would willingly ask for more." Astrid's daughter, Porter, owns a nearby farm producing artisanal goat cheese and has just gotten pregnant through a sperm bank while having an affair with her married high school boyfriend. Nicky, the youngest Strick, is disconcertingly famous for having appeared in an era-defining movie when he was younger and now lives in Brooklyn with his French wife, Juliette, and their daughter, Cecelia, who's being shipped up to live with Astrid for a while after her friend got mixed up with a pedophile she met online. As always, Straub (Modern Lovers, 2016, etc.) draws her characters warmly, making them appealing in their self-centeredness and generosity, their insecurity and hope. The cast is realistically diverse, though in most ways it's fairly superficial; the fact that Birdie is Latina or Porter's obstetrician is African American doesn't have much impact on the story or their characters. Cecelia's new friend, August, wants to make the transition to Robin; that storyline gets more attention, with the two middle schoolers supporting each other through challenging times. The Stricks worry about work, money, sex, and gossip; Straub has a sharp eye for her characters' foibles and the details of their liberal, upper-middle-class milieu.

With humor and insight, Straub creates a family worth rooting for.

Pub Date: May 5, 2020

ISBN: 978-1-59463-469-7

Page Count: 368

Publisher: Riverhead

Review Posted Online: Feb. 10, 2020

Kirkus Reviews Issue: March 1, 2020

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A daring concept not so daringly developed.

THE BOOK OF LONGINGS

In Kidd’s (The Invention of Wings, 2014, etc.) feminist take on the New Testament, Jesus has a wife whose fondest longing is to write.

Ana is the daughter of Matthias, head scribe to Herod Antipas, tetrarch of Galilee. She demonstrates an exceptional aptitude for writing, and Matthias, for a time, indulges her with reed pens, papyri, and other 16 C.E. office supplies. Her mother disapproves, but her aunt, Yaltha, mentors Ana in the ways of the enlightened women of Alexandria, from whence Yaltha, suspected of murdering her brutal husband, was exiled years before. Yaltha was also forced to give up her daughter, Chaya, for adoption. As Ana reaches puberty, parental tolerance of her nonconformity wanes, outweighed by the imperative to marry her off. Her adopted brother, Judas—yes, that Judas—is soon disowned for his nonconformity—plotting against Antipas. On the very day Ana, age 14, meets her prospective betrothed, the repellent Nathanial, in the town market, she also encounters Jesus, a young tradesman, to whom she’s instantly drawn. Their connection deepens after she encounters Jesus in the cave where she is concealing her writings about oppressed women. When Nathanial dies after his betrothal to Ana but before their marriage, Ana is shunned for insufficiently mourning him—and after refusing to become Antipas’ concubine, she is about to be stoned until Jesus defuses the situation with that famous admonition. She marries Jesus and moves into his widowed mother’s humble compound in Nazareth, accompanied by Yaltha. There, poverty, not sexism, prohibits her from continuing her writing—office supplies are expensive. Kidd skirts the issue of miracles, portraying Jesus as a fully human and, for the period, accepting husband—after a stillbirth, he condones Ana’s practice of herbal birth control. A structural problem is posed when Jesus’ active ministry begins—what will Ana’s role be? Problem avoided when, notified by Judas that Antipas is seeking her arrest, she and Yaltha journey to Alexandria in search of Chaya. In addition to depriving her of the opportunity to write the first and only contemporaneous gospel, removing Ana from the main action destroys the novel’s momentum.

A daring concept not so daringly developed.

Pub Date: April 21, 2020

ISBN: 978-0-525-42976-0

Page Count: 432

Publisher: Viking

Review Posted Online: Jan. 27, 2020

Kirkus Reviews Issue: Feb. 15, 2020

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