Except for a superfluity of sentences like `He took her there on the floor, with swift, rough lust,` this is quality hokum,...

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MORTAL SINS

Hot-blooded sex, hoodoo, and homicide in the Queen City (during the Roaring Twenties) are the savory ingredients of this turbulent potboiler concocted by The Romance Writer Otherwise Known as Penelope Williamson.

Midnight in the Garden of Good and Evil it isn't, despite a bubbling gumbo of partial echoes and incidental resemblances. It all begins when prominent New Orleans criminal lawyer Charles St. Claire is found hacked to death in a converted `slave shack` not far from his luxurious home. All evidence points to the grieving widow, gorgeous movie vixen Remy Lelourie—who's the former lover of weary veteran police detective Daman Rourke, a widower currently involved with the widow of their mutual childhood friend, a slain cop. You think that's complicated? Another corpse turns up nearby; circumstantial evidence suggesting a mob hit puts `Day` Rourke in the face of another old comrade, Chicago (and Al Capone)–connected bootlegger Casey Maguire. Day's investigation predictably takes him through the city's many colorful social and criminal levels, and rapidly branches out to include Remy's resentful sister Belle (deeply implicated in a Lelourie family secret pertaining to both Charles St. Claire and his late brother Julius); `high-yeller` beauty Lucille Durand, whose husband LeRoy, a onetime prizefighter, is doing time for a murder he probably didn't commit; St. Claire's suave (and evasive) law partner Jean Louis Armande; reformed `tantan macoute` and specialist in `the black arts` Mamma Rae; and prudent police commissioner (and Day's former father-in-law) Weldon Carrigan. In New Awlins, you see, everybody's related to everybody else—if not by blood, then as lovers or confederates: a fact whose several interlocking proofs dovetail neatly together for this enjoyably strident novel's deft resolution.

Except for a superfluity of sentences like `He took her there on the floor, with swift, rough lust,` this is quality hokum, aided immeasurably by outrageously melodramatic characters and amusingly hard-bitten dialogue. Don't miss the miniseries.

Pub Date: June 1, 2000

ISBN: 0-446-52154-X

Page Count: 432

Publisher: N/A

Review Posted Online: May 20, 2010

Kirkus Reviews Issue: April 15, 2000

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A strange, subtle, and haunting novel.

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THE GLASS HOTEL

A financier's Ponzi scheme unravels to disastrous effect, revealing the unexpected connections among a cast of disparate characters.

How did Vincent Smith fall overboard from a container ship near the coast of Mauritania, fathoms away from her former life as Jonathan Alkaitis' pretend trophy wife? In this long-anticipated follow-up to Station Eleven (2014), Mandel uses Vincent's disappearance to pick through the wreckage of Alkaitis' fraudulent investment scheme, which ripples through hundreds of lives. There's Paul, Vincent's half brother, a composer and addict in recovery; Olivia, an octogenarian painter who invested her retirement savings in Alkaitis' funds; Leon, a former consultant for a shipping company; and a chorus of office workers who enabled Alkaitis and are terrified of facing the consequences. Slowly, Mandel reveals how her characters struggle to align their stations in life with their visions for what they could be. For Vincent, the promise of transformation comes when she's offered a stint with Alkaitis in "the kingdom of money." Here, the rules of reality are different and time expands, allowing her to pursue video art others find pointless. For Alkaitis, reality itself is too much to bear. In his jail cell, he is confronted by the ghosts of his victims and escapes into "the counterlife," a soothing alternate reality in which he avoided punishment. It's in these dreamy sections that Mandel's ideas about guilt and responsibility, wealth and comfort, the real and the imagined, begin to cohere. At its heart, this is a ghost story in which every boundary is blurred, from the moral to the physical. How far will Alkaitis go to deny responsibility for his actions? And how quickly will his wealth corrupt the ambitions of those in proximity to it? In luminous prose, Mandel shows how easy it is to become caught in a web of unintended consequences and how disastrous it can be when such fragile bonds shatter under pressure.

A strange, subtle, and haunting novel.

Pub Date: March 24, 2020

ISBN: 978-0-525-52114-3

Page Count: 320

Publisher: Knopf

Review Posted Online: Nov. 25, 2019

Kirkus Reviews Issue: Dec. 15, 2019

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When a book has such great comic timing, it's easy to finish the story in one sitting.

THE HONEY-DON'T LIST

A toxic workplace nurtures an intoxicating romance in Lauren’s (The Unhoneymooners, 2019, etc.) latest.

Rusty and Melissa Tripp are the married co-hosts of a successful home-makeover show and have even published a book on marriage. After catching Rusty cheating on Melissa, their assistants, James McCann and Carey Duncan, are forced to give up long-scheduled vacations to go along on their employers' book tour to make sure their marriage doesn’t implode. And the awkwardness is just getting started. Stuck in close quarters with no one to complain to but each other, James and Carey find that the life they dreamed of having might be found at work after all. James learns that Carey has worked for the Tripps since they owned a humble home décor shop in Jackson, Wyoming. Now that the couple is successful, Carey has no time for herself, and she doesn’t get nearly enough credit for her creative contribution to their media empire. Carey also has regular doctor’s appointments for dystonia, a movement disorder, which motivates her to keep her job but doesn’t stop her from doing it well. James was hired to work on engineering and design for the show, but Rusty treats him like his personal assistant. He’d quit, too, but it’s the only job he can get since his former employer was shut down in a scandal. Using a framing device similar to that of Liane Moriarty’s Big Little Lies, the story flashes forward to interview transcripts with the police that hint at a dramatic ending to come, and the chapters often end with gossip in the form of online comments, adding intrigue. Bonding over bad bosses allows James and Carey to stick up for each other while supplying readers with all the drama and wit of the enemies-to-lovers trope.

When a book has such great comic timing, it's easy to finish the story in one sitting.

Pub Date: March 24, 2020

ISBN: 978-1-9821-3864-6

Page Count: 320

Publisher: Gallery Books/Simon & Schuster

Review Posted Online: Dec. 23, 2019

Kirkus Reviews Issue: Jan. 15, 2020

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