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MAUD AND PEARL

THE MATRIARCH AND THE ODYSSEY

A dense but highly enjoyable account of an American life.

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Andree presents a personal memoir and an exploration of family history.

The author was born the youngest of nine children in 1927. Her parents, Maud and Zeke, had spent the first years of their marriage on a homestead in Oklahoma. Prairie life was not easy; laundry was boiled in a large tub over a fire. Maud lacked a clothesline, so she left wet laundry on waist-high grass to dry. The author looks at the lives of her siblings, including her brother Ira, who was killed in an oil derrick accident, and her brother Leo, who managed to join the U.S. Navy at the age of 14. Andree also recounts her own experiences: She entered high school in 1939 in Tolleson, Arizona, where various farm boys were interested in dating her, but, as she puts it, “wild horses couldn’t have dragged me to the altar to marry a farmer.” She instead married a pilot named Jimmy Goggin. The author, like her mother, made her own wedding dress. The marriage to Jimmy involved frequent moving and a tragedy in 1955. Later chapters explore further developments, like another marriage and a move to Australia. To say the work is meticulous would be an understatement—myriad fine details are woven into the text, such as the fact that, due to Jimmy’s allergies, when he worked around sawdust he had to “lie down on the floor for about two hours when he got home.” It’s easy to get lost in the names and lives of so many family members, but the author maintains a folksy, simple tone that makes for pleasant reading. The reader learns about everything from an attempt to subdue a rattlesnake with bug spray (“which only made it quite angry”) to how Andree tried to coax her mother into buying Ovaltine by explaining that she “wouldn’t cry so much” if she did. Occasional recollections from others and family photos help to fill out an extensive, well-rounded narrative that captures more than a few memorable moments.

A dense but highly enjoyable account of an American life.

Pub Date: Oct. 31, 2024

ISBN: 9781950481477

Page Count: 446

Publisher: Tranquility Press

Review Posted Online: March 5, 2026

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  • New York Times Bestseller

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TANQUERAY

A blissfully vicarious, heartfelt glimpse into the life of a Manhattan burlesque dancer.

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  • New York Times Bestseller

A former New York City dancer reflects on her zesty heyday in the 1970s.

Discovered on a Manhattan street in 2020 and introduced on Stanton’s Humans of New York Instagram page, Johnson, then 76, shares her dynamic history as a “fiercely independent” Black burlesque dancer who used the stage name Tanqueray and became a celebrated fixture in midtown adult theaters. “I was the only black girl making white girl money,” she boasts, telling a vibrant story about sex and struggle in a bygone era. Frank and unapologetic, Johnson vividly captures aspects of her former life as a stage seductress shimmying to blues tracks during 18-minute sets or sewing lingerie for plus-sized dancers. Though her work was far from the Broadway shows she dreamed about, it eventually became all about the nightly hustle to simply survive. Her anecdotes are humorous, heartfelt, and supremely captivating, recounted with the passion of a true survivor and the acerbic wit of a weathered, street-wise New Yorker. She shares stories of growing up in an abusive household in Albany in the 1940s, a teenage pregnancy, and prison time for robbery as nonchalantly as she recalls selling rhinestone G-strings to prostitutes to make them sparkle in the headlights of passing cars. Complemented by an array of revealing personal photographs, the narrative alternates between heartfelt nostalgia about the seedier side of Manhattan’s go-go scene and funny quips about her unconventional stage performances. Encounters with a variety of hardworking dancers, drag queens, and pimps, plus an account of the complexities of a first love with a drug-addled hustler, fill out the memoir with personality and candor. With a narrative assist from Stanton, the result is a consistently titillating and often moving story of human struggle as well as an insider glimpse into the days when Times Square was considered the Big Apple’s gloriously unpolished underbelly. The book also includes Yee’s lush watercolor illustrations.

A blissfully vicarious, heartfelt glimpse into the life of a Manhattan burlesque dancer.

Pub Date: July 12, 2022

ISBN: 978-1-250-27827-2

Page Count: 192

Publisher: St. Martin's

Review Posted Online: July 27, 2022

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LOVE, PAMELA

A juicy story with some truly crazy moments, yet Anderson's good heart shines through.

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The iconic model tells the story of her eventful life.

According to the acknowledgments, this memoir started as "a fifty-page poem and then grew into hundreds of pages of…more poetry." Readers will be glad that Anderson eventually turned to writing prose, since the well-told anecdotes and memorable character sketches are what make it a page-turner. The poetry (more accurately described as italicized notes-to-self with line breaks) remains strewn liberally through the pages, often summarizing the takeaway or the emotional impact of the events described: "I was / and still am / an exceptionally / easy target. / And, / I'm proud of that." This way of expressing herself is part of who she is, formed partly by her passion for Anaïs Nin and other writers; she is a serious maven of literature and the arts. The narrative gets off to a good start with Anderson’s nostalgic memories of her childhood in coastal Vancouver, raised by very young, very wild, and not very competent parents. Here and throughout the book, the author displays a remarkable lack of anger. She has faced abuse and mistreatment of many kinds over the decades, but she touches on the most appalling passages lightly—though not so lightly you don't feel the torment of the media attention on the events leading up to her divorce from Tommy Lee. Her trip to the pages of Playboy, which involved an escape from a violent fiance and sneaking across the border, is one of many jaw-dropping stories. In one interesting passage, Julian Assange's mother counsels Anderson to desexualize her image in order to be taken more seriously as an activist. She decided that “it was too late to turn back now”—that sexy is an inalienable part of who she is. Throughout her account of this kooky, messed-up, enviable, and often thrilling life, her humility (her sons "are true miracles, considering the gene pool") never fails her.

A juicy story with some truly crazy moments, yet Anderson's good heart shines through.

Pub Date: Jan. 31, 2023

ISBN: 9780063226562

Page Count: 256

Publisher: Dey Street/HarperCollins

Review Posted Online: Dec. 5, 2022

Kirkus Reviews Issue: Jan. 1, 2023

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