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DANCING FISH AND AMMONITES

A MEMOIR

Readers will share her relief that dementia has not made an appearance. Although they will long for her next novel, few will...

An insightful book of self-reflection from the acclaimed novelist—“not quite a memoir,” she writes, but “the view from old age.”

Every few years since the 1970s, British author Lively (How It All Began, 2012, etc.) has published a slim, delicious novel, mixing sympathy and satire with a Chekhov-ian focus on time, mortality and wasted opportunities. Born in Cairo in 1933 and raised in World War II–era Egypt, she described her childhood in Oleander, Jacaranda (1994), but this insightful reflection on her life is not merely the second volume of her memoirs or, as she notes, even much of a memoir at all. Autobiographical details appear, but for the most part, Lively ruminates on a handful of subjects of universal interest on which a perceptive 80-year-old can speak with authority. She remains the person she has always been, encumbered by various indignities and disabilities but less preoccupied by death than concern that young people take for granted that the elderly are boring. Readers will share her amazement at society’s seismic changes since the mid-20th century. When he learned of the 14-year-old’s crush on a distant relative, an uncle warned that he was “queer,” and Lively was mystified. Learning about Oscar Wilde during a theater outing, her granddaughter exploded, “I don’t believe you! He went to prison because he was gay?!!” The faithful will recognize the author’s love of archaeology, and many will keep a pen handy to record titles and authors, since reading is one activity age has not diminished, and Lively is not shy about musing over her favorites.

Readers will share her relief that dementia has not made an appearance. Although they will long for her next novel, few will regret that she has taken time off to write this unsentimental, occasionally poignant meditation on a long life, mostly well spent.

Pub Date: Feb. 10, 2014

ISBN: 978-0-670-01655-6

Page Count: 224

Publisher: Viking

Review Posted Online: Oct. 19, 2013

Kirkus Reviews Issue: Nov. 1, 2013

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NIGHT

The author's youthfulness helps to assure the inevitable comparison with the Anne Frank diary although over and above the...

Elie Wiesel spent his early years in a small Transylvanian town as one of four children. 

He was the only one of the family to survive what Francois Maurois, in his introduction, calls the "human holocaust" of the persecution of the Jews, which began with the restrictions, the singularization of the yellow star, the enclosure within the ghetto, and went on to the mass deportations to the ovens of Auschwitz and Buchenwald. There are unforgettable and horrifying scenes here in this spare and sombre memoir of this experience of the hanging of a child, of his first farewell with his father who leaves him an inheritance of a knife and a spoon, and of his last goodbye at Buchenwald his father's corpse is already cold let alone the long months of survival under unconscionable conditions. 

The author's youthfulness helps to assure the inevitable comparison with the Anne Frank diary although over and above the sphere of suffering shared, and in this case extended to the death march itself, there is no spiritual or emotional legacy here to offset any reader reluctance.

Pub Date: Jan. 16, 2006

ISBN: 0374500010

Page Count: 120

Publisher: Hill & Wang

Review Posted Online: Oct. 7, 2011

Kirkus Reviews Issue: Jan. 15, 2006

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WHEN BREATH BECOMES AIR

A moving meditation on mortality by a gifted writer whose dual perspectives of physician and patient provide a singular...

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A neurosurgeon with a passion for literature tragically finds his perfect subject after his diagnosis of terminal lung cancer.

Writing isn’t brain surgery, but it’s rare when someone adept at the latter is also so accomplished at the former. Searching for meaning and purpose in his life, Kalanithi pursued a doctorate in literature and had felt certain that he wouldn’t enter the field of medicine, in which his father and other members of his family excelled. “But I couldn’t let go of the question,” he writes, after realizing that his goals “didn’t quite fit in an English department.” “Where did biology, morality, literature and philosophy intersect?” So he decided to set aside his doctoral dissertation and belatedly prepare for medical school, which “would allow me a chance to find answers that are not in books, to find a different sort of sublime, to forge relationships with the suffering, and to keep following the question of what makes human life meaningful, even in the face of death and decay.” The author’s empathy undoubtedly made him an exceptional doctor, and the precision of his prose—as well as the moral purpose underscoring it—suggests that he could have written a good book on any subject he chose. Part of what makes this book so essential is the fact that it was written under a death sentence following the diagnosis that upended his life, just as he was preparing to end his residency and attract offers at the top of his profession. Kalanithi learned he might have 10 years to live or perhaps five. Should he return to neurosurgery (he could and did), or should he write (he also did)? Should he and his wife have a baby? They did, eight months before he died, which was less than two years after the original diagnosis. “The fact of death is unsettling,” he understates. “Yet there is no other way to live.”

A moving meditation on mortality by a gifted writer whose dual perspectives of physician and patient provide a singular clarity.

Pub Date: Jan. 19, 2016

ISBN: 978-0-8129-8840-6

Page Count: 248

Publisher: Random House

Review Posted Online: Sept. 29, 2015

Kirkus Reviews Issue: Oct. 15, 2015

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